Film Reviews

G.I. Joe faces a new enemy as an ancient society of snake people known as Cobra-La try to forcefully take back the earth from those who drove them underground eons ago.

Carlos sweeps and mops the floor of an old-time barbershop. The day before Independence Day, among the customers is Julio. Their eyes meet, and when the barbershop closes Julio comes back for Carlos. They spend the night together, eating, chatting and even dancing, knowing full well that this encounter will be brief and short-lived.

Serving Sara is a 2002 romantic comedy film which stars Matthew Perry, Elizabeth Hurley and Bruce Campbell. Joe Tyler (Perry) is a process server who is given the assignment to serve Sara Moore (Hurley) with divorce papers.

A chorus girl gets bad advice from her fellow chorines in handling a rich suitor who assumes she is a gold-digger.

Ruthless dominatrixes pursue a mild-mannered salesman who wants to get out of his unbreakable contract with a secret bondage club.

Four guys sit around drinking beer and talking, trying to figure out the meaning of "the pompatus of love" (from the Steve Miller song "Joker") and analyzing their relationships with women.

'Night Shift' really knocked me out. I hesitate to call it a thriller, I suppose psychological drama is the more apt description, but it packs in more tension and suspense than 90% of today's Hollywood thrillers. I was hooked from the outset, and the film held me in its grip until the closing scene. Refreshingly set in a blue collar background, something Hollywood very rarely (if ever!) does anymore, it's a simple story of a nice guy/family man Pierre (Gerald Laroche) who moves to a new section of the factory he works at and begins the night shift.

A social climber (Phillips Holmes) charms a debutante (Frances Dee), seduces a factory worker (Sylvia Sidney) and commits murder

A lonely criminology professor attempts to solve the mystery behind five murders by decoding the puzzle of five Pythagorean theorems, in a crime story that features renowned French actor François Cluzet in a key-role.

White-collar worker Yamashita finds out that his wife has a lover visiting her when he's away, suddenly returns home and kills her. After eight years in prison, he returns to live in a small village, opens a barber shop (he was trained as a barber in prison) and talks almost to no-one except for the eel he "befriended" in prison. One day he finds the unconscious body of Keiko, who attempted suicide and reminds him of his wife. She starts to work at his shop, but he doesn't let her become close to him.

Monsieur Cinema, a hundred years old, lives alone in a large villa. His memories fade away, so he engages a young woman to tell him stories about all the movies ever made. Also a line of movie stars comes to visit him giving him back the pleasure of life - but amongst them there are also some young students only striving after his money for the realization of their film projects. The two stories - Monsieur Cinema's and the young people's life - are told in parallel until they come together in the end when the old man plays a role in the film made by the students.

In the mid-1960s, wealthy debutant Edie Sedgwick meets artist Andy Warhol. She joins Warhol's famous Factory and becomes his muse. Although she seems to have it all, Edie cannot have the love she craves from Andy, and she has an affair with a charismatic musician, who pushes her to seek independence from the artist and the milieu.

Using a variety of cinematographic techniques, the world of high- profile fashion designer Issac Mizrahi is portrayed as being driven by excitement and creativity, despite the concomitant chaos and cacophony. Mizrahi's frenzied genius and rollercoaster emotions paint a humorous and personal portrait of a brilliant designer. Famous "SuperModels", actors, and actresses populate Issac's rarified world, but Douglas Keeve's cameras capture the stress and turbulence beneath the placid coolness of glamour. Written by Tad Dibbern

Documentary about horror fans

This documentary recounts the life and work of one of most famous, and yet reviled, German film directors in history, Leni Riefenstahl. The film recounts the rise of her career from a dancer, to a movie actor to the most important film director in Nazi Germany who directed such famous propaganda films as Triumph of the Will and Olympiad. The film also explores her later activities after Nazi Germany's defeat in 1945 and her disgrace for being so associated with it which includes her amazingly active life over the age of 90.