Film Reviews
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God Grew Tired of Us |
GOD GREW TIRED OF US explores the indomitable spirit of three “Lost Boys” from the Sudan who leave their homeland, triumph over seemingly insurmountable adversities and move to America, where they build active and fulfilling new lives but remain deeply committed to helping the friends and family they have left behind. |
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A Dispatch from Reuter's |
German Julius Reuter (Edward G. Robinson) sends 19th-century news by carrier pigeon and then by wire, founding a news agency. |
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Man Up |
A 34 year old single woman, Nancy, hung-over again, exhausted by the endless fruitless set ups by her friends, traveling across London to toast another 10 years of her parent's successful happy magical marriage runs in with a 40 year old divorcee, Jack, who mistakes her for his 24 year old blind date. Nancy, deciding to go with it, happens to hop on the most chaotic yet hilarious journey of her life which neither of them will ever forget. |
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Sword for Truth |
Shurannosuke Sakaki is a masterless samurai with a razor-sharp katana and a cold-hearted personality. Whenever you see the mark of two crossed scythes on his back, death is sure to follow. Because of his exceptional swordsmanship, Shurannosuke is hired by the Nakura Clan to rescue Princess Mayu from the Seki Ninja. In this mission, he must use his full potential to survive the Seki Ninja's notorious henchmen. |
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Raising Jeffrey Dahmer |
Based on the true story of the mass murderer Jeffrey Dahmer, the events within the family behind, and leading up to, his capture |
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Crimewave |
Fed up of his business partner, Ernest Trend hires the services of two exterminators. When things go drastically wrong and they murder the wrong man, the race is on to frame an innocent video surveillance man. |
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Runaway |
In the near future, a police officer specializes in malfunctioning robots. When a robot turns out to have been programmed to kill, he begins to uncover a homicidal plot to create killer robots... and his son becomes a target. |
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The Long Day Closes |
Set in Kensington, a working-class district of Liverpool, England in mid-1950s, this is the story of eleven-year-old Bud, a sad and lonely boy. With cinema as his main source of solace, he haunts the local 'picture-house'. All the while, his family looms large in our peripheral vision as do the menacing bullies of his school, but Bud is the centre of attention both from the camera's angle and from his doting family. |
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Short Eyes |
A young man who is charged with child molestation is placed in New York City’s infamous Tombs prison. When the other inmates in his cell block find out what he is charged with, life becomes extremely difficult for him. |
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Blue State |
BLUE STATE is a romantic comedy about a disgruntled Democrat who actually follows through on a drunken campaign promise to move to Canada if George "Dubya" Bush gets re-elected. |
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Saboteur |
Aircraft factory worker Barry Kane goes on the run across the United States when he is wrongly accused of starting a fire that killed his best friend. |
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Shark Kill |
Two adventurers set sail to find a giant man-eating great white shark. |
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Where the Spies Are |
No overview found. |
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Come and Go |
Driven by his struggle against the illness that would ultimately prove fatal, Monteiro fervently devoted himself to his deeply personal last work, a musically structured meditation on spirituality and desire in which he heroically cast himself in the lead role as an eccentric libertine drifting wide-eyed through a sun-drenched Lisbon. A consciously terminal film, Come and Go offers a poetic summation of Monteiro’s fascination with the body as the most irreverent and mysterious of temples, staging a series of playfully austere encounters between the visibly infirm and prematurely aged director and the women with whom he engages in erotic, linguistic and theological debates. |
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French Connection II |
"Popeye" Doyle travels to Marsailles to find Alain Charnier, the drug smuggler that eluded him in New York. |