Film Reviews

Dr. Maurice Lamar is a noted plastic-surgeon who makes his rich clients beautiful, and also makes them. He makes Eve Caron, the wife of Marcel Caron, so satisfied with his skilled hands that she leaves Marcel and marries Maurice. They go on a Mediterranean honeymoon, where he soon finds the affects of his own beauty regulations are more than he can handle. He bids adieu to his new bride, wings it back to Paris with the intention of giving up his practice and becoming a scientific researcher...after winning back the love of his simple, unadorned secretary, Anne.

Erika is mentally bruised and starts group therapy with people seeking absolute anonymity.

After her birthday party, ad executive Michelle finds herself caught between cheerful Tony, dreamy Bill, youthful Jeb, and rich Tiger. Overwhelmed with stress, another complication quietly forms in her life.

Inspired by true events, Todd Verow’s Tumbledown is an explosive cocktail- an emotional rollercoaster ride through the dark sides of sexuality. A complicated love triangle develops after hunky Jay meets bartender Nick and invites him to spend the weekend with him and his partner in their country cabin. Soon, copious amounts of sex, drugs and alcohol lead to a dark obsession and even darker complications. Always bold and never less than riveting, Tumbledown is sure to leave you breathless.

A township near Cape Town. Two young teens, Madiba and Sipho, find a gun and a camera. Sipho takes the gun, and Madiba the camera, sealing their fate.

Beautiful young Virginian Jane steps down from her proper aristocratic upbringing when she marries down-to-earth surveyor Matt Howard. Matt joins the Colonial forces in their fight for freedom against England. Matt will meet Jane's father in the battlefield.

Arbuckle escapes the watch of his domineering wife and heads for Coney Island. Keaton arrives that same day with his attractive, and rather easy, girlfriend, who is immediately stolen from him by St. John.

The life of brilliant but tortured artist Vincent van Gogh.

A shipwrecked sailor stumbles upon a mysterious island and is shocked to discover that a brilliant scientist and his lab assistant have found a way to combine human and animal DNA with horrific results.

A teenage hustler and a young man obsessed with alien abductions cross paths, together discovering a horrible, liberating truth.

A young boy from a working-class family and a bored young girl from a rich family are falling in love. Soon, she's pregnant and the teenagers have to escape from their disapproving parents.

Wada (Masahiro Motoki), a salary man, is enlisted to venture off to China to investigate a potential Jade mine. After his arrival, Wada encounters a violent, yet sentimental, yakuza (Renji Ishibashi), who takes the liberty of joining his adventure through China. Led on their long and disastrous journey to the mine by Shen, the three men come across something even more magical and enticing...

Single and middle-aged, beautiful Irene (Margarita Buy) is wholly devoted to her job as an inspector of luxury hotels. Constantly on the road, she indulges in expensive pleasures at impeccable resorts, but always incognito and alone, soon escaping to the next exotic destination with her checklist and laptop in tow. When her best friend and ex, Andrea (Stefano Accorsi), who has always been a source of emotional support, suddenly becomes unavailable, Irene is thrown into a deep existential crisis. "Luxury is a form of deceit," she is told by a fellow traveller in the fog of a steam room, and thus begins Irene's quest to bring more meaning into her life.

Shot by a reported “1,001 Syrians” according to the filmmakers, SILVERED WATER, SYRIA SELF-PORTRAIT impressionistically documents the destruction and atrocities of the civil war through a combination of eye-witness accounts shot on mobile phones and posted to the internet, and footage shot by Bedirxan during the siege of Homs. Bedirxan, an elementary school teacher in Homs, had contacted Mohammed online to ask him what he would film, if he was there. Mohammed, working in forced exile in Paris, is tormented by feelings of cowardice as he witnesses the horrors from afar, and the self-reflexive film also chronicles how he is haunted in his dreams by a Syrian boy once shot to death for snatching his camera on the street.

Peter Hall's Royal Shakespeare Company production is one of the best versions of this oft-attempted but seldom achieved vision.