Film Reviews

Handed over to foster care by his mother—who's unwilling to give up permanent custody—the now-adolescent François understands that nothing in life is permanent, and his increasingly erratic actions reflect this knowledge. Shining a light on both the destructive behavior borne of abandonment and the complicated nature of foster care relationships, this 1968 film marked the directorial debut of Maurice Pialat.

Raging Grannies is a touching and thought-provoking documentary that challenges the idea that we must continue to shop, consume, amass, and keep the economy growing.

A Dutch miner (Glenn Ford) and an Old West couple (Ida Lupino, Gig Young) die fighting over an Arizona gold mine lost in an earthquake.

Bumpy are the pot-holed roads of Bulgaria’s capital Sofia. Doctor Krassi, nurse Mila and driver Plamen fly over them daily at break-neck speed. Together the three form one of 13 ambulance teams providing assistance to over two million people. They zoom around the city on double shifts from one emergency to the next. Ilian Metev’s camera is not aimed at those in need of help – their dignity remains preserved. He focuses instead upon the rescue team Krassi, Mila and Plamen and their wild rides across the city on a never-ending battle with time – a feat almost impossible without humour. The ambulance team fight against a ramshackle health system with passion, selflessness and sometimes near resignation. Ilian Metlev accompanied the trio for more than two years to find images that make poetry of the human figure and this depiction of reality.

Small and short Frida lives with her long, tall friend in a house in the countryside. Frida rejects the idea that people who has commited crimes should be locked up. One day their own house is burgled by Harald. He is sentenced to prison. Acting in accordance with her philosophy, Frida decides to use all means possible to make it possible for Harald to escape.

Liza's a nurse, seeking love. Her only company is a long-dead Japanese pop star, who turns her into a fox-fairy out of jealousy. Now, every men who desires Liza shall die horribly. Can she overcome the curse?

Point of Order is compiled from TV footage of the 1954 Army-McCarthy hearings, in which the Army accused Senator McCarthy of improperly pressuring the Army for special privileges for Private David Schine, formerly of McCarthy's investigative staff. McCarthy accused the Army of holding Schine hostage to keep him from searching for Communists in the Army. These hearings resulted in McCarthy's eventual censure for conduct unbecoming a senator.

Old Prof. Preobrazhensky and his young colleague Dr. Bormental inserted the human's hypophysis into a dog's brain. Couple of weeks later the dog became "human looking". The main question is "Is anybody who is looking like a man, A REAL MAN?"

In the near future, a virus has infected everyone on the planet, and Absolon is a drug that everyone must take to stay alive. One corporation controls the drug. Murchison is the leader of this firm. A scientist who was researching the virus is found murdered, and Norman Scott is the policeman who investigates the crime.

Wearing torn Japanese shoes, English trousers, a red Russian cap, and a Hindustani heart, orphaned Ranbir Raj comes to Bombay to make his fortune. He pawns his gold medal, gambles with the money, loses everything, & the balance is pick-pocketed. He ends up on the beach, meets with Vidya Shastri, a teacher who runs a private school, and both fall in love. Ranbir gets a job in a laundry. When he goes to deliver some clothes to Maya, she notices that he has a way with cards, gets him to accompany her to a casino of sorts, where he wins Rs.20000/-, which unfortunately is pocketed by Maya. Then a rich industrialist, Sonanand Dharmachand, approaches Ranbir, hires him to work for him, and soon Ranbir is on his way to a wealthy life. Vidya gets a first hand look at this wealthy life, and decides to break up with him. Sonachand teaches Ranbir that in order to make money one must never discriminate between the rich and poor...

The third film of Frank Capra's 'Why We Fight" propaganda film series, dealing with the Nazi conquest of Western Europe in 1940.

The Driver is drafted by the UN to rescue a wounded war photographer named Harvey Jacobs from out of hostile territory. While they are leaving Jacobs tells the Driver about the horrors he saw as a photographer, but he regrets his inability to help war victims. Jacobs answers the driver curiosity about why he is a photographer by saying how his mother taught him to see. He gives the Driver the film needed for a New York Times story and also his dog tags to give to his mother. When they reach the border, they are confronted by a guard who begins to draw arms as Jacobs begins taking pictures, trying to get himself killed. The Driver drives through a hail of gunfire to the border, but finds Jacobs killed by a bullet through the seat. The Driver arrives in America to visit Jacobs' mother and share the news of him winning the Pulitzer prize and hand over the dog tags, only to discover that she is blind.

Agent of special department "Piranha" Kirill Mazur and his colleague Olga go to the far north with the assignment to liquidate an underwater secret weapon lab in the guise of a mutual vacation. All of a sudden, they find themselves in the world where civilization laws are forgotten, and this deadly weapons are kept by gangsters who are controlled by a new "master of taiga" Prohor, whose leisure time is spent hunting at humans. Mazur didn't know that he would have to trade his familiar gun for a hand-made bone knife, and save his companion and himself instead of saving the world. For them, this safari in northern forests would be no less dangerous as for the live targets.

It's the closing night at the last drive-in theater in America and Cecil B. Kaufman has planned the ultimate marathon of lost film prints to unleash upon his faithful cinephile patrons. Four films so rare that they have never been exhibited publicly on American soil until this very night! With titles like Wadzilla, Deathecation, The Diary of Anne Frankenstein, and Zom-B-Movie, Chillerama not only celebrates the golden age of drive-in B horror shlock but also spans over four decades of cinema with something for every bad taste.

Just as Dan and Kristi welcome a newborn baby into their home, a demonic presence begins terrorizing them, tearing apart their perfect world and turning it into an inescapable nightmare. Security cameras capture the torment, making every minute horrifyingly real.