Film Reviews

A psychic doctor, John Clancy, works with an FBI special agent in search of a serial killer. After having lived in isolation for two years, since the death of his daughter, Clancy is asked by his friend Joe, an FBI special agent to help him solve several murders committed by a serial killer.

In a daring robbery, some $300,000 is taken from the Italian mob. Several mafiosi are killed, as are two policemen. Lt. Pope and Mattelli are two New York City cops trying to break the case. Three small-time criminals are on the run with the money. Will the mafia catch them first, or will the police? Written by Ken Miller

An homage to the French New Wave and a touching story of friendship and love.

Day of the Full Moon, a series of vignettes from Russia past and present, summons the spirit of Ophuls’ La Ronde, Altman’s Nashville and Short Cuts, and the time-shifting strategies of Resnais (Mon Oncle d’Amérique) to tell provocative, connected stories illustrating the waltz of years and whim of memory. In 1948, a young man, a boy, and a waiter are captivated during the full moon by a mysterious woman in a lilac dress. The effects of this event ripple across the years, washing over more than 80 characters, including a disc jockey, a fairy princess, a gangster, Alexander Pushkin, and a nostalgic dog. But which of these are dreams, and which reality? Director Shakhnazarov continues his career-long focus on the intersection of past and present with this mysterious, exhilarating mosaic of humankind, which in the end both seduces and satisfies.

Alonzo Bodden returns with a comedic look at the historical inaccuracies of the present and past in an all-new stand-up comedy event that exposes the hypocrisy - and hilarity - of modern day culture.

A romantic comedy about a family traveling to the French capital for business. The party includes a young engaged couple forced to confront the illusion that a life different from their own is better.

Thrill-seeking teenagers resurrect a demon from his grave and a bloody rampage for revenge begins.

Legless Southern inventor Dr. Arliss Loveless plans to rekindle the Civil War by assassinating President U.S. Grant. Only two men can stop him: gunfighter James West and master-of-disguise and inventor Artemus Gordon. The two must team up to thwart Loveless' plans.

A vibrant tribute to one of America's legendary bandleaders, charting Glenn Miller's rise from obscurity and poverty to fame and wealth in the early 1940s.

The atmosphere of a corridor between yesterday and tomorrow, where many doors open into the unknown ... A series of faces, gestures and images both real and imagined time. (A fragmentary narrative without dialogue and depicts several people in Vilnius)

A young woman who dreams of being a children's author makes an unlikely friendship with a cantankerous, rich old widower.

In Montreal, the unemployed fashion designer Sophie Malaterre is shown a website, switch.com, where it is possible to switch houses with a stranger for vacation. Sophie seeks an apartment in Paris nearby the Eiffel Tower that belongs to Bénédicte Serteaux and they change apartments. Sophie arrives in Paris on Saturday morning. The next morning, policemen break in the apartment and arrest Sophie while she is having a bath. Detective Damien Forgeat interrogates Sophie believing that she is Bénédicte and she learns that a beheaded body was found in her room and all evidence of her life has been deleted.

The Satan Bug (1965) is a science fiction film in which a US government germ warfare lab has had an accident. The first theory is that one of the germs has been released and killed several scientists. The big fear is that a more virulent strain, named The Satan Bug because all life can be killed off by it should it escape, may have been stolen.

The rough Redneck may inherit from Stepfather a Million Dolars so the fun can begin.

35-year-old Morris Bliss (Michael C. Hall) is clamped in the jaws of New York City inertia: he wants to travel but has no money; he needs a job but has no prospects; he still shares an apartment with his widowed father; and the premature death of his mother has left him emotionally walled up. When he finds himself wrapped up in an awkward relationship with Stephanie (Brie Larson), the 18-year-old daughter of a former classmate, Morris quickly discovers his static life unraveling and opening up in ways that are long overdue.