Film Reviews

The film revolves around a local street-racer who partners with a rich and arrogant business associate, only to find himself framed by his colleague and sent to prison. After he gets out, he joins a New York-to-Los Angeles race to get revenge. But when the ex-partner learns of the scheme, he puts a massive bounty on the racer's head, forcing him to run a cross-country gauntlet of illegal racers in all manner of supercharged vehicles.

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A young factory worker stands alone against a proposed strike.

A glimpse at the life of French singer Serge Gainsbourg, from growing up in 1940s Nazi-occupied Paris through his successful song-writing years in the 1960s to his death in 1991 at the age of 62.

Liza falls in love with one of her father's employees. Her socialistic ideas about employment drive her to collide with her father and the sociopolitical status of the time.

A biography of the Belgian nun Jeannine Deckers, who became a popular singer in the early 1960s and struggled with the contradiction between the church and her true self.

Cattle Annie and Little Britches is a 1981 American film[1] starring Burt Lancaster, Rod Steiger, Diane Lane, and Amanda Plummer, based on the lives of two adolescent girls in the late 19th century Oklahoma Territory, who became infatuated with the Western outlaws that they had read about in Ned Buntline's stories and left their homes to join the criminals. It was scripted by David Eyre and Robert Ward from Robert Ward's book and directed by Lamont Johnson.

Set in communist Poland of the 80s the movie depicts early career of cardio surgeon Zbigniew Religa.

Based on the true story of Raymond Fernandez and Martha Beck, who met through a lonely-hearts correspondence club, Ray is weedy, feral, and untrustworthy; Martha is enormous, compulsive, and needy. Together, they play out a horrifying scheme in which he lures lonely women out on dates and proposes marriage to them, with she pretending to be his sister. They take the women's savings and then murder them remorselessly. Dank, claustrophobic, and weirdly engrossing, this movie never quite gives in to the comforts of conventional narrative. Francois Truffaut named it as his favorite American film.

God, heaven, and several Old Testament stories, including the Creation and Noah's Ark, are described supposedly using the perspective of rural, black Americans.

A sex-obsessed young woman, a suicidal young man she meets on the street, a gun-crazy wannabe gangster—these are just three of the irrational, oddball anarchists trapped in an underground hideaway in Oshima’s devilish, absurdist portrait of what he deemed the “death drive” in Japanese youth culture.

This historical and critical look at slasher films, which includes dozens of clips, begins with "Halloween," "Friday the 13th," and "Prom Night." The films' directors, writers, producers, and special effects creators comment on the films' making and success. During the Reagan years, the films get gorier, budgets get smaller, and their appeal wanes. Then, "Nightmare on Elm Street" revives the genre. Jump to the late 90s, when "Scream" brings humor and TV stars into the mix. Although some criticize the genre as misogynistic (Siskel and Ebert), most of the talking heads celebrate the films: as long as there are teenagers, there will be slasher films, says one.

Florence and Vincent Leroy are a model couple. They have great jobs, a perfect marriage and delightful children. And now they want their divorce to be an equal success. But when they are both simultaneously promoted to their dream jobs, their relationship becomes a nightmare. From that moment on, the gloves are off, the two exes declare war and will do everything in their power to NOT have custody of their children.

One of the best Polish comedies of the late 1990's, "Boys Don't Cry" is a satirical look at the gangsters of Poland and some teens who accidentally get involved with them.

The residents of a small American town begin to die one-by-one apparently by suicide...