Film Reviews

Prem Prakash Tiwari (Ayushmann Khurrana) listening to Kumar Sanu is the film's opening shot. Set in Haridwar, 1990s, the film captures the nascent feel of the town. Prem owns a cassette shop in the local market. His father is keen to get him hitched and the family goes to a local temple to meet Sandhya (Bhumi Pednekar). B.Ed, waiting for a teaching job, the most visible thing about her is her weight. Coming from a patriarchal cognitive set-up, she doesn't fit the quintessential idea of beautiful. And still, the school drop out Prem must marry her because he is incapable of attaining a girl with 'Juhi-Chawla-level-of-looks.' In an elaborate community-wedding ceremony, Prem and Sandhya get married. Their wedding night is uncomfortable with neither treading towards establishing conjugal relations. Prem has in his own reasons and the girl is naturally shy. Next morning on a call, she announces it to a friend and the whole family finds out

Nothing new, but an old thing done over again and done well. Some one has attempted to describe a kiss as "something made of nothing," but this is not one of that kind, but one of those old fashioned "home made" kind that sets the whole audience into merriment and motion, and has always proven a popular subject. It is very fine photographically and an exhibit is not complete without it. (Edison film catalog)

Combining archival footage with rotoscopic animation, Tower reveals the action-packed untold stories of the witnesses, heroes and survivors of America’s first mass school shooting, when the worst in one man brought out the best in so many others.

Foreign Legion officer, Galoup, recalls his once glorious life, leading troops in the Gulf of Djibouti. His existence there was happy, strict and regimented, but the arrival of a promising young recruit, Sentain, plants the seeds of jealousy in Galoup's mind. He feels compelled to stop him from coming to the attention of the commandant who he admires, but who ignores him. Ultimately, his jealousy leads to the destruction of both Sentain and himself.

Jimi, a computer game designer, finds that his latest product has been infected by a virus which has given consciousness to the main character of the game, Solo. Tormented by the memory of his fled girlfriend Lisa and begged by Solo to end its useless "life", Jimi begins a search for people who can help him both to discover what happened to Lisa and to delete his game before it is released.

Under pressure from his publisher, Russian novelist Fyodor Dostoyevsky gets work on his latest piece, 'Rouletenberg'. In the 27 days it takes for him to complete the novel reality and fiction become blurred; in this feverish atmosphere of excess Dostoyevsky's characters come to life as he struggles to complete his work.

Hapless driving instructor and former Gunnery Sergeant Rafferty, living in squalor near Hollywood, California, doesn't put up too much of a fight when two ladies hitch a ride and attempt to kidnap him in their attempt to get to New Orleans; while initially put off, Rafferty finds he's charmed by the kooky pair of misfits and the three of them drive to Las Vegas, Nevada and later Tucson, Arizona, where their bond eventually unravels.

Hotte, a Berlin-based pimp with only modest turnovers, suddenly becomes a big player in the prostitution business. He has three girls on the streets: Rosa is in love with Hotte and is working hard for him. Jenny, the new girl, is an unconventional prostitute but nevertheless much sought-after by her clients. And the third girl, Yvonne, also brings in a large turn-out. So, Hotte’s proceeds are more than sufficient to buy expensive accessoires and to boost his reputation with the other pimps. But when Yvonne quits her job and Jenny starts to work for another pimp, Hotte’s rise comes to a sudden end

Inspired by the Baader-Meinhof gang, a film about modern left Germans adopting the culture of extreme left-wing movements of the 1970s. East German dominatrix Gudrun leads a revolutionary gang of her own in Berlin. She has her men kidnap the son of a rich businessman in order to gain publicity. Claiming that heterosexuality is a social norm created to keep the people down, she forces her male minions to have sex with each other.

Following a long fascination with the religion and with much experience in dealing with eccentric, unpalatable and unexpected human behavior, the beguilingly unassuming Theroux won't take no for an answer when his request to enter the Church's headquarters is turned down. Inspired by the Church's use of filming techniques, and aided by ex-members of the organization, Theroux uses actors to replay some incidents people claim they experienced as members in an attempt to better understand the way it operates. In a bizarre twist, it becomes clear that the Church is also making a film about Louis Theroux.

Mia Thermopolis is now a college graduate and on her way to Genovia to take up her duties as princess. Her best friend Lilly also joins her for the summer. Mia continues her 'princess lessons'- riding horses side-saddle, archery, and other royal. But her complicated life is turned upside down once again when she not only learns that she is to take the crown as queen earlier than expected...

When the murdered body discovered by beautiful, vivacious socialite Melsa Manton disappears, police and press label her a prankster until she proves them wrong.

Bad Grandpa .5 gives you a whole new perspective on the world of Irving Zisman with bonus scenes and pranks also featuring Spike Jonze as "Gloria" and Catherine Keener as Irving's wife "Ellie", plus a look at the evolution of Johnny Knoxville's naughty alter-ego, the makeup effects, and a behind-the-scenes peek at the idiocy it takes to make a hidden camera movie in public.

Among the most acclaimed choreographers in American history, Paul Taylor has been reinventing the roles of music, movement and theme in dance for nearly 60 years. In that time he has offered only glimpses into his creative process. Creative Domain is a rare in-depth documentation of how he creates a single dance. Through the lens of award-winning cinematographer Tom Hurwitz, we see Paul’s non-verbal communication with his dancers. Below the surface of this dance and the many works that came before, is Paul’s power of acute observation, revealing a side to his choreography that is strangely prophetic. The dominant voice is Paul’s, between the guarded and unguarded moments we see him with new eyes and new understanding.

Longtime friends Ronny and Nick are partners in an auto-design firm. They are hard at work on a presentation for a dream project that would really launch their company. Then Ronny spots Nick's wife out with another man, and in the process of investigating the possible affair, he learns that Nick has a few secrets of his own. As the presentation nears, Ronny agonizes over what might happen if the truth gets out.