Film Reviews
| Actions | ||
|---|---|---|
|
Atlantis: The Lost Empire |
The world's most highly qualified crew of archaeologists and explorers is led by historian Milo Thatch as they board the incredible 1,000-foot submarine Ulysses and head deep into the mysteries of the sea. |
|
|
Die Geschichte vom Brandner Kaspar |
No overview found. |
|
|
Enemies: A Love Story |
A ghostwriter finds himself romantically involved with his current wife, a married woman and his long-vanished wife. |
|
|
Rio Lobo |
After the Civil War, Cord McNally searches for the traitor whose perfidy caused the defeat of McNally's unit and the loss of a close friend. |
|
|
Crash |
Los Angeles citizens with vastly separate lives collide in interweaving stories of race, loss and redemption. |
|
|
7 Boxes |
Víctor receives an unusual proposal, to carry 7 boxes of unknown content through the Market Number 4 but things get complicated along the way. |
|
|
The Prisoner of Zenda |
An Englishman on a Ruritarian holiday must impersonate the king when the rightful monarch, a distant cousin, is drugged and kidnapped. |
|
|
If Lucy Fell |
Joe and Lucy are roommates and best friends. Lucy, whose love life is embarrassingly dull, convinces Joe, who is infatuated with a neighbor he's never met, that if they don't have stable romances within a month, they must jump off the Brooklyn Bridge. |
|
|
Craig Ferguson: I'm Here to Help |
Craig Ferguson unleashes his trademark stream-of-consciousness comedy before a sold-out crowd, riffing on fatherhood, Helen of Troy and shark penises. His show's not safe for kids -- or the easily offended. |
|
|
Mock Up on Mu |
A radical hybrid of spy, sci-fi, Western, and even horror genres, Craig Baldwin's Mock Up On Mu cobbles together a feature-length "collage-narrative" based on (mostly) true stories of California's post-War sub-cultures of rocket pioneers, alternative religions, and Beat lifestyles. Pulp-serial snippets, industrial-film imagery, and B- (and Z-) fiction clips are intercut with newly shot live-action material, powering a playful, allegorical trajectory through the now-mythic occult matrix of Jack Parsons (Crowleyite founder of the Jet Propulsion Lab), L.Ron Hubbard (sci-fi author turned cult-leader), and Marjorie Cameron (bohemian artist and "mother of the New Age movement"). Their intertwined tales spin out into a speculative farce on the militarization of space, and the corporate take-over of spiritual fulfillment and leisure-time. |
|
|
Io so che tu sai che io so |
The investigations of a private eye shake up the almost broken marriage of a middle aged couple. |
|
|
Cry, Onion! |
Onion Jack (Franco Nero) has bought a piece of land on which to settle, but the property is still in possession of the orphans of the original owner and is coveted by the local oil baron. |
|
|
A Genius Leaves the Hood - The Unauthorized Story of Jay Z |
On the surface, 'A Genius Leaves The Hood-The Unauthorized Story of Jay Z' chronicles how hip-hop's most successful rapper of the past two decades reached the top; but at its core, the film attempts to divulge the savvy and cunning business acumen of a mogul who decided that being at the top of the charts wasn't enough. This 60-minute unauthorized biography explores the mind of a man who never played by the rules and admits it. This film uncovers the price Mr. Carter paid for his success through recent controversies including the racial debate of the Barneys deal, feud with Harry Belafonte and clashes with community activists over the construction of the Barclay Center. The film also explores rumors of association with the Illuminati, a highly publicized separation from the Roc-A-Fella crew, his estranged relationship with rapping mentor Jaz-O and break up with business partner Damon Dash. |
|
|
Good Time |
A bank robber tries to avoid the law closing in on him. |
|
|
Shadow |
A Young soldier returning from Iraq goes on a high mountain adventure in a desolate place in Europe to forget his past, he will lear truth in a mysterious local legend discovering that reality can be sicker than nightmares. |