Film Reviews
Husk |
A group of friends stranded near a desolate cornfield find shelter in an old farmhouse, though they soon discover the dwelling is the center of a supernatural ritual. |
|
P.U.N.K.S |
A group of misfit teens evade a corrupt scientist when they steal and attempt to return a suit that delivers supernatural strength to its wearer. |
|
The Founder |
The true story of how Ray Kroc, a salesman from Illinois, met Mac and Dick McDonald, who were running a burger operation in 1950s Southern California. Kroc was impressed by the brothers’ speedy system of making the food and saw franchise potential. He maneuvered himself into a position to be able to pull the company from the brothers and create a billion-dollar empire. |
|
Hotel Rwanda |
Inspired by true events, this film takes place in Rwanda in the 1990s when more than a million Tutsis were killed in a genocide that went mostly unnoticed by the rest of the world. Hotel owner Paul Rusesabagina houses over a thousand refuges in his hotel in attempt to save their lives. |
|
Rocky Marciano |
Step into the ring with one of America's greatest legends...and stand a couple of rounds with greatness! "Pulling no punches" (LA Daily News), Jon Favreau (Swingers) and OscarÂ(r) winner* George C. Scott give TKO performances in this outstanding biography of the only undefeated world heavyweight champion in the history of boxing! In the small blue-collar town of Brockton, Massachusetts, young Rocky Marciano (Favreau) turns to the ring as his ticket out. Training twice as hard and twice as long as anyone else, he pounds his way to victory and his reputation quickly spreads as "the guy to beat." But behind the gloves Rocky is unhappy with his gift and he's thinking of retiring. So, with the fate of his career hanging in the balance, he finds a way to unleash his thunder againthis time against his biggest hero: Joe Louis! |
|
One to Another |
A story about bunch of people who live in a town in provincial France. At the center of it all is Pierre, a conceited and vain bisexual musician in his late teens who acts as a magnet, to varying degrees, for a whole array of characters - from his sister Lucie, with whom he has a heated incestuous relationship, to a city councilor with whom he participates in gay orgies. When Pierre turns up dead, Lucie investigates the reasons for his demise and charts the network of sadomasochistic relationships that crisscross the town. |
|
Invasion |
A volunteer troop of middle-aged men gather to defend their country from dark shrouded foreign invaders. Hearing the summons from an elderly man, the group quickly mobilizes as they change into their light-colored costumes. Political upheaval and gangland warfare threaten the last remnants of a civilized society out of touch with the rest of the world. A poet, a modern Don Juan and a man who loves violence are just some of the victims brought down by the enemy. A femme fatale captures the Don Juan, and the violent man is shot while watching a television western. This marks the directorial debut of Hugo Santiago. |
|
Coming Soon |
What kind of scenes in a horror film scares you the most? When a ghost appears totally unexpectedly? When the main character does not see the ghost sneaking up behind him? When at the very end you find out that the main character was actually a ghost all along? But none of this compares to the feeling of arriving home alone and suddenly being stuck by a feeling of deja-vu. |
|
School For All |
Jahwad is thirty years old and going nowhere fast. He flunked out of school, and slipped into petty crime. Now, he has the police on his tail. So Jahwad is no longer going nowhere, he is getting out of town as fast as he can. He hitches a ride with a schoolteacher, who is desperate at being posted to one of the toughest high schools in the Paris suburbs. The man is so frantic, he rams his car into a tree. For Jahwad, the opportunity is too good to miss, but the high school dropout hardly looks the part. |
|
One Wild Oat |
A barrister (Robertson Hare) attempts to discourage his daughter's infatuation for a philanderer by revealing his past. The plan backfires when the daughter's would-be father-in-law (Stanley Holloway) threatens to reveal the barrister's shady background. |
|
Johnny Belinda |
A small-town doctor helps a deaf-mute farm girl learn to communicate. |
|
Mad Bastards |
TJ is a mad bastard, and his estranged 13‐year‐old son Bullet is on the fast track to becoming one, too. After being turned away from his mother’s house, TJ sets off across the country to the Kimberly region of northwestern Australia to make things right with his son. Grandpa Tex has lived a tough life, and now, as a local cop in the outback town of Five Rivers, he wants to change things for the men in his community. Cutting between three generations, Mad Bastards is a raw look at the journey to becoming a man and the personal transformation one must make. Developed with local Aboriginal communities and fueled by a local cast, Mad Bastards draws from the rich tradition of storytelling inherent in Indigenous life. Using music from legendary Broome musicians the Pigram Brothers, writer/director Brendan Fletcher poetically fuses the harsh realities of violence, healing, and family. |
|
Spinning Boris |
Russian political elite hires American consultants to help with President Yeltsin's re-election campaign when his approval rating is down to single digits. |
|
The Old Dark House |
Seeking shelter from a pounding rainstorm in a remote region of Wales, several travellers are admitted to a gloomy, foreboding mansion belonging to the extremely strange Femm family. Trying to make the best of it, the guests must deal with their sepulchral host, Horace Femm and his obsessive, malevolent sister Rebecca. Things get worse as the brutish manservant Morgan gets drunk and runs amok. |
|
The Quare Fellow |
Thomas Crimmins is a new warder, or guard, in an Irish prison. He is young, naive, and idealistic, determined to serve his country by his part in meting out justice to criminals. His superior, Regan, however, realizes that even prisoners are human beings, and Regan is sick of the eye-for-an-eye attitude that leads the state to execute condemned men, or "quare fellows." Crimmins begins to see that not all is black and white in his new world, and when he becomes involved with Kathleen, the wife of one of the condemned men, his attitude begins to change. When new evidence arises to suggest that Kathleen's husband may not deserve his fate, Crimmins is torn between his duty and his humanity. |
|