Film Reviews
Ella Cinders |
Poor Ella Cinders is much abused by her evil step-mother and step-sisters. When she wins a local beauty contest she jumps at the chance to get out of her dead-end life and go to Hollywood, where she is promised a job in the movies. When she arrives in Hollywood, she discovers that the contest was a scam and the job non-existent. But through pluck, luck, and talent, she makes it in the movies anyway, and finds true love. |
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The Last Run |
When a young accountant is devastated after discovering his inspiringly beautiful girlfriend is cheating on him, his best friend, who's engaged to a girl he doesn't love, convinces him to go on a "run" and sleep with as many women as he can to get over his heart break. |
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Episode 3: Enjoy Poverty |
An investigation of the emotional and economic value of Africa's most lucrative export: filmed poverty. Deep in the interiors of the Congo, Dutch artist Renzo Martens single-handedly undertakes an epic journey and launches an emancipatory program that helps the poor become aware of what is their primary capital resource: Poverty. After three years of traveling through the Democratic Republic of the Congo he asks the question: "Who owns poverty? |
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Eyes of the Mothman |
Feature length documentary of the real story behind the legend of The Mothman. |
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Jersey Girl |
A working girl from New Jersey looks for love with a fast-lane Manhattan salesman from Queens. |
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Courage Mountain |
In this version of "Heidi," a young Swiss girl is sent off to boarding school at the beginning of World War I. |
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Ace |
Asso, THE best poker-player in town, was killed in his wedding night, because he won too much against a bad loser. In the 'final' game in heaven the clerk on duty also lost, so Asso can come back to this world as a ghost to search for a good man for his wife (widow). Who is good enough for the wife of Asso ? |
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Le Joli Mai |
A two-part exposition inspired by Jean Rouch's groundbreaking Chronicle of a Summer assembled from candid interviews of ordinary people on the meaning of happiness, an often amorphous and inarticulable notion that evokes more basic and fundamentally egalitarian ideals of self-betterment, prosperity, tolerance, economic opportunity, and freedom. (From Strictly Film School) |
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À Nous la Liberté |
One of the all-time comedy classics, René Clair’s À nous la liberté tells the story of Louis, an escaped convict who becomes a wealthy industrialist. Unfortunately, his past returns (in the form of old jail pal Emile) to upset his carefully laid plans. Featuring lighthearted wit, tremendous visual innovation, and masterful manipulation of sound, À nous la liberté is both a potent indictment of mechanized modern society and an uproarious comic delight. |
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The Mirror |
When a young Iranian's mother doesn't meet her after school, she tries to negotiate the streets of Tehran by herself. |
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Stoked: The Rise And Fall Of Gator |
A documentary exploring the rise and fall of 80s skateboard legend Mark "Gator" Rogowski. |
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Stop at Nothing: The Lance Armstrong Story |
A portrait of the man behind the greatest fraud in sporting history. Lance Armstrong enriched himself by cheating his fans, his sport and the truth. But the former friends whose lives and careers he destroyed would finally bring him down. |
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Crush and Blush |
With her frumpy hair, blushing face, and awkward mannerisms, Yang Mi Sook has spent her entire life being unnoticed. Nicknamed Miss Carrot, she diligently teaches Russian to high school students who don?t listen, and ceaselessly pines after colleague Seo, her crush of ten years. Content with her uneventful, self-delusional existence, Mi Sook is sparked into action when hot young teacher Yuri comes strolling in and steals her class and her man. To nip their blooming romance in the bud, Mi Sook forms an unlikely alliance with Seo?s misfit teenager daughter, who?s every bit as eccentric as she is! |
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Kiuleandra |
The Director managed to captures perfectly the wild energy of the popular dance (Ciuleandra, hence the title). But unfortunately the acting, or rather the dialogue are unnatural and lack spontaneity. I've read the book and liked it, but the film was quite different. Also, it takes some time until the pieces fall into place and the beginning, despite being "spiced" with eerie dream sequences, is rather boring. In conclusion, this is a very decent movie and, particularly, a beautifully shot one. For those who like handsome movies, it is a must. The fact it was made before the fall of the Communist regime doesn't necessarily means it's aesthetically subdued. Even to modern standard, it's very convincing. |
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Stone & Ed |
It's just another hazy day for STONE and his brother ED until they unwittingly discover they may not be brothers after all! With the help of their techno-savvy neighbors JEFF and PHILLIP GUY, "The Guys," Stone and Ed set out on a quest to find Stone's mother, JANE DOE. After the first two Jane Does on their list don't turn out to be the one, the two less than genius brothers make their way to Mexico, and to the last Jane on the list. Along the way, this wacky duo encounters a cast of zany characters and one, out of this world adventure. By the time its all over Stone & Ed will have found their way into the middle of a dangerous game of cat and mouse between Mexico's largest drug lord, SENOR GORDO, and the CIA's most incompetent agents to ever leave Langley; THE MAN IN THE YELLOW HAT and his little partner, CURIOUS JORGE. Between mistaken identities of cases, and cases of mistaken identities, Stone & Ed are in for the trip of their lives. |
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