Film Reviews

A man's family brought back from the verge of death, he then discovers he can identify people who are about to die.

In the tradition of Stephen King’s Stand by Me, Chiller’s original film Ghoul – based on the celebrated novel by author Brian Keene — tells the story of three damaged children who set out to find who, or what, is behind a rash of local disapperances. Staring Modern Family‘s Nolan Gould, the film explores the darkness that hides behind small town life. It is the summer of 1984 when a teenage couple goes missing among the gravestones of the local cemetery. Twelve-year-old Timmy and his best friends, Barry and Doug, have grown up hearing stories about a sinister Ghoul that haunts the cemetery. Eventually, they begin to wonder if the horrific legend might actually be real. Timmy and his friends are forced to put their friendship to the ultimate test when they dig up long-buried secrets, facing their personal demons and the one hiding underground.

Molly and Terry Donahue, plus their three children, are The Five Donahues. Son Tim meets hat-check girl Vicky and the family act begins to fall apart.

A young girl, Johanna, is attacked and seemingly murdered. Her father receives a phone call from the police pronouncing her dead as he sees her walk in the front door of their house. Strange things begin to happen to Johanna; she is disorientated and becomes pale and unresponsive. Similar attacks begin to happen, and Johanna’s father takes it on himself to find out the truth. He embarks on a dark thrill ride of lost memories, conspiracy, and zombie-like symptoms. Finding the mysterious darkness within is the source of the bizarre world he has uncovered.

On the day of his funeral, a dedicated smalltown doctor is remembered by his neighbors and patients.

A straitlaced, square couple, seeking shelter from a storm, find themselves in the castle of a transsexual alien mad scientist intent on creating a buff bodybuilder.

This captivating documentary follows tough-as-nails lawyer (and former Mrs. Wisconsin) Kimberley Motley, the only American allowed to practice law in Afghanistan. Motley defends US and European citizens caught in the country’s legal and political quagmire, even as she finds herself under threat of assassination. While Motley brazenly chastises Afghani judges on behalf of her clients, she must also balance the needs of her family a world away.

In his 13th film, Godzilla takes a supporting role to the far more prominently featured Jet Jaguar, an Ultra-Man like robot. Aliens take control of Earth's monsters and begin using them to destroy the human race. Jet Jaguar decides to stop the attack by recruiting Godzilla and enlarging himself to Monster-size.

Five thought-provoking shorts imagine what Hong Kong will be like ten years from now. In Extras, two genial low-level gangsters are hired to stage an attack, but they’re mere sacrificial lambs in a political conspiracy. Rebels strive to preserve destroyed homes and objects as specimens in the mesmerizing Season of the End. In Dialect, a taxi driver struggles to adjust after Putonghua displaces Cantonese as Hong Kong’s only official language. Following the death of a leading independence activist, an act of self-immolation outside the British consulate triggers questions and protests in the searing yet moving Self-Immolator. In Local Egg, a grocery shop owner worries about his son’s youth guard activities and where to buy eggs after Hong Kong’s last chicken farm closes down.

As a visually radical memoir, Cameraperson draws on the remarkable footage that filmmaker Kirsten Johnson has shot and reframes it in ways that illuminate moments and situations that have personally affected her. What emerges is an elegant meditation on the relationship between truth and the camera frame, as Johnson transforms scenes that have been presented on Festival screens as one kind of truth into another kind of story—one about personal journey, craft, and direct human connection.

Seventeen-year-old Randy tries very hard to be a good person. Since his father left, Randy takes care of his emotionally disturbed mother, and he's the kind of friend all of his classmates can depend on. As strong as he seems on the outside, Randy is hiding a secret inner struggle and denial of his true self. It's not until he opens himself up to love that he discovers that becoming a man means accepting who you really are.

Three Seasons wants to show individuals triumphing over adversities, recovering from traumas, looking forward to better times, as well as nostalgia for those better days before American and French and other invasions, material and ideological. It is a poetic film that tries to paint a picture of the urban culture undergoing westernisation.

During the Nazi occupation of Czechoslovakia, surgeon Dr. Franticek Svoboda, a Czech patriot, assassinates the brutal "Hangman of Europe", Reichsprotektor Reinhard Heydrich, and is wounded in the process. In his attempt to escape, he is helped by history professor Stephen Novotny and his daughter Mascha.

Brothers Till We Die (Italian: La banda del gobbo) is an Italian poliziottesco-action film directed in 1978 by Umberto Lenzi. This film is the last collaboration among Lenzi and Tomas Milian. In this movie Milian plays two characters, Vincenzo Marazzi aka "The Hunchback" that he already played for Lenzi in Rome Armed to the Teeth, and his twin brother Sergio Marazzi aka "Er Monnezza", a role that he played for the first time in Lenzi's Free Hand for a Tough Cop and later resumed in Destruction Force by Stelvio Massi.

Foxy Lady Cocoa is out to take down her mobster boyfriend.