Film Reviews

Kick Out the Jams features many never before seen films of the MC5 as created by Leni Sinclair & conceptual artist Cary Loren during the peak of their career.

It's Hollywood, 1958. Small town beauty queen and devout Baptist virgin Marla Mabrey, under contract to the infamous Howard Hughes, arrives in Los Angeles. At the airport, she meets her driver Frank Forbes, who is engaged to be married to his seventh grade sweetheart and is a deeply religious Methodist. Their instant attraction not only puts their religious convictions to the test, but also defies Hughes' number one rule: No employee is allowed to have any relationship whatsoever with a contract actress. Hughes' behavior intersects with Marla and Frank in very separate and unexpected ways, and as they are drawn deeper into his bizarre world, their values are challenged and their lives are changed.

Four desperate teenagers. A night of sexy mayhem. The big city. Or so the plan goes, until a series of misadventures later, Babai, Pele, Ria and Payal end up in a locked shopping mall in the dead of the night. Alone at last... until an old couple appears out of nowhere with a piece of folded leather and a glass container with two dice made of bone. A game. Simple, but deadly. They call it Ludo. A game defiled by a young couple centuries ago. An unbreakable curse, a living board, eons of bloodbath spanning the subcontinent. A game that has reached this city. Not just monsters, but prisoners of fate. Immortal lovers existing under a curse that will not die. They live within the game. Blood must spill. Bone must shatter. Beware the rattle of the Ludo dice.

Roja lives in a Tamil village, and her sister is about to marry a man from the city, who decides to marry Roja instead and gets a job assignment in Kashmir, where some militants decide to kidnap them.

Three technicians working in an underground laboratory discover that a nuclear war has destroyed most of the aboveground world. After a brief search for food, the trio find that gangs of murderous mutants want them for their next meal. Will the scientists be able to find other uncontaminated humans to rebuild civilization with, or will they all end up as mutant chow?

Adapted from a monologue in his "Blue Jam" radio series, Chris Morris' first short film is a haunting black comedy about a man who no longer uses his name because he's decided he's ceased to deserve one, and a dog called Rothko who says he is the man's lawyer. As reality bleeds into hallucination, Rothko decides to take the man for a walk...

Cosmo, an affectless mob bookie who lives in the basement of a retirement home, is promoted to hitman. He learns his new trade from Steve, a seasoned killer. He falls in love with a yoga teacher, Jasmine, and must figure out a way to leave the mob so they can be together.

Precisely edited to the start-stop rhythm of a martial beat and post-punk rock music, Absolutions glories in organized disjunction, juxtaposing images of the artist collapsing to the ground with bursts of wildly scrambled electronic distortion.

Dave, a high school senior, spends most of his time pining away over a girl he can’t have. Aubrey, a junior with artistic aspirations, has a hot boyfriend who doesn’t quite understand her or seem to care. Although they go to different schools, Dave and Aubrey find themselves at the same party. When both head outside to get some air, they meet. A casual conversation sparks an instant connection, and, over the course of a weekend, things turn magical, romantic, complicated, and funny as Aubrey and Dave discover what it's like to fall in love for the first time.

A Sunday in Hell (original title: En Forårsdag i Helvede) is a 1977 Danish documentary directed by Jørgen Leth. The film is a chronology of the 1976 Paris-Roubaix bicycle race from the perspective of participants, organizers and spectators.

Leigh’s 29th birthday party takes a sudden turn when she announces that the evening maybe the last time her friends see her alive. A night of questions, coping and debauchery immediately follow.

The Civil War has ended, but Colonel Morsman Carver is on one final mission – to kill Gideon, no matter what it takes. Launched by a gunshot and propelled by rage, the relentless pursuit takes the two men through frigid snow-capped mountains and arid deserts, far from the comforts and codes of civilisation, into the bloodiest recesses of their own souls.

A nebbish of a morgue attendant gets shunted back to the night shift where he is shackled with an obnoxious neophyte partner who dreams of the "one great idea" for success. His life takes a bizarre turn when a prostitute neighbour complains about the loss of her pimp. His partner, upon hearing the situation, suggests that they fill that opening themselves using the morgue at night .

The Living Desert was the first feature-length film in Disney’s True-Life Adventures series of documentaries focusing on zoological studies; the previous films in the series, including the Academy Award-winning Seal Island, were short subjects. The documentary was filmed at the Westward Look Wyndham Grand Resort and Spa in Tucson, Arizona. Most of the wildlife shown in the film was donated to what would soon become the Arizona-Sonora Desert Museum. The film was inspired by 10 minutes of footage shot by N. Paul Kenworthy Jr., a doctoral student at the University of California at Los Angeles. Kenworthy’s footage of a battle between a tarantula and a wasp intrigued Disney, who funded a feature-length production following the lives of diverse desert species. Disney was highly supportive of Kenworthy’s work and its impact on nonfiction filmmaking, stating, “This is where we can tell a real, sustained story for the first time in these nature pictures.”

Dr. Varnoff captures twelve men for his experiment: to turn them into supermen using atomic energy. Newspaperwoman Lawton gets too snoopy for her own good.