Film Reviews

A mysterious creature from another planet, resembling a giant blob of jelly, lands on earth. The people of a nearby small town refuse to listen to some teenagers who have witnessed the blob's destructive power. In the meantime, the blob just keeps on getting bigger.

A Chicago mob enforcer is sent to Kansas City to settle a debt with a cattle rancher who not only grinds his enemies into sausage, but sells women as sex slaves.

Two roommates plan to kill a third to take advantage of college policy giving a 4.0 grade to a suicide's roommates.

An alienated teenager, saddened that he has moved away from London, must find a way to deal with a dark family secret.

Indie director Jim Jarmusch lenses a low-tech tribute to protean rocker Neil Young and his long-standing band, Crazy Horse. Stitched together from archival material shot in 1976 and 1986 along with candid scenes of Young and the band kicking back between shows, this rockumentary is as ragged as it is direct. Concert performances include renditions of hits such as "Sedan Delivery" and "Like a Hurricane."

Some Days are Better Than Others is a poetic, character-driven film that asks why the good times slip by so fast while the difficult times seem so sticky. The film explores ideas of abundance, emptiness, human connection and abandonment while observing an interweaving web of awkward characters who maintain hope by inventing their own forms of communication and self-fulfillment.

Two sisters, no love lives. Both end up dating the same man, and inviting him to meet the family on December 17th. He doesn’t know there are two sisters or that he committed to two different dates on the same day.

The 3rd part of the famous trilogy by Alexandre Dumas about d'Artagnan and his 3 friends Athos, Porthos and Aramis.

This is the story of the clock-like movements of a giant, big city New Orleans hotel. The ambitious yet loyal manager, wrestles with the round-the-clock drama of its guests. A brazen sneak thief, who nightly relieves the guests of their property, is chased though the underground passages of the hotel. The big business power play for control of the hotel and the VIP diplomat guest with a secret add to the excitement.

I'm Still Here is a portrayal of a tumultuous year in the life of actor Joaquin Phoenix. With remarkable access, the documentary follows the Oscar-nominee as he announces his retirement from a successful film career in the fall of 2008 and sets off to reinvent himself as a hip-hop musician. The film is a portrait of an artist at a crossroads and explores notions of courage and creative reinvention, as well as the ramifications of a life spent in the public eye.

A bombardier in World War II tries desperately to escape the insanity of the war. However, sometimes insanity is the only sane way to cope with a crazy situation. Catch-22 is a parody of a "military mentality" and of a bureaucratic society in general.

Khorshid lives with his mom in a house near a river somewhere in Tajikistan. Th landlord comes around every morning to ask for the rent. Khorshid has to provide the money or else they'll have to leave. His blindness has given him an amazing skill in tuning musical instruments which gets him a job at an instrument making workshop. But the problem is That Khorshid is mesmerized by sonorous music all the time; whenever he hears a great musician play, he loses track of time and place. For this, he always gets lost and gets to work late. How is he going to make a balance between his love of music and his task as a breadwinner?

Hardened criminal Maggie Hayward's consistent violence, even in police custody, ends in the execution chamber. However, top-secret US government agent 'Bob' arranges a staged death, so Maggie can be elaborately trained as a phantom killer and subdued into obedience. She gets a new cover identity as saleswoman Claudia Anne Doran. She also gets a wonderful house-mate, building super J.P., a broad-minded, gentle photographer. The two fall in love, and that complicates hit jobs. His good influence extends to breeding in her a conscience that places love over business, unlike Bob's agency.

A Man investigates the disappearance of two of his friends who were the guests of a sinister Austrian count.

Instructed by Warhol to write a vehicle for Edie Sedgwick in a “completely white” setting, scenarist Ronald Tavel created one of Warhol’s most iconic films. Here a group of performers of all stripes – the sink and litter basket receive equal billing to the human actors – are forced into Warhol and Tavel’s cruelly comical theatre of the absurd. Inside this cramped domestic space, boredom, confusion and a sense of existential dread hang heavy in the air. Warhol and Tavel transform the modern 1960s kitchen – replete with the latest gadgets and conveniences – into a chaotic laboratory for self-creation and interpersonal conflict.