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The Adventurer

The Little Tramp escapes from prison; saves a girl and her mother from drowning; and creates havoc at a swank party.

The Village

A mysterious series of suicides makes people of a small town is full of anxiety. Shortly before his eighteenth birthday, Kirsten wants to know the mystery surrounding this story.

Marcello Mastroianni: I Remember

In 1996, Marcello Mastroianni talks about life as an actor. It's an anecdotal and philosophical memoir, moving from topic to topic, fully conscious of a man "of a certain age" looking back. He tells stories about Fellini and De Sica's direction, of using irony in performances, of constantly working (an actor tries to find himself in characters). He's diffident about prizes, celebrates Rome and Paris, salutes Naples and its people. He answers the question, why make bad films; recalls his father and grandfather, carpenters, his mother, deaf in her old age, and his brother, a film editor; he's modest about his looks. In repose, time's swift passage holds Mastroianni inward gaze.

Puberty Blues

The mating rituals of two teenage surf chicks from the southern suburbs of Sydney.Meet Sue, a teenage Australian girl in the late 70s, whose life mainly consists of doing what everyone else does - watch the surfing boys and have sex with the same surfing boys. The girls have to follow lots of strange customs, e.g. do not eat or go to the bathroom when a boy is around. Ugly girls have two choices - being bitches and hate boys, or being generally cheap and looked down upon by everyone. The afternoons are spent on the beaches, in the backseats of car or at home-alone-parties where sex and alcohol are the main ingredients. Parents and teachers are trying to straighten the kids out, but that is not easy.

Metro Manila

Seeking a brighter future in megacity Manila, Oscar Ramirez and his family flee their impoverished life in the rice fields of the northern Philippines. But the sweltering capital's bustling intensity quickly overwhelms them, and they fall prey to the rampant manipulations of its hardened locals. Oscar catches a lucky break when he's offered steady work for an armored truck company and gregarious senior officer Ong takes him under his wing. Soon, though, the reality of his work's mortality rate and the murky motives of his new partner force Oscar to confront the perils he faces in his new job and life.

Apache Country

A criminal gang provokes the local Apaches in order to divert the authorities' attention from their own activities.

The Mark of Zorro

The adventures of the masked hero continues.

The Prophet

In this comedy, a guru’s groupie plans to seduce him so she can number him among her many conquests.

Porn Theater

In a Parisian porn theater, a cashier, a 50-year-old man and a young projectionist are drawn into a complex love affair.

The Leech Woman

An endocrinologist in a dysfunctional marriage with an aging, alcoholic wife journeys to Africa seeking a drug that will restore youth.

Racing with the Moon

Henry and Nicky are small town pals from blue collar families with only a short time before they ship off to World War II. Henry begins romancing new-to-town Caddie Winger, believing her to be wealthy. Mischievious and irresponsible, Nicky gets into trouble which forces the other two to become involved, testing their relationship, as well as the friendship between the boys.

The Sensuous Nurse

Greedy relatives hire a sensual caregiver to hasten the demise of a wealthy count suffering from a heart condition.

A Fine Madness

A womanizing poet falls into the hands of a psychiatrist with a straying wife.

Krull

A prince and a fellowship of companions set out to rescue his bride from a fortress of alien invaders who have arrived on their home planet.

Taşkafa, Stories of the Street

Taşkafa is a real dog and also a legend on the streets of Istanbul. John Berger begins Taşkafa’s story, reading from his novel, King, the story of the disappearance of a community told from a dog’s perspective. The area’s ordinary people – taxi drivers, shopkeepers, street traders – care deeply about the welfare of the city’s street dogs and they tell us stories about Taşkafa and their other canine neighbours. The animals are a symbol of community living, where people (and dogs) look out for each other, but this is a community in transition; one from which dogs are starting to be expelled. Eccentric, amusing and very warm, the film is a powerful indictment of the impact of global politics and the economic appropriation of public space but, even more, it is a tribute to both the spirit of resistance and to city life that can accommodate people and dogs together.

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