Film Reviews

"Occident" is a bitter comedy about the people who want to emigrate from Romania, and about those who stay behind. The movie has a rich, interesting structure: there are three different stories - a weeklong in the film - that cross, interconnect and happen in the same period. The characters influence each others lives, sometimes even without knowing. Main characters from one story become secondary characters in another story. At the same time, scenes from the first part of the movie bring unexpected facts when seen the second or the third time. The stories do not have just one ending: the first story ends in each of the third parts in a different point, suggesting radically different solutions for the characters. The way in which the director fits time and links events together often produces thematically unexpected results.

The last of Rohmer's Six Moral Tales. Frederic leads a bourgeois life; he is a partner in a small Paris office and is happily married to Helene, a teacher expecting her second child. In the afternoons, Frederic daydreams about other women, but has no intention of taking any action. One day, Chloe, who had been a mistress of an old friend, begins dropping by his office. They meet as friends, irregularly in the afternoons, till eventually Chloe decides to seduce Frederic, causing him a moral dilemma.

Movie follows the activities of the Heroic Corps, an anti-Japanese independence organization that existed under the Japanese colonial period in South Korea. The group used violent means to achieve Korean independence.

A man has an encounter with several spooky apparitions in a castle that is evidently owned by the Devil.

Four divers are stuck deep underwater in a vessel after a freak storm destroys their ship. Will they survive?

Set in mid-70's, 12-year old Dvir Avni navigates between the equality values of his home-born Kibbutz and the relationship with his undermined mother, whom the Kibbutz members will to denounce.

Filmmaker Michel Orion Scott captures a magical journey into a little-known world, in a documentary which chronicles Rupert Isaacson and Kristin Neff's personal odyssey to make sense of their child's autism, and find healing for him and themselves in the unlikeliest of places.

Lifelong friends Kate (Mamrie Hart), Evie (Grace Helbig) and Charlie (Hannah Hart) are in a rut. Kate spends her days at a middling job and her nights alone or on failed dates. Evie is married with the in-laws from hell, wandering from one charitable cause to the next. Charlie has the girl of her dreams but just can’t seem to pull her business (or her act) together. On the eve of Kate’s 30th birthday, she agrees to let Evie and Charlie throw her a party. But what’s supposed to be a simple celebration becomes a wild who’s who of past and present, and things quickly spiral out of control.

Heavy Metal Parking Lot documents heavy metal music fans tailgating in the parking lot outside the Capital Centre (since demolished) in Landover, Maryland, on May 31, 1986, before a Judas Priest concert (with opening act Dokken).

A scientist uses his invention - the "Menger Sponge" - to capture the energy of a dead child's spirit in an old building. In trying to determine why the energy of the ghost does not dissipate, the team discovers the identity and the dramatic story of the boy.

After being sent to the electric chair, a serial killer uses electricity to come back from the dead and carry out his vengeance on the football player who turned him in to the police.

A freak tsunami traps shoppers at a coastal Australian supermarket inside the building ... along with a 12-foot great white shark.

A story revolving around a dysfunctional family of two brothers who visit their parents and grandfather in Coonoor, and end up falling for the same woman.

The life of a weak-willed man is thrust into a downward spiral by the scheming of his manipulative girlfriend and her mother.

When motocross and heavy metal obsessed, 13-year-old Jacob's delinquent behavior forces CPS to place his little brother Wes with his aunt, Jacob and his emotionally absent father must finally take responsibility for their actions and each other in order to bring Wes home.