Film Reviews

Doug Benson brings his weed laced comedy to Seattle's Neptune Theater for his first ever hour long comedy special.

British reporters suspect an international cover-up of a global disaster in progress... and they're right. Hysterical panic has engulfed the world after the United States and the Soviet Union simultaneously detonate nuclear devices and have caused the orbit of the Earth to alter, sending it hurtling towards the sun.

Two Korean ex-pats in Paris are recruited by a French mobster. The duo find themselves at war with their mobster recruiters and each other.

A bickering couple drive fast through a downpour to catch the last ferry to their island retreat. In a flash, they recognize a crumpled body laying at the side of the road after much argument they stop, only to find a young boy battered and bruised. An offer of summoning the police firmly rejected, the two help the boy as best they can although it certainly means missing the ferry... and so starts this thriller: a tale of twisted sexual attraction and ulterior motives.

When a pastor is shaken by the visible faith of a street-corner preacher, he is reminded that true belief always requires action. His response ignites a journey that impacts everyone it touches in ways that only God could orchestrate.

Traces the Beats from Allen Ginsberg and Jack Kerouac's meeting in 1944 at Columbia University to the deaths of Ginsberg and William S. Burroughs in 1997. Three actors provide dramatic interpretations of the work of these three writers, and the film chronicles their friendships, their arrival into American consciousness, their travels, frequent parodies, Kerouac's death, and Ginsberg's politicization. Their movement connects with bebop, John Cage's music, abstract expressionism, and living theater. In recent interviews, Ginsberg, Burroughs, Kesey, Ferlinghetti, Mailer, Jerry Garcia, Tom Hayden, Gary Snyder, Ed Sanders, and others measure the Beats' meaning and impact.

November, 1999, Margaret Cho is home in San Francisco at the Warfield Theater. Cho structures her monologue loosely on her professional life's trajectory: doing stand-up, cast in an ABC-TV sitcom, losing 30 pounds in two weeks for the part, the show's cancellation, a descent into booze, pills, and self-loathing, and a resurrection into her own voice, her own shape, and being the one she wants.

Alex (Julian Sands) is a lonely, centuries old vampire wandering the streets of London. The only woman he ever loved was lost to him centuries ago...but there's a new woman in his life, a woman named Ann who bears an extraordinary resemblance to Virginia, the young girl Alex once loved. Ann has recently lost a love of her own to a fiery car crash, and lives deep in her own gray depression. After an anonymous letter leads her to a new job in an occult library, Ann begins a slow, hesitant courtship with Alex, whom she finds both attractive and a little spooky. Alex, confused and jaded (and also unable to refrain from imagining himself feeding on Ann) holds her at arms length. But the fears and emotions of Alex and Ann are not the only complications in their relationship. There's another man stalking them both...a man named Edgar, who was once married to Virginia and has been looking for Alex for a very long time.

When Berke Landers, a popular high school basketball star, gets dumped by his life-long girlfriend, Allison, he soon begins to lose it. But with the help of his best friend Felix's sister Kelly, he follows his ex into the school's spring musical. Thus ensues a love triangle loosely based upon Shakespeare's "A Midsummer Night's Dream", where Berke is only to find himself getting over Allison and beginning to fall for Kelly.

A biopic of punk legend Darby Crash and his band, the Germs.

When a change of circumstances leaves Miriam unable to pay her college tuition, she makes a surprising decision: to start performing in adult films, using the pseudonym Belle Knox. Miriam lies to her family and her friends at school, keeping her double life a secret. But soon rumours spread and Miriam becomes the subject of vicious online attacks and unwanted attention. Miriam fights back: she talks to the media, saying her new line of work empowers her as a feminist. But her confident stand has unintended consequences. Miriam is shunned by her conservative family and her colleagues in the adult film world. One impulsive decision has quickly spiralled out of control - and Miriam's problems are just beginning.

Colegas (Buddies) is a road movie that shows the simple things in life in a poetic light through the eyes of three young people with Down syndrome, who love movies and work at the video library of the institution where they have always lived in. One day, inspired by the movie "Thelma & Louise", they decide to run away using the gardener's old car to have a freedom experience. They travel to uncommon places in search for three simple wishes: Stalone wants to see the sea, Aninha looks for a husband and Marcio needs to fly. During this search, they embark on several adventures as if life was just a children's play

Bernard Hill and Victoria Hamilton star in Alistair Beaton's wickedly funny feature-length drama inspired by David Blunkett's private affair held up for very public scrutiny.

Checco, an uneducated but self-satisfied fellow from Milan, who has always dreamed of becoming a police officer, fails his entrance exam for the third time. It must be said that at the oral examination Checco said that the reason why he wanted to join the police was benefits in kind and cronyism! But the young man has connections and he soon finds himself a security agent at the Milan Cathedral. Of course the bumbling idiot proves a living catastrophe! Spotted by Sufien, an Arab terrorist who is preparing an attack against the cathedral, Checco appears as the perfect sucker. To manipulate him, he sends his charming sister Farah to him, with the mission to seduce him...

Hard man Ricky is incarcerated in a futuristic prison where ultra-violence is his only means of survival in the corrupt, sadistic system. He must battle his way quite literally 'through' the feared 'gang of four', and undergo multiple tortures before facing the governor in one of the goriest climaxes ever seen.