Film Reviews

David Lord finds himself forced into the savage world of a modern gladiatorial arena, where men fight to the death for the entertainment of the online masses.

After thief Alex Cardo gets caught while stealing an ancient katana in East Asia, he soon finds himself imprisoned and beaten up by the crowd there. One of the guards, Demon, feels upset by Alex appearance and tortures him as often as he gets the opportunity. Alex finds a friend and mentor in the jailhouse, Master Sun, who teaches him a superior fighting style called Iron Hand. When a 'best of the best kumite' is to take place, Demon gets an invitation. Now Master Sun and Alex need to find a way to let Alex take part in the kumite too.

Four friends hit the road to LA to compete in the Cyberbowl Video Game Championship, but will they be able to compete with the worst hangovers of their lives?

The End of St. Petersburg (Russian: Конец Санкт-Петербурга, translit. Konets Sankt-Peterburga) is a 1927 silent film directed by Vsevolod Pudovkin and produced by Mezhrabpom. Commissioned to commemorate the tenth anniversary of the October Revolution, The End of St Petersburg was to be Pudovkin's most famous film and secured his place as one of the foremost Soviet montage film directors. The film forms part of Pudovkin's 'revolutionary trilogy', alongside Mother (1926) and Storm Over Asia (1928).

The quiet life of a terrier named Max is upended when his owner takes in Duke, a stray whom Max instantly dislikes.

A young doctor returns to his New England home town after a long absence. He visits with the town's kindly old physician, Dr. Cook, a man he has admired since childhood. However, he soon finds out that the old doctor isn't quite what he seems to be, and the young doctor finds his life in danger.

Two Heads Are Better Than None also known as Kenan & Kel: The Movie is a 2000 American made-for-television film that stars the cast of the Nickelodeon sitcom Kenan & Kel. It is the last feature film of comic legend Milton Berle.

Mistaken for Strangers follows The National on its biggest tour to date. Newbie roadie Tom (lead singer Matt Berninger’s younger brother) is a heavy metal and horror movie enthusiast, and can't help but put his own spin on the experience. Inevitably, Tom’s moonlighting as an irreverent documentarian creates some drama for the band on the road. The film is a hilarious and touching look at two very different brothers, and an entertaining story of artistic aspiration.

Back from a tour of duty, Kelli struggles to find her place in her family and the rust-belt town she no longer recognizes.

A documentary about some of the thousands of inventions that did things we never thought needed doing, or in ways we never considered doing them. A respectful, yet humorous tribute to the inventors whose vision, however far-reaching, was just a little off the mark.

Follows a woman's fight and survival amid the vicissitudes of life and the cruelty of the society.

During the reign of the eighth shogun of the Tokugawa shogunate, the Yunagaya Domain in the Tohoku region is a small han. But at the han, there is a gold mine. Suddenly, Masaatsu Naito of Yunagaya Domain receives an order to perform Sankin-kotai within 5 days. Sankin-kotai is a custom that requires the daimyo to visit the shogun in Edo. Unfortunately, the time needed to visit the shogun in Edo for Masaatsu Naito is 8 days. Masaatsu Naito also learns he received the order because a high ranking government official wants the gold mine. Also, the expense for Sankin-kotai is high and the Yunagaya Domain is such a small han that it seems impossible to complete. Nevertheless, Masaatsu Naito begins an unexpected operation to complete Sankin-kotai in 5 days.

WE GO ON tells the story of one man's quest to find out if there is more out there after we die. Paralyzed by his fear of dying, Miles Grissom offers a cash reward to the first person who can show him a ghost, an angel, a demon anything that can prove that we go on after our deaths. He narrows the responses down to three viable candidates a scientist, a medium, and a worldly entrepreneur. Along with his fiercely protective mother, he embarks on an adventure that will spiral into an unthinkable nightmare.

When ambitious analyst Lincoln Mathers (played by Doug Cockle) relocates his family from New York to London, his wife Sarah (Sara Stewart) discovers a new disturbing power and becomes hostage to an ancient spirit. As Mathers notices that the family is tearing apart and that his wife's behavior becomes more violent and erratic, he accepts that to save the woman he married he must take a leap of faith. London Voodoo is one of the few films about voodoo to show the belief system in a positive light. Here, it's "work" that's evil. The film shows multicultural voodoo followers in a contemporary urban setting (London). As research for the script, the filmmakers travelled to Cuba, Miami and New Orleans to experience voodoo first hand.

When minor-league hockey player Derek Thompson -- who has a penchant for knocking out his opponents' teeth every time he plays -- disillusions a fan, he is sentenced to a stint for one week as a bona fide, tutu-clad, real-life tooth fairy. Soon, Derek is inspired to rekindle his youthful dreams.