Film Reviews

While attending a Swiss school for diplomats' daughters, the teenage daughter of the American ambassador uses her access to various embassies to engage in espionage.

Born out of wedlock early in the last century, Violette Leduc meets Simone de Beauvoir in postwar Saint-Germain-des-Près. An intense lifelong relationship develops between the two women authors, based on Violette's quest for freedom through writing and on Simone's conviction that she holds in her hands the destiny of an extraordinary writer.

Houkago Midnighters is about a human anatomical model that comes to life at midnight in a school.

It’s a black-and-white record of European cities in the dark (2-5am), from Basle to Belfast. Quiet, and meditative, what emerges most strongly is an eerie sense of city landscapes as deserted film sets, in which the desolate architecture overwhelms any sense of reality. The only reassurance that we are not in some endless machine-Metropolis is the shadow of daytime activity: a juggernaut plunging through a darkened village, a plague of small birds in the predawn light. The whole thing is underscored by a beautiful ‘composed’ soundtrack, from quietly humming streetlights to reggae and the rumble of armoured cars in Belfast. A strange and remarkable combination of dream, documentary and science-fiction.

The Stranger is a literal (but still very cinematic) adaptation of the novel by Albert Camus. Marcello Mastrioanni stars as Meursault, a man who feels utterly isolated from everyone and everything around him. This alienation results in sudden, inexplicable bursts of violence, culminating in murder. The subsequent trial of Meursault manages to convey the oppressive heat of its Algerian setting with director Luchino Visconti's usual veneer of elegant decadence. Though set in the 1930s, the sensibilities of the film were very much attuned to the 1960s: the problem was that Camus' sentiments had been adopted by so many other filmmakers of the period that The Stranger seemed rather commonplace. The film was originally released in Italy as Lo Staniero.

A house wife just left her cop husband, when she picks up Justin McKay she'll wish she never did as she's plunged into a nightmare and the grip of a psychotic killer.

The Great Depression hits home for nine year old Kit Kittredge when her dad loses his business and leaves to find work. Oscar nominee Abigail Breslin stars as Kit, leading a splendid cast in the first ever "American Girl" theatrical movie. In order to keep their home, Kit and her mother must take in boarders - paying house - guests who turn out to be full of fascinating stories. When mother's lockbox containing all their money is stolen, Kit's new hobo friend Will is the prime suspect. Kit refuses to believe that Will would steal, and her efforts to sniff out the real story get her and friends into big trouble. The police say the robbery was an inside job, committed by someone they know. So if it wasn't Will, then who did it.

When Princess Rosalinda is about to become queen of her country of Costa Luna, the country is invaded by an evil dictator. She is put into the Princess Protection Program, a secret organization funded by royal families that looks after endangered princesses. Rosalinda is taken under the wing of Mason Verica, an agent in the PPP from rural Louisiana. While there, she meets his daughter,

Musical dancer on the way out (at 36) Paula McFadden had it swell with actor Tony DeSanti, but instead of taking her to Hollywood he gets a European movie part. He even sublets their (his) New York apartment to Elliot Garfield, who generously lets her stay, even keeping the master bedroom. Pragmatic pre-teen daughter Lucy soon takes to his charm, but Paula remains determined to hate all actors. Despite the stress of a Broadway Shakespeare lead he must play too queer for Frisco, he's determined to snatch romance from ingratitude.

Capitol Policeman John Cale has just been denied his dream job with the Secret Service of protecting President James Sawyer. Not wanting to let down his little girl with the news, he takes her on a tour of the White House, when the complex is overtaken by a heavily armed paramilitary group. Now, with the nation's government falling into chaos and time running out, it's up to Cale to save the president, his daughter, and the country.

"If you don't have your own plan, you'll damn sure be a part of someone else's." That quote kicks off the first of multiple story lines, in the crime ensemble "Bubblegum & Broken Fingers." This character-driven collage of sex, violence and survival is equal parts western, gangster and love stories. We follow the journey of a mysterious silver briefcase and witness the havoc it brings each new owner.

Twelve-year-old Nick lives with his Uncle Murray, a Mr.Micawber-like Dickensian character who keeps hoping something won't turn up. What turns up is a social worker, who falls in love with Murray and a bit in love with Nick. As the child welfare people try to force Murray to become a conventional man (as the price they demand for allowing him to keep Nick), the nephew, who until now has gloried in his Uncle's iconoclastic approach to life, tries to play mediator. But when he succeeds, he is alarmed by the uncle's willingness to cave in to society in order to save the relationship.

Will Henry is a newly single graphic novelist balancing being a parent to his young twin daughters and teaching a classroom full of college students, all the while trying to navigate the rich complexities of new love and letting go of the woman who left him.

Brazilian philosopher Olavo de Carvalho's thinking, presented through his presence, his daily work routine and his family life in Virginia (USA).

A young man tricks his homophobic father into a camping trip with his secret boyfriend.