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Game 6

Game 6 is a 2005 American film directed by Michael Hoffman, first presented at the Sundance Film Festival in 2005 and released in the United States in 2006. Michael Keaton stars. The film depicts the events of October 25, 1986 in the life of Nicky Rogan, specifically the opening of his latest play juxtaposed with Game 6 of the 1986 World Series, with a screenplay that Don DeLillo wrote in 1991. The soundtrack was written and performed by Yo La Tengo. (from Wikipedia)

Billy Elliot: The Musical

A talented young dancer has to learn to fight for his dream despite social and parental disapproval.

Tizoc

The story of an indigenous who gave his life for the love of a white woman, whom he confused, because of her beauty, with Maria the virgin, fighting against the society, the prejudices, and the race.

Blind Date

He invents puzzles. He’s committed body and soul to his work and needs silence to be able to concentrate. She is an accomplished pianist and can’t live without music. She must prepare for a competition that could change her life. They are going to be forced to coexist without seeing each other.

The Musketeer

In Peter Hyams's adaptation of the famous Alexander Dumas story The Three Musketeers, the young D'Artagnan seeks to join the legendary musketeer brigade and avenge his father's death - but he finds that the musketeers have been disbanded.

Blind Woman's Curse

Akemi is a dragon tattooed leader of the Tachibana Yakuza clan. In a duel with a rival gang Akemi slashes the eyes of an opponent and a black cat appears, to lap the blood from the gushing wound. The cat along with the eye-victim go on to pursue Akemi’s gang in revenge, leaving a trail of dead Yakuza girls, their dragon tattoos skinned from their bodies.

Popeye

Popeye is a super-strong, spinach-scarfing sailor man who's searching for his father. During a storm that wrecks his ship, Popeye washes ashore and winds up rooming at the Oyl household, where he meets Olive. Before he can win her heart, he must first contend with Olive's fiancé, Bluto.

The Browning Version

Andrew Crocker-Harris is an embittered and disliked teacher of Greek and Latin at a British prep school. After nearly 20 years of service, he is being forced to retire on the pretext of his health, and perhaps may not even be given a pension. The boys regard him as a Hitler, with some justification. His wife Laura is unfaithful, and lives to wound him any way she can. Andrew must come to terms with his failed life and regain at least his own self-respect.

Howards End

Merchant Ivory’s adaptation of EM Forster’s classic 1910 novel, starring Emma Thompson, Helena Bonham Carter, Anthony Hopkins & Vanessa Redgrave returns to the big screen in a beautiful new 4K restoration. Stunning location photography, lavishly detailed sets & elegant period costumes, this compelling saga follows the interwoven fates and misfortunes of three families amid the changing times of Edwardian England. It tells the story of two free-spirited, cosmopolitan sisters, Margaret (Emma Thompson) and Helen Schlegel (Helena Bonham Carter), who collide with the world of the very wealthy ­­– one sister benefiting from the acquaintance with the Wilcoxes (owners of the beloved country home Howards End), the other all but destroyed by it. Anthony Hopkins is the conservative industrialist Henry Wilcox and Vanessa Redgrave is his ailing wife Ruth Wilcox.

Genius Party Beyond

Five stories, five maestros, five styles and one common denominator: maximum creativity. Studio 4°C, the coolest label on the planet, invites us for the second time to an exclusive reunion of a talents with a group film, full of freedom and ingenuity, that goes from Mahiro Maeda's classic anime, to Kazuto Nakazawa's intricate urban sketches, Shinya Ohira's bedlam of color and Tatsuyuki Tanaka's animated cyberpunk. And as if that wasn't enough, Koji Morimoto, the studio big boss, is charge of putting the icing on the cake with fantafabulous piece of abstract poetry that would make a VJ die of ecstasy. The party of the year.

Melody Time

Melody Time is an animated feature produced by Walt Disney and released to theatres by RKO Radio Pictures. Made up of several sequences set to popular music and folk music, the film is, like Make Mine Music before it, the contemporary version of Fantasia.

Battle Royale

In the future, the Japanese government captures a class of ninth-grade students and forces them to kill each other under the revolutionary "Battle Royale" act.

Bucktown

Duke Johnson visits a small Southern town, intent on burying his brother. After the funeral, he learns that he must stay for 60 days, for the estate to be processed. A few locals convince Duke to reopen his late brother's nightclub, and soon the local redneck policemen are intimidating Duke with threats of violence. Duke refuses to pay the bribes they demand, so then he and his lady friend Aretha are threatened and attacked by the crooked cops. Rather than take them on himself, Duke calls on his old pal Roy. Roy brings a few buddies to Bucktown, and they bring justice to the small town. With the redneck cops out of the way, Duke lets his guard down. Then the situation gets out of hand again. Finally, Duke must settle the score himself.

Let's Kill Ward's Wife

Everyone hates Ward’s wife and wants her dead, Ward (Donald Faison) most of all. But when his friends’ murderous fantasies turn into an (accidental) reality, they have to deal with a whole new set of problems — like how to dispose of the body and still make their 3 p.m. tee time. Scott Foley's directorial debut, also starring Foley, Patrick Wilson, Amy Acker, and Nicolette Sheridan, is a blackly comic caper about helping a friend out of a bad relationship by any means necessary.

The Jewish Cardinal

The Jewish Cardinal tells the amazing true story of Jean-Marie Lustiger, the son of Polish-Jewish immigrants, who maintained his cultural identity as a Jew even after converting to Catholicism at a young age, and later joining the priesthood. Quickly rising within the ranks of the Church, Lustiger was appointed Archbishop of Paris by Pope John Paul II―and found a new platform to celebrate his dual identity as a Catholic Jew, earning him both friends and enemies from either group. When Carmelite nuns settle down to build a convent within the cursed walls of Auschwitz, Lustiger finds himself a mediator between the two communities―and he may be forced, at last, to choose his side.

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