Film Reviews

Actor Stephen Tobolowsky has acted in over 200 TV shows and films over the past 40 years, possessing one of the most dazzlingly diverse filmographies on the planet. But even more compelling than the stories he's been apart of onscreen are those he tells offscreen. In 'The Primary Instinct,' Stephen plays himself and uses the art of storytelling to take the audience through a riveting and moving journey about life, love, and Hollywood. Along the way, he just may answer one of the questions that's dogged humanity since the beginning of time: Why do we tell stories in the first place?

When college friends reunite after 15 years over the Christmas holidays, they discover just how easy it is for long-forgotten rivalries and romances to be reignited.

Danny Ocean's team of criminals are back and composing a plan more personal than ever. When ruthless casino owner Willy Bank doublecrosses Reuben Tishkoff, causing a heart attack, Danny Ocean vows that he and his team will do anything to bring down Willy Bank along with everything he's got. Even if it means asking for help from an enemy.

A barbarian named Kull becomes ruler after defeating the old king in battle, thus receiving his crown. But direct heirs of the king, trying to topple Kull and regain the throne, bring an old witch queen Akivasha back to life. Their plan backfires, however, as Akivasha plans to have her demon lords rule the kingdom alone. The only thing that can stop her is the breath of the god Volka, and Kull.

When the matriarch of the family suddenly dies, the custody of a mentally retarded mother is inherited by her young daughter.

The Leiningen South American cocoa plantation is threatened by a 2-mile-wide, 20-mile-long column of army ants.

Over a booze-fueled, increasingly hectic five-day shoot in East Hampton, Norman Mailer and his cast and crew spontaneously unloaded onto film the lurid and loony chronicle of U.S. presidential candidate and filmmaker Norman T. Kingsley debating and attacking his hangers-on and enemies. This gonzo narrative, “an inkblot test of Mailer’s own subconscious” (Time), becomes something like a documentary on its own making when costar Rip Torn breaks the fourth wall in one of cinema’s most alarming on-screen outbursts.

Three estranged childhood friends (Omar, Ramy, Jay), travel on a road trip from Abu Dhabi to Beirut in memory of their lost friend. If what happens en route doesn't make them crazy, it might just bring them closer.

Salaam Namaste is about two Indians who have left their houses to make a life on their own, and how they meet and how they tackle their own relationships and problems and overcome them themselves without their families

When Continuation War started in Summer 1941, German soldiers arrived to Oulu. With their charm they conquered women and town boys. Finnish boys communicated with them on many levels: had trades, worked as interpreters, rotated business, spied on German love adventures and fought with each other about the favor of soldiers. In autumn 1944, the war was ending. Germans left Oulu by leaving behind fragile relationships, bastard kids and unfinished businesses. The most shocking of all was the faith of young Jake...

Two terrible lounge singers get booked to play a gig in a Moroccan hotel but somehow become pawns in an international power play between the CIA, the Emir of Ishtar, and the rebels trying to overthrow his regime

Alison Murray travels as a hobo on freight trains across Canada and the US. She gets to know the community of train riders, especially the many girls riding the rails.

A harrowing tale of faith, revenge, and savagery in medieval Sweden.

A woman escapes from the man who is about to rape her, but leaves her purse behind. Afraid that her attacker might come after her, she goes to the police, but with no proof of the incident, they can do nothing. In fact, the man does use the information in her bag and comes to her apartment with the intent of rape, but she sprays him in the face with insect repellent, and then holds him captive. She is then faced with deciding whether to go to the police who might not believe her and release him, or to kill him.

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