Film Reviews

Trailer Park Boys: Don't Legalize It is the third film in the Trailer Park Boys franchise, and a sequel to Trailer Park Boys: Countdown to Liquor Day (2009). In the film, Ricky (Robb Wells), Julian (John Paul Tremblay) and Bubbles (Mike Smith) attempt a series of get-rich-quick schemes after being released from prison, but are again pursued by former Sunnyvale Trailer Park supervisor Jim Lahey (John Dunsworth).

A serial killer dispassionately discusses the nuts and bolts of his grisly avocation, as well as the youthful traumas which helped to mold him into a psychopath, in this disturbing independent drama from Germany, based on the true story of of Germany's most famous child murderer Juergen Bartsch who, between the ages of 15 and 19, abused, tortured and killed four schoolboys in the Ruhr region of Germany from 1962 to 1966.

Leviathan: The Story of Hellraiser and Hellbound: Hellraiser II is a feature length documentary uncovering the history and the making of Clive Barker's Hellraiser and Hellbound: Hellraiser II films.

A young artist (Peter Paige), desperate to replace the relationship he had with his recently relocated godson, is targeted by a neighborhood mom (Kathy Najimy) as a potential threat to the community.

There is a war in the world between the men and the women. A young girl tries to escape this reality and comes to a hidden place where a strange unicorn lives with a family: Sister, Brother, many children and an old woman that never leaves her bed but stays in contact with the world through her radio...

A G8 meeting is being held at a luxury hotel on the German coast. The world's most powerful economists are gathered to enact important provisions that will deeply influence the world economy. One of the guests is a mysterious Italian monk, invited by Daniel Rochè, the director of the International Monetary Fund. He wants the monk to receive his confession, that night, in secret. The next morning, Rochè is found dead...

Uplifting drama about a young girl who overcomes bullying to become a track runner.

A French nobleman deserts his wife because of an ancient family secret.

After discovering her boyfriend for the past four years is married, a distraught and depressed young woman turns to a Catholic priest for counseling -- and finds mutual attraction. Now the inseparable couple are thwarted by his holy vow of celibacy, and must rely on the Vatican for a solution to their dilemma.

Few wartime prisoners have attempted escape quite as many times as bumbling RAF Officer James Forrester. Though Officer Forrester has twenty-three escape attempts to his name, each successive attempt he makes to break free somehow seems to go worse than the last. But this time there's a difference, because Officer Forrester isn't just plotting his own escape, but the escape of all 327 of his fellow prisoners as well - and all at once. In fact even the Germans want to escape!

A common thief joins a mythical god on a quest through Egypt.

A family together with their grandpa go on a vacation, when their new car won't stop and it nearly escapes crashing into a hundred cars.

An idealistic rookie cop joins the LAPD to make ends meet while finishing law school, and is indoctrinated by a seasoned veteran. As time goes on, he loses his ambitions and family as police work becomes his entire life.

The film centers on ambitious but undisciplined New York City office worker John who meets and marries Mary. They start a family, struggle to cope with marital stress, financial setbacks, and tragedy, all while lost amid the anonymous, pitiless throngs of the big city.

This odd film is a major representative of an even odder film genre: direct-to-celluloid opera. It was commissioned by the Portuguese master of style, director Manoel de Oliveira from composer João Paes. Musically, it ranges from 19th-century romanticism to popular, modernist and even "post-modernist" styles. In the initially tame story, a host-narrator tells the story of a wedding between the two lovebirds: Viscount d'Aveleda and the beautiful Marguerite. However, what happens in the bridal chamber is incredibly bizarre. The events after that are even stranger (the film out-does even Luis Buñuel in that department), and the wedding guests and family indulge in cannibalism, among other perversions.