Film Reviews
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The Hitch-Hiker |
Two fishermen pick up a psychotic escaped convict who tells them that he intends to murder them when the ride is over. |
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Dear Mr. Gacy |
A chronicle of the interaction between college student Jason Moss and the object of his obsession, serial killer John Wayne Gacy. |
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Unknown Pleasures |
Three disaffected youths live in Datong in 2001, part of the new "Birth Control" generation. Fed on a steady diet of popular culture, both Western and Chinese, the characters of Unknown Pleasures represent a new breed in the People's Republic of China, one detached from reality through the screen of media and the internet. |
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The Flesh and Blood Show |
Actors rehearsing a show at a mysterious seaside theater are being killed off by an unknown maniac. |
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WUSA |
Rheinhardt, a cynical drifter, gets a job as an announcer for right-wing radio station WUSA in New Orleans. Rheinhardt is content to parrot WUSA's reactionary editorial stance on the air, even if he doesn't agree with it. Rheinhardt finds his cynical detachment challenged by a lady friend, Geraldine, and by Rainey, a neighbour and troubled idealist who becomes aware of WUSA's sinister, hidden purpose. And when events start spinning out of control, even Rheinhardt finds he must take a stand. |
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Verboten! |
A young American serviceman stationed in Germany after the fall of the Third Reich, jeopardises his future after falling in love with a German woman. |
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Cameraperson |
As a visually radical memoir, Cameraperson draws on the remarkable footage that filmmaker Kirsten Johnson has shot and reframes it in ways that illuminate moments and situations that have personally affected her. What emerges is an elegant meditation on the relationship between truth and the camera frame, as Johnson transforms scenes that have been presented on Festival screens as one kind of truth into another kind of story—one about personal journey, craft, and direct human connection. |
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Going the Distance |
Erin and Garrett are very much in love. When Erin moves to San Francisco to finish her journalism degree and Garrett stays behind in New York to work in the music industry, they gamely keep the romance alive with webcams and frequent-flyer miles. But just when it seems the lovers will soon be reunited, they each score a big break that could separate them for good. |
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The Gendarme in New York |
The second installment of Gendarmes series, tells the story of Sergeant Cruchot (Louis De Funes), who, together with his faithful comrades, has been sent to the International Congress of Gendarmerie in N.Y. |
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Only the Dead See The End of War |
A searing account of war correspondent Michael Ware's seven years reporting in Iraq--an extraordinary journey that takes him into the darkest recesses of the Iraq War and the human soul. |
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Roads to Koktebel |
A widowed aeronautics engineer, who has lost his job, travels with his son hopping freight trains from Moscow to Koktebel, a town by the Black Sea, to start a new life with the father's sister. |
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Play Misty for Me |
A brief fling between a male disc jockey and an obsessed female fan takes a frightening, and perhaps even deadly turn when another woman enters the picture. |
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The Nature of Existence |
After exploring the phenomenon of TREKKIES, filmmaker Roger Nygard takes on The Nature of Existence. As he roams the globe to the source of each of the world's philosophies, religions, and belief systems, Nygard interviews spiritual leaders, scholars, scientists, artists, pizza chefs, and others who have influenced, inspired, or freaked out humanity. |
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Wire Cutters |
A chance encounter proves fateful for 2 robots mining on a desolate planet. |
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Night Unto Night |
A bleak mansion sits ominously on a cliff above the sea somewhere on Florida's east coast. In its shadows, two people meet: a scientist haunted by incurable illness and a beautiful woman haunted by the voice of her dead husband. Ronald Reagan and Hollywood-debuting Viveca Lindfors star in an eerie drama steeped in religious faith and supernatural fear, in the destructive power of sexual jealousy and the redemptive power of love. In one of his earliest directorial efforts, Don Siegel (Dirty Harry, The Shootist) displays his command of pacing and camerawork, building the action to a climactic hurricane that parallels the tumultuous emotions of characters precariously balanced between now and the hereafter. |