Film Reviews

A gay Canadian living in London has his perfectly crafted life upset when his devoutly Muslim mother comes to visit.

Based on the original 1941 movie from Japan, and from ancient Japan’s most enduring tale, the epic 3D fantasy-adventure 47 Ronin is born. Keanu Reeves leads the cast as Kai, an outcast who joins Oishi (Hiroyuki Sanada), the leader of the 47 outcast samurai. Together they seek vengeance upon the treacherous overlord who killed their master and banished their kind. To restore honor to their homeland, the warriors embark upon a quest that challenges them with a series of trials that would destroy ordinary warriors.

Night brings out the hunger in people, especially a mysterious NY cab driver. He is a powerful vampire. And working the night shift brings a sultry array of sensuous passengers within his grasp. Embracing those ready to die, he controls an erratic but well-balanced vampire realm. Then unexpectedly, he discovers erotic human passion-unleashing a raging, terrorizing evil. When a slew of innocent citizens are senselessly slaughtered, the baffled police must solve a 350 year old mystery of unsated passion.

In a poor district of Edo lives a young samurai named Soza. He has been sent by his clan to avenge the death of his father. He isn't an accomplished swordsman however, and he prefers sharing the life of the residents, teaching the kids how to write etc. When he finally finds the man he is looking for, he will have to decide whether he follows the way of the samurai or chooses peace and reconciliation.

The horrifying yet delicious and chewy Gingerdead Man causes murder and mayhem on the set of a horrible low budget movie set. It will take the determination of the studio's young new owner to save both his company and well as the lives of his young new friends. Including a terminally ill young boy whose final wish it was to meet the studios stars - The Tiny Terrors.

Four women, who have been sterilized and are under constant toxic restraint and surveillance, are serving their term in a government-run brothel. Their duty is to have sex and beat their customers without remorse. The relations between them are at a critical point; food and water are scarce, their house is rotting and ready to collapse. Nothing on the outside exists any more. Nightmarish visions, simulated miscarriages and rapes, injections and nausea all make up their daily routine.One day, one of their customers disappears. The interrogation begins...

In February 2007, ten people went to the remote mountains of Northern California to shoot an adult movie. What happened next was something no one expected, but everyone saw coming. Amber Benson, Charles Napier, and Ron Jeremy star in an homage to "Alien", "The Thing", and porn.

A Humble Life is certainly true to its title, a documentary study of the day-to-day world of Umeno Mathuyoshi, an old woman who lives in an isolated mountain house in the Nara prefecture in Japan.

F*** Off! shows no false respect towards the authorities in its impudent and candid reportage of the developing country/welfare state Finland. It is a cinematic parallel to Donner's New Book of Our Land (1967). The travelogue focuses especially on Finland's outsiders, low-paid workers and the unemployed. In desolate provinces, the inhabitants of a cold and barren country either humbly abide their fate, choose to move to Sweden or take refuge in excessive drinking. These images are accompanied by protest songs based on Donner's own prose and the lyrics of poet Jarkko Laine. Perkele is embodied in big business and the political elite.The jagged (anti)aesthetics of the film correspond to the underground movement and the radical politics of the time. The camera agilely penetrates everyday life. Though opposed to censorship, Fuck Off! itself transgresses the boundaries of privacy.

A fictional movie star, Gray Evans, goes through the disintegration of his marriage, his gradual mental breakdown, and his increasing obsession with a young film student who reminds Gray of his own life before becoming famous. A dark psychological drama, I Love Your Work explores the pressures of fame and the difference between getting what you want and wanting what you get.

¡Qué viva México! was a film project undertaken in 1931-32 by Soviet film-maker Sergei Eisenstein for American socialist author Upton Sinclair and several investors, which Eisenstein eventually conceived as an episodic portrayal of Mexican culture and politics from pre-Conquest civilization to the Mexican revolution. Over 200,000 feet of silent film were shot before production had to be stopped due to exhaustion of finances and Stalin's demands that Eisenstein return to the USSR. This is one of several attempts to make a feature film out of the existing footage, here according to Eisenstein's skeletal outline and under the supervision of Gregori Alexandrov, Eisenstein's long-time collaborator, including on this project.

30-year old Kertu has lived under her father's power her whole life. Because of her gentle nature, she is thought by locals to be a little simple-minded. The young woman makes her first timid attempt to change something in her life - she send a postcard to Villu, a handsome but degenerate village drunk.

The final candidates for a highly desirable corporate job are locked together in an exam room and given a test so simple and confusing that tension begins to unravel.

Arthur is a spirited ten-year old whose parents are away looking for work, whose eccentric grandfather has been missing for several years, and who lives with his grandmother in a country house that, in two days, will be repossessed, torn down, and turned into a block of flats unless Arthur's grandfather returns to sign some papers and pay off the family debt. Arthur discovers that the key to success lies in his own descent into the land of the Minimoys, creatures no larger than a tooth, whom his grandfather helped relocate to their garden. Somewhere among them is hidden a pile of rubies, too. Can Arthur be of stout heart and save the day? Romance beckons as well, and a villain lurks.

The men from U.N.C.L.E." are back! This time Robert Vaughn and David McCallum must stop the meglomanic Alexander (Rip Torn) from committing the world's greatest crimes.