Film Reviews

A young woman discovers that she is the focus of an evil nazi experiment involving selective breeding and summoned elves, an attempt to create a race of supermen. She and two of her friends are trapped in a department store with an elf, and only Dan Haggerty, as the renegade loose-cannon Santa Claus, can save them.

After 31 years at-large, detectives in Wichita, Kansas hone in on the serial killer known as BTK.

A woman struggles to recover from a brutal attack by setting out on a mission for revenge.

A man wakes up alone in the middle of the desert with a black hood on his head and his hands tied behind his back. At death's door, he is discovered by a woman living alone in the desert and is nursed back to health. Upon regaining consciousness, the man realizes he has amnesia, and has no idea who he is. His only clue, a piece of paper in his pocket with the name "Manny Elder" on it, sends him on a journey to Los Angeles to discover his past. But things and people are not what they seem and clues lead to something bigger and more unusual than the man could have ever imagined.

Eddie is conned into fronting a speakeasy for a local gangster who intends to framed him for the murder of a cop.

On the edge of the 30th anniversary of punk rock, Punk's Not Dead takes you into the sweaty underground clubs, backyard parties, recording studios, and yes, shopping malls and stadium shows where punk rock music and culture continue to thrive. Thirty years after bands like the Ramones and the Sex Pistols infamously shocked the system with their hard, fast, status-quo-killing rock, the longest-running punk band in history is drawing bigger crowds than ever, "pop-punk" bands have found success on MTV, and kids too young to drive are forming bands that carry the torch for punk's raw, immediate sound. Meanwhile, "punk" has become a marketing concept to sell everything from cars to vodka, and dyed hair and piercings mark a rite of passage for thousands of kids.

A happily married woman sees a psychoanalyst and develops doubts about her husband.

A millionare is unwittingly led into murder by his lesbian wife.

Every Monday night The Boys put on skates and leave their troubled lives behind.

After the death of his girlfriend, Travis, a thirty-something psychiatrist, struggles to keep it together. On the brink of a nervous breakdown he stumbles across a strange church run by a charismatic leader, Pastor Jay. In search of answers Travis is led deeper and deeper into the underworld of religious fanaticism, home to a Doomsday cult and a teenage girl named Grace.

A hitman is double-crossed by his girlfriend and barely escapes a murder attempt. He then sets out to take his revenge on the woman and the gang boss who put her up to it.

A young couple attempts to elope, with the bride's irate father in hot pursuit. The train stops briefly and the young man dashes off to find a minister, but before he can get himself and the minister onto the train, it leaves, carrying his bride-to- be away. Now the young man, minister in tow, pursues his bride while her father and a horde of lawmen pursue them both.

Three teenage brothers, gang-member Bobby, troubled mama's boy Alan and self-assured prankster Lex, reside in a downtrodden section of Glasgow, Scotland, circa 1968. But while Bobby and Alan are beginning to experience the power of raging hormones, the story focuses on Lex, who begins a downward spiral after he accidentally shoots the leader of Bobby's gang. Lex's cockiness and immaturity unfortunately prevent him from understanding the effect his subsequent crimes will have on both himself, and on those around him.

Simple conversations engender complicated human interactions. The first in Eric Rohmer's Four Seasons series, Conte de printemps (A Tale In Springtime) is the story of an introverted young girl (Florence Darel) just reaching adulthood who takes a liking to an older woman she meets at a party (Anne Teyssedre) and determines to match her off with her father (Hugues Quester), despite the latter's already having a lover of his own. There is a certain absurdity to this, apparent to both adults, who though both reluctantly attracted to each other resent Darel's attempts at matchmaking. Nevertheless, both of them are intelligent enough to understand that there is no 'proper' way to meet, and are alive to the possibilities that life brings them. Darel, for her part, is a persistent catalyst. As with all Rohmer films, the stage is set, in an age of increasing impermanence and uncertainty in human relationships, for a series of minimalist reflections on love and life.

Based on an ancient Scottish folk song, an older woman uses witchcraft to keep her young jet-set friends.