Film Reviews

La Antena (English: The Aerial, 2007) is an Argentine drama film, written and directed by acclaimed film director Esteban Sapir. The film features Alejandro Urdapilleta, Rafael Ferro, Florencia Raggi, and others. The movie begins with a pair of hands typing on a typewriter. The denizens of a nameless city "in the year XX" have lost their voices. People communicate by mouthing out words that are spelled mid-air. The only person who has kept the use of her voice is La Voz ("the voice"), a singer working for the sole TV channel broadcast in the city, run by Mr. TV, who desires La Voz. La Voz wears a hood over her head that hides away her face. She has a son called Tomás, an eyeless little kid who nonetheless also has a voice (although this is kept a secret). Tomás lives next door to Ana, whom he one day befriends after a letter addressed to his house is erroneously delivered to hers.

Charlene Choi plays Yee, a beautiful young girl from an affluent family, however she finds out that she has suffered from cancer, so she begins to prepare for her own funeral with the help of a young funeral director Duan(Eason Chan) They gradually falls in love with each other during their field trip to U.S.A, Yee then realizes how much she values her life. But later, she finally learns about one of Duan's secret, which end up a sad ending of the story.

In ancient Egypt the Pharaoh Khufu is obsessed with acquiring gold and plans to take it all with him into the "second life." To this end he enlists the aid of Vashtar, an architect whose people are enslaved in Egypt. The deal: build a robbery-proof tomb and the enslaved people will be freed. During the years that the pyramid is being built a Cyprian princess becomes the pharaoh's second wife, and she plots to prevent Khufu from taking his treasure with him when he dies .. as well as helping him make the journey early.

A fateful day pushes an aimless college dropout (Tom Schilling) to stop wasting his time and finally engage with life.

Professor Stock and his wife Mizzi are always bickering. Mizzi tries to seduce Dr. Franz Braun, the new husband of her good friend Charlotte

While collaborating with an urban designer (Collins), an architect (Wilson) begins to second guess the perfect life he has constructed for himself and his family.

Returning from a hunting trip in the forest, the Henderson family's car hits an animal in the road. At first they fear it was a man, but when they examine the "body" they find it's a "bigfoot". They think it's dead so they decide to take it home (there could be some money in this). As you guessed, it isn't dead. Far from being the ferocious monster they fear "Harry" to be, he's a friendly giant.

A tough young man, who helps to kick poor people out of their houses, falls in love with a girl. She lives with her father in the building about to be demolished.

Renee returns home one Saturday after giving an early morning piano lesson. She lives in the provinces with her husband Juan and their five year-old son Santi. Over breakfast, they discuss a possible move to Buenos Aires but rule it out after Juan provides a reasoned argument against it. He suggests a family trip to the beach. Renee proposes for Juan alone to take Santi to the beach while she takes her ailing mother Virginia to the country. The film bifurcates as the narrative alternates between the two excursions. Renee picks up Virginia at an assisted-living facility; they drive to a rustic cabin, sit by the fireplace and later take a walk in the forest. Juan and the inquisitive Santi travel further, to an almost empty beach, walk down a pier, build a castle out of sand, and meet two fishermen who entertain the boy with sea tales and teach him how to gut a fish.

The film is set during the late 1930s: the occasion is the first meeting between Mussolini and Hitler. Left alone in her tenement home when her fascist husband runs off to attend the historic event, Sophia Loren strikes up a friendship with her homosexual neighbor Mastroianni. As the day segues into night, Loren and Mastroianni develop a very special relationship that will radically alter both of their outlooks on life.

Joe Gower's job is skating through library shelves, fetching books. A police officer/friend of his is chosen to participate in a charity dance performance. Gower agrees to take his place in the show by posing as a police officer. He falls for a female officer in the show and gets into various scrapes with fellow cops and also crooks. And he dances.

Captain Edward Hall returns to the USA after two years in a prison camp in the korean war. In the camp he was brainwashed and helped the Chinese convince the other prisoners that they were fighting an unjust war. When he comes back he is charged for collaboration with the enemy. Where does loyalty end in a prison camp, when the camp is a living hell?

Former Nazi Klaus Abard survives to the 1990s by taking anti-ageing pills. He plans to use a time travel trip to return to Germany in 1944 and present Hitler with a hydrogen bomb, so that he can win the war. Unfortunately the pilot, woman-chasing Karel Bures, dies on the morning of the trip and his earnest twin brother Jan impersonates him, without knowing about the plot. The plot goes wrong when they lose the bomb and land near Hitler's bunker in 1941, at a time that the Nazis sense victory. Bures, with two of the plotters, escape capture by the Nazis and make it back to the time machine. Bures programs the machine to return one day before they left, because he figures he can then save his brother and foil the plot.

The Raven (1935) is a horror film directed by Lew Landers. It revolves around Edgar Allan Poe's famous poem, featuring Béla Lugosi as a Poe-obsessed mad surgeon with a torture chamber in his basement and Boris Karloff as a fugitive murderer desperately on the run from the police.

A modern love story set in Sao Paulo about Heitor, a writer and literature professor, and Julia, a theatre student turned veterinarian. A fight over the telephone propels Heitor into a journey through the chaotic city streets to reconcile with Julia. Their personal history unfolds against the backdrop of the city and its people in a series of events representing the struggle between poetry and science.