Film Reviews

The duke of York, nicknamed Bertie, was born as royal 'spare heir', younger brother to the prince of Wales, and thus expected to spend a relatively private life with his Scottish wife Elisabeth Bowes-Lyon and their daughters, in the shadow of their reigning father, George V, and next that of his elder brother who succeeded to the British throne as Edward VIII. However Edward decides to put his love for a divorced American, Wallis Simpson, above dynastic duty, and ends up abdicating the throne, which now falls to Bertie, who reigns as George VI.

SPLINTERHEADS introduces Thomas Middleditch as Justin Frost, a twenty-something slacker whose “thing” is that he has no “thing” at all. When a small-time carnival rolls into town, he meets Galaxy (Rachael Taylor), a gorgeous con artist, or “splinterhead,” who has more “things” going for her than anyone he has ever met.

A repressed young wife's traumatic sexual assault triggers a depraved obsession with her attacker.

On crowded Milan streets, two men execute a split-second payroll heist-in broad daylight-then begin a lightning-paced getaway, via every conveyance available. But after all, when a tough guy's returning to France (where he's been sentenced to death in absentia) after holing up in Italy for nearly a decade, he's got to have some startup money--particularly if he's going back with the wife and kids.

After accidentally killing her lecherous producer, a famous actress tries to hide her guilt.

Everybody Go Home (Italian: Tutti a casa) is a 1960 Italian film directed by Luigi Comencini. It features an international cast including the U.S. actors Martin Balsam, Alex Nicol and the Franco-Italian Serge Reggiani. Nino Manfredi was rejected for the starring role because Alberto Sordi wanted it.

'Totò a colori' was the first Italian movie to be shot with a colour film, but the sensitivity was very low (6 asa!) so the actors had to act under a very strong lighting and high temperature.

The plot explores the devastation of civilization and issues of brutality, hostility and isolation. Pierre Jolivet stars as the main character (identified only as "The Man" in the end credits) who is menaced by "The Brute" (played by Jean Reno) on his journey through a world filled by people rendered nearly mute by some unknown incident.

Broadway legend Elaine Stritch remains in the spotlight at eighty-seven years old. Join the uncompromising Tony and Emmy Award-winner both on and off stage in this revealing documentary. With interviews from Tina Fey, Nathan Lane, Hal Prince and others, Elaine Stritch: Shoot Me blends rare archival footage and intimate cinema vérité to reach beyond Stritch’s brassy exterior, revealing a multi-dimensional portrait of a complex woman and an inspiring artist.

Helen, a priest, is approached by scientist Lisbeth with a desperate plea for help. A young man, who has been sent to a high security psychiatric ward after having killed an old couple, has attempted suicide while rambling about God. Having been part of an experiment attempting to humanize inmates by assigning them pets, the young man has suddenly gone ballistic. Fearing that he will attempt suicide again priest and scientist must now confront their mutual animosities while trying to grasp the truth. In a race against time the two women begin a shocking journey deeper and deeper into the sick mind of a young man's soul.

Crystal, a rich party girl, finds a little girl's letter to Santa asking for a new mother, and she vows to win over the father and daughter before the holidays.

The wolf dog, White Fang, aids a reporter, a fur trapper, a nun, a young Eskimo boy and his father of ridding a gold mining town of a sleazy crime lord in 1896 Yukon, Canada.

A man and his wife both have criminal pasts, but have quit crime and are now respectable citizens. One day a member of their old gang shows up and threatens to expose them if they don't help him pull a heist.

When Sara (Minka Kelly), a young design student from Iowa, arrives for college in Los Angeles, she is eager to fit in and get to know the big city. Her wealthy roommate, Rebecca (Leighton Meester), is more than eager to take Sara under her wing and show her the ropes. The two become close, but when Sara begins to branch out and make more friends on campus, Rebecca becomes resentful. Alarmed, Sara moves in with her new boyfriend, causing Rebecca's behavior to take a violent turn.

In reality Emil and Larissa would never have been a couple she is an idolized singer, he is a shy outsider. Ironically, Emil is just getting to know Larissa when she dies unexpectedly. He pretends to have been her boyfriend and finally gets the recognition he has always yearned for, with the added bonus of a surrogate family in the form of Larissas. Things would be just great if Emil didnt fall in love - with Larissas sister Nora. The more he gets to know her, the harder it becomes for him to pretend.