Film Reviews

Cecil B. DeMille’s thought-to-be-lost 1915 silent film The Captive, is a found treasure. Set during the Balkan Wars, The Captive tells the story of Sonia (Blanche Sweet, The Woman in White), a young woman living in Montenegro and left to care for her younger brother Milos (Gerald Ward, The Warrens of Virginia) and the family farm when older brother Marko (Page Peters, Davy Crockett) goes off to battle. Unable to handle the day-to-day tasks following her brother’s tragic death, help comes in the form of Mahmud Hassan (House Peters, Prisoners of the Storm) a captured Turk nobleman now a prisoner of war. Tasked with helping Sonia, their initial frosty relationship soon melts into love. As the war rages on Sonia, Mahmud and Milos will face near-insurmountable obstacles in their quest for a better life amidst the hell of war.

Hot off the success of "Cars" and "Planes", a room full of executives dreams up the next big thing - "Boats". But is it the story they care about or is it $omething el$e?

A Cincinnati museum director goes on trial in 1990 for exhibiting sadomasochistic photographs taken by Robert Mapplethorpe.

In the future, Mars has been colonized. A martial artist arrives to investigate what happened to his brother. A powerful mining company is the prime suspect.

The kingdom is in a festive mood as everyone gathers for the royal wedding of Rapunzel and Flynn. However, when Pascal and Maximus, as flower chameleon and ring bearer, respectively, lose the gold bands, a frenzied search and recovery mission gets underway. As the desperate duo tries to find the rings before anyone discovers that they’re missing, they leave behind a trail of comical chaos that includes flying lanterns, a flock of doves, a wine barrel barricade and a very sticky finale. Will Maximus and Pascal save the day and make it to the church in time? And will they ever get Flynn’s nose right?