Film Reviews
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Bedtime for Bonzo |
College prof Peter Boyd tries to salvage his professional and personal reputation by using a lab chimp to prove that environment trumps heredity in behavioral development. |
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Robbery at 3 O'clock |
Galindo works in a bank. One day he convinces the other employees in the bank to plan a hold-up in the bank they are working. They prepare everything carefully. However, real robbers come just before the fake ones. |
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Full Eclipse |
The LA police department have a special team of officers with a talent for reducing big-time crime. The team leader has an excellent track record for crime reduction in other big cities, but his methods are unconventional, and so is he - he's a werewolf. |
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The Seven-Ups |
A tough detective who is part of an elite New York City unit is trying to find out who killed his partner, but uncovers a plot to kidnap mobsters for money. |
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Boy of the Streets |
Cocky young street kid worships his father, a sleazy political operative. |
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A Woman's Tale |
Uplifting and intimate look at the last days of an elderly cancer victim. The film is even more relevant as it was written specifically for the lead actress, Sheila Florance, who was in fact dying of cancer as she created what is essentially a self-portrait. |
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Spider-Man 2 |
Peter Parker is going through a major identity crisis. Burned out from being Spider-Man, he decides to shelve his superhero alter ego, which leaves the city suffering in the wake of carnage left by the evil Doc Ock. In the meantime, Parker still can't act on his feelings for Mary Jane Watson, a girl he's loved since childhood. |
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The Devil and Max Devlin |
When Max dies in an accident, he goes straight to hell. But the devil Barney makes him an offer: if he manages to get three innocent youths to sell him their souls in the next two months, he may stay on earth. Max accepts, and returns to earth, equipped with special powers. However his task is harder than expected, especially when 7 years old Tobi demands that he marry his mother. Written by Tom Zoerner |
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Return of the Atom |
A portrait of a small-town that is the unlikely site of a 'renaissance' of 'safe' nuclear energy started in 2004, a project that soon spiraled out of control. |
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Rock n' Roll Nerd |
ROCK N ROLL NERD is an intimate tale that charts Tim Minchin’s meteoric rise from obscurity to celebrity. Capturing every moment of Tim’s first frenzied break onto the comedy scene the documentary weaves never-before-seen performance footage, backstage antics, home footage and candid interviews into a funny and deeply personal story of love and ambition. |
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Noise |
A man who is being driven crazy by the noise in New York City decides to take vigilante action against it. |
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Pinprick |
A criminal gradually integrates himself into a broken household by methodically asserting control over a teenage girl and her lonely mother. |
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The Interceptor |
The film tells a story of an agent betrayed by his partner when transporting new psychic weapon. Believed to be dead, he escapes and takes new identity so he can live in peace far away. But later he is forced to return to Moscow to confront a secret organization, led by his former partner, that attempts to use the dangerous weapon in order to take control over the country. Now he is a key figure in the battle between forces of darkness and light. |
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How the War Started on My Island |
At the beginning of 1991, Yugoslav army did not acknowledge Croatian's independence, and still holding few military barracks in Croatia. Gajski travels to an island to get his son out of the army. Locals have besieged the barracks and organized a festival to try with singing and recitals to get major Aleksa and his soldiers to surrender, but Aleksa has explosives thru the barracks and wants to blow up the island. |
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Success Is the Best Revenge |
Alex Rodak (Michael York) is a Polish director in exile in London with his family, which includes an older teenage son Adam (Michael Lyndon) who is struggling with an identity crisis, his wife (Joanna Szerzerbic), and another son. Rodak is in the throes of putting together a major show about Poland and the politics of exile at a West End theater. His single-minded determination to succeed causes him to take advantage of others, and because of his need for backing, he turns to a low-life businessman (John Hurt) to bail him out. His wife is anything but happy about his behavior and dislikes this last decision even more. This is an interesting study of how a father and son become alienated in a conflict between cultural identity and its exploitation. |