Film Reviews

The first of the seven "Doctor" films, based on Richard Gordon's novels and released between 1954 and 1970. Simon Sparrow is a newly arrived medical student at St Swithin's hospital in London. Falling in with three longer-serving hopefuls he is soon immersed in the wooing, imbibing and fast sports-car driving that constitute 1950's medical training. There is, however, always the looming and formidable figure of chief surgeon Sir Lancelot Spratt to remind them of their real purpose.

A self-conscious bride is tormented by the memory of her husband's dead first wife.

At first glance Maarit looks like any other woman in her early forties. There is, however, something strange under the surface. She radiates sexual energy that is hard to define.

A psychic researcher attempts to solve a murder by using a radio that enables him to speak with the dead.

A feature shot as a documentary, with minimal interference in the surrounding action. The resulting film is a truthful and innocent portrayal of the era with no imitations or conscious borrowings but with its own avant-garde experiments.

A man suspected of murder charms a secretary into helping him.

When a Mongolian nomadic family's newest camel colt is rejected by its mother, a musician is needed for a ritual to change her mind.

WAFFLE STREET is the true story of Jimmy Adams, a V.P. of a $30 billion hedge fund, who loses his job and winds up working as a waiter at a waffle shop. Amidst the greasy madness of the 24-hour diner, Jimmy befriends Edward, an ex-con grill master who serves up hard lessons about life, finance, and grits.

When a man's wife and family are murdered, he plots revenge only to find out that the killer is under Federal protection and he must exact his own form of justice.

The Los Angeles Times Critics' Pick Something’s Gonna Live is an intimate portrait of life, death, friendship and the movies, as recalled by some of Hollywood's greatest cinema artists. Academy Award®-nominated director Daniel Raim (The Man on Lincoln’s Nose), captures the late life coming together of renowned art directors Robert Boyle (North by Northwest, The Birds), Henry Bumstead (To Kill a Mockingbird, The Sting) and Albert Nozaki (The War of the Worlds, The Ten Commandments), storyboard illustrator Harold Michelson (The Graduate, Star Trek: The Motion Picture), and master cinematographers Haskell Wexler (Who’s Afraid of Virginia Woolf?, Medium Cool) and Conrad Hall (In Cold Blood, Butch Cassidy and the Sundance Kid). These prolific artists have worked on a total of 400 films, garnering 25 Academy Award® nominations and 8 wins.

Gary Faulkner is an ex-con, unemployed handyman, and modern day Don Quixote who receives a vision from God telling him to capture Osama Bin Laden. Armed with only a single sword purchased from a home-shopping network, Gary travels to Pakistan to complete his mission. While on his quest, Gary encounters old friends back home in Colorado, the new friends he makes in Pakistan, the enemies he makes at the CIA - and even God and Osama themselves.

Camille, a 20-something dissatisfied with her life, craves the opportunity to give her love to the person who needs it the most. She finds this opportunity in the form of Costa, a homeless ne’er do well, deadbeat dad, and rejected son. Even as their relationship begins to take its toll on them both, Camille finds happiness in her efforts to rescue him from his own self-destruction.

A group of American teens comes Ireland to visit an Irish school friend who takes them on a camping trip in search of the local, fabled magic mushrooms. When the hallucinations start taking hold, the panicked friends are attacked by ghostly creatures; never able to determine if they are experiencing gruesome reality or startling delirium.

The American architect Kracklite arrives in Italy, supervising an exhibiton for a French architect, Boullée, famous for his oval structures. Tirelessly dedicated to the project, Kracklite's marriage quickly dissolves along with his health.

In Manhattan's Central Park, a film crew directed by William Greaves is shooting a screen test with various pairs of actors. It's a confrontation between a couple: he demands to know what's wrong, she challenges his sexual orientation. Cameras shoot the exchange, and another camera records Greaves and his crew. Sometimes we watch the crew discussing this scene, its language, and the process of making a movie. Is there such a thing as natural language? Are all things related to sex? The camera records distractions - a woman rides horseback past them; a garrulous homeless vet who sleeps in the park chats them up. What's the nature of making a movie?