Film Reviews

The scene of the crime is Whitechapel, the same London district notorious for the recent attacks of Jack the Ripper. Three monks are found dead, the apparent victims of a vampire - now, someone else is out for blood. Or is it something else? As bizarre events unfold, the answer is left to Sherlock Holmes and Dr. Watson to find.

An english tv-team discovers a special white flower in the indonesian rainforest, but they never get to investegate it further, before the danish recluse Severin has shot them down. A danish special enforcement with a psychiatrist in front is sent off, and they find out, that Severin claims, that he is 129 years old, and it's the flower, which keeps him young. Soon all hunts the white flower, which apparently gives eternal life.

Four teenagers are killed in a car accident. Two of the teenagers refuse to go with "The Grim Reaper" and a race between life and death ensues!

In Kabuki style, the film tells the story of a remote mountain village where the scarcity of food leads to a voluntary but socially-enforced policy in which relatives carry 70-year-old family members up Narayama mountain to die. Granny Orin is approaching 70, content to embrace her fate. Her widowed son Tatsuhei cannot bear losing his mother, even as she arranges his marriage to a widow his age. Her grandson Kesa, who's girlfriend is pregnant, is selfishly happy to see Orin die. Around them, a family of thieves are dealt with severely, and an old man, past 70, whose son has cast him out, scrounges for food. Will Orin's loving and accepting spirit teach and ennoble her family?

Mertkan has a simple life in Istanbul: 'working' as an office-boy in his dad's construction company, hanging out with his male friends in malls and discos, cruising with his dad's 4-wheel drive at night. There is no urgency for him to find a meaning to this emptiness. When he meets Gul, a Kurdish girl from Eastern Turkey, putting herself through university by working as a waitress, Mertkan has a chance to change the futility of his life. But his father opposes his connection with 'those people who only want to divide our country' and reminds Mertkan that 'we are all Turkish and we are all Muslims'. Insidiously Mertkan bows to the social values of the 'Majority' when faced with a choice, and becomes the 'proper man' his dad wanted him to be.