Film Reviews

In common with other Zanzibar films, Patrick Deval’s Acéphale (1968) eschews conventional narrative in favour of an experimental arrangement of austerely executed but intensely hallucinatory episodes that build into a nightmarish fever of isolation and hopelessness.

Three Nights of Love is a 1964 drama film directed by Renato Castellani, Luigi Comencini and Franco Rossi and starring Adolfo Celi, Enrico Maria Salerno and Catherine Spaak.

Star major league pitcher Monty Stratton loses a leg in a hunting accident, but becomes determined to leave the game on his own terms.

A documentary about The Spirit of the Beehive featuring director Víctor Erice, producer Elías Querejeta, coscreenwriter Ángel Fernández-Santos, and actor Ana Torrent.

On the eve of his high school graduation, unremarkable Will Kidman finally bonds with the girl he has long yearned for, reclusive Eliana Wynter. But he also discovers a dark secret from his past... that he is about to become a werewolf. Now, in an effort to fight destiny and save their love as well as their lives, they must battle not only Will's growing blood lust but an army of fearsome beasts bent on killing them... and then, us all.

Jonas Candide performs his job as state executioner in early 20th century Mississippi like a combination preacher and carnival barker, persuading condemned men to accept their deaths before electrocuting them on his electric chair. After he's assigned his first woman to execute, however, Jonas' sense of purpose is shaken.

An independent feature documentary about the over 23 million Americans living in long-term recovery from alcohol and other drug addictions.

Although a successful romance novelist, Terry Russell hasn't had luck in her own love life. After a disastrous first date with cocky, hot-shot New York chef Matthew Everston, she retreats to her friend's French villa for the summer to finish her latest novel, with her reluctant teenage daughter in tow.

Louis Trebor, a man nearing 70, lives alone with dogs in the forest near the French-Swiss border. He has heart problems, seeks a transplant, and then goes in search of a son sired years before in Tahiti. Told elliptically, with few words, we see Louis as possibly heartless, ignoring a son who lives nearby who is himself an attentive father to two young children, one named for Louis. He leaves his bed one night - and his lover - to kill an intruder; he dreams, usually of violence. Will his body accept his heart? Will his son accept his offer?

In the 30s, a small village in the Provence is losing its inhabitants because young people prefer to go to the city to find easy jobs and escape from being farmers living in relative poverty. Only a few old people and the poacher Panturle remain. Panturle dreams of bringing the village back to life, finding a wife, founding a family and work as a farmer. One day, the village is visited by a traveling knife-grinder, Urbain Gedemus and a young woman, Arsule. Gedemus treats Arsule like a slave, but Arsule accept this because she has nowhere to go and -we guess- her 'work' with Gedemus is the last thing that saves her from being a prostitute. When she meets Panturle and knows about his dreams, she escapes from Gedemus and decides to stay with him. Together, they start a new life, made of hard farming work but mostly of happiness to have each other - fulfilling the earlier dreams of Panturle. Can anything break the happiness of their new life?

Some time in the future, East and West have stopped maintaining standing armies and nuclear weapons. Instead, to settle their differences they pit different teams of crack combat specialists against each other.

A rave party off the coast of Goa, goes horrifyingly and hilariously wrong when the island is overrun with zombies.

An FBI undercover agent infilitrates the mob and finds himself identifying more with the mafia life at the expense of his regular one.

A feverish collision of avant-garde aesthetics and grind-house shocks (not to mention a direct influence on Stanley Kubrick’s A Clockwork Orange), Funeral Parade of Roses takes us on an electrifying journey into the nether-regions of the late-’60s Tokyo underworld. In Toshio Matsumoto’s controversial debut feature, seemingly nothing is taboo: neither the incorporation of visual flourishes straight from the worlds of contemporary graphic-design, painting, comic-books, and animation; nor the unflinching depiction of nudity, sex, drug-use, and public-toilets. But of all the “transgressions” here on display, perhaps one in particular stands out the most: the film’s groundbreaking and unapologetic portrayal of Japanese gay subculture.

Franck shows up in a gossip magazine photo behind a brawling TV star at a football match.