Film Reviews

A man coping with the institutionalization of his wife because of Alzheimer's disease faces an epiphany when she transfers her affections to another man, a wheel chair-bound mute who also is a patient at the nursing home.

In 2010 David Crowley, an Iraq veteran, aspiring filmmaker and charismatic up-and-coming voice in fringe politics, began production on his film Gray State. Set in a dystopian near-future where civil liberties are trampled by an unrestrained federal government, the film’s crowd funded trailer was enthusiastically received by the burgeoning online community of libertarians, Tea Party activists and members of the nascent alt-right. In January of 2015, Crowley was found dead with his family in their suburban Minnesota home. Their shocking deaths quickly become a cause célèbre for conspiracy theorists who speculate that Crowley was assassinated by a shadowy government concerned about a film and filmmaker that was getting too close to the truth about their aims.

Eccentric aliens give a man the power to do anything he wants to determine if Earth is worth saving.

Four black students attend an Ivy League college where a riot breaks out over an “African American” themed party thrown by white students. With tongue planted firmly in cheek, the film explores racial identity in 'post-racial' America while weaving a story about forging one's unique path in the world.

Now seriously mentally ill after working with Clouseau for such a long time, Inspector Dreyfus escapes from the mental asylum he was being held in and vows to destroy Clouseau forever. He kidnaps an eminent scientist and forces him to build a machine capable of destroying the world, with the intention of doing so unless Clouseau is delivered to him.

In this hit Russian musical, a group of friends flaunts Soviet authority in 1950s Moscow by embracing jazz. When Communist Mels falls for Polly, a free-spirited jazz fan, he risks losing his party membership by associating with her rebellious crew.

Theo is living the good life in an upscale Brazilian neighborhood. He’s a hardworking doctor, husband, and father. However, Theo has chosen his career over his family, and little by little he discovers that his world is crumbling around him. His beloved mentor and surrogate father is dying, and his wife announces that she wants a divorce. Yet nothing prepares him for the day when he comes home to discover that his 15-year-old son, Pedro, has disappeared. Theo takes to the road in search of his son. In a journey that leads him throughout Brazil, Theo discovers what really matters to him. Searching for his missing son, Theo finds himself.

When troubled teen boy Stevie (Cameron Van Hoy) and his girlfriend, Rocky (Mischa Barton), attempt to rob a bank without any forethought, the situation rapidly deteriorates. Soon the young couple is holding bank customers and employees hostage, while law enforcement gathers outside. Daniel Bender (Burt Reynolds), a veteran negotiator for the FBI, is charged with assessing the crime scene and ending the standoff as quickly as possible, but Stevie's short fuse considerably complicates matters.

Led by Woody, Andy's toys live happily in his room until Andy's birthday brings Buzz Lightyear onto the scene. Afraid of losing his place in Andy's heart, Woody plots against Buzz. But when circumstances separate Buzz and Woody from their owner, the duo eventually learns to put aside their differences.

Hazen Kaine, an American contract killer living in Sofia, Bulgaria, gets more than he bargains for when he enters into a contract with the mob. One last job before he gets out and starts a new life for himself. The targets: the three children of royal billionaire Andon Dupont. Seems simple enough, or so he thought. Hazen apprehends the children, and before he can blink an eye, a simple necklace worn by one of the children sends his life spiraling back to medieval times. Now completely out of his element, Hazen fights for his life as he tries to escape a medieval army and a fierce fire-breathing dragon.

The story of two totally contrasting figures who come together in the most hostile of circumstances, only to form an unlikely bond that will help them both find a way out of their respective troubles. It is a bittersweet comedy about growing up and rediscovering youth in parallel, united by the subconscious desire to seek out the missing elements in their lives.

Samsara is a word that describes the ever turning wheel of life. It is a concept both intimate and vast - the perfect subject for filmmakers Ron Fricke and Mark Magidson, whose previous collaborations include Chronos and Baraka, and who, in the last 20 years, have travelled to over 58 countries together in the pursuit of unique imagery. Samsara takes the form of a nonverbal, guided meditation that will transform viewers in countries around the world as they are swept along a journey of the soul. Through powerful images pristinely photographed in 70mm and a dynamic music score, the film illuminates the links between humanity and the rest of the nature, showing how our life cycle mirrors the rhythm of the planet.

A devoted family man tries to help a beautiful alcoholic showgirl with her life, and becomes the the only suspect when someone else murders her.

One-time rival collegians, Vikas Sabkuchwala and Sunil, are now friends and in love with sisters Ayesha and Mamta Vidrohi, who they would like to marry. But their politician father wants a size-able dowry as well as well-placed sons-in-laws, and refuses to have to do anything with them. The foursome get together and arrange the fake kidnapping of the sisters so as to extort a large sum of money from Vidrohi. Things go completely out of control and awry, when Vikas and Sunil find out that the kidnapping has taken place - not by them - but by notorious international terrorist and seemingly invincible Colonel Chikara.

The final film in Rossellini's war film trilogy (the first two being Rome, Open City and Paisà). Germany Year Zero takes place in post-war Germany, unlike the others, which take place in German-occupied Rome and post-war Italy, respectively. The story follows a twelve-year-old boy, Edmund Kohler, who is mainly left to his own devices in order to survive and to help his family do the same.