Film Reviews

My Last Five Girlfriends traces the romantic journey of thirtysomething bachelor Duncan. As the film opens, the despondent Duncan is apparently preparing to take his own life, but not before taking the time to send a message to the last five women he dated. Taking the form of a whirlwind tour through Duncan World, the film is a comedic exploration of his failed relationships.

A recently widowed, small-time hustler struggles to raise his two teenage daughters on his own and still make a dishonest living in 1950s Indiana.

The film is Sokurov's feature film debut and is based on the novel The River Potudan by Andrei Platonov. It's a story about the lives of people in the Russian countryside in the beginning of the 20th century. The film was completed in 1979 as a graduation film, but was banned by the Soviet state and didn't premiere until 1987.

A newlywed discovers her husband is a cheating phony.

Sick young man drives around in his daddy's camper, looking for lone stray females to kidnap, torture, rape, and murder.

While her husband, the General is abroad, Lady Fitzadam decides to convert their army residence into a fishing resort for rich American tourists in order to raise money for their dream retirement cottage.

Three bumbling Army reservists are hustled onto a plane headed for combat in Iraq -- but the fact that the plane drops them in Mexico doesn't stop them from "liberating" what they believe to be the Middle East.

A serpent, created by radioactivity, threatens a Spanish coastal town.

There were three friends. Someone became the assailant and someone became the victim. Another swings his fists in anger at their broken friendship. Through the director’s creation of young actors and looking into the life of high school boys, the assailant and the victim come dialectically. It was a time when everyone got hurt.

Beautiful chanteuse 'Bijou' (Marlene Dietrich) cascades through Malaysia's ports of call eventually landing in a handsome lieutenant's lap. As Bijou 'drifts through the standards', the fleet's Admiral reckons the US Navy "already has enough destroyers". A Marlene classic with songs by Frederick Hollander and a young and promising John Wayne.

This film concerns two mysterious characters who meet on a Sunday in Queens. Madeleine the most unsettling creature of that name since "Vertigo" is a middle-aged, moderately successful actress. Oliver/Matthew is either a homeless man or a famous film director or both. Madeleine hails him on the street as the latter, launching a bizarre chain of events that includes a conversation in a diner, a very unromantic sexual encounter, the arrival of Madeleine's odd husband and unsuspecting daughter, and a child's birthday party. The film also compassionately tracks the daily rounds of Oliver/Matthew's fellow denizens of the homeless shelter, some of whom will be recognizable to New York audiences.

When Will decides to tell his daughter the story of how he met her mother, he discovers that a second look at the past might also give him a second chance at the future.

Brothers Danny and Zak, 15 and 13 & 3/4 are spending the summer in their deceased grandfather's house, waiting in vain for their mother, who is otherwise busy, and running low on cash. To make some money they decide to rent out the house to a local drug dealer, but things don't go exactly as planned...

A Special Ops military Force, led by expert sniper Sergeant Jake Chandler, are sent to a remote Afghan village to extract an American congressman being held by the Taliban.

A small family "a father and a son" lives on the top floor of an old house. The father retired from the military, when he was a student in flight school, he experienced the first and the only love of his life. This girl became his wife and she gave birth to his son. Both of them were twenty years old then. The wife died when she was young. This love remained his secret unique happiness. The son grew up, and he will probably be a military man like his father. The son's features constantly remind the father of his wife. He doesn't separate his son from his still persisting love: this is his unity with his beloved woman. The father cannot imagine his life without his son. The son loves his father devotedly and deeply, a filial feeling intensified by an instinctive moral responsibility that is being tested by life. Their love is almost of mythological virtue and scale. It cannot happen in real life. This is a fairy–tale collision.