Film Reviews
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Wings |
Maya Bulgakova gives a marvelous performance as a once heroic Russian fighter pilot now living a quiet, disappointingly ordinary life as a school principal. |
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I Wanna Hold Your Hand |
If they missed Beatles' first appearance in the U.S.A. they would hate themselves for the rest of their lives! So six young girls from New Jersey set off even though they don't have tickets for the show! The journey is full of surprises and misfortunes but the young ladies are determined to reach their idols. |
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The Firm |
Set in the 1980s, Dom is a teenager who finds himself drawn into the charismatic world of football 'casuals,influenced by the firm's top boy, Bex. Accepted by the gang for his fast mouth and sense of humor, Dom soon becomes one the boys. But as Bex and his gang clash with rival firms across the country and the violence spirals out of control, Dom realizes he wants out - until he learns it's not that easy to simply walk away. |
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Any Gun Can Play |
Any Gun Can Play (Italian: Vado... l'ammazzo e torno) is a 1967 spaghetti western starring Gilbert Roland, Edd Byrnes and George Hilton. The film is directed by Enzo G. Castellari and features a score by Francesco De Masi and Alessandro Alessandroni. It follows a familiar pattern of protagonists searching for gold, double-crossing one another and a high body count. The three main characters continually change allegiances and get the upper hand only to be thwarted by fellow outlaws, mysterious insurance investigators and each other. In the opening scene one of the three outlaws is dressed very similar to Clint Eastwood's character in the "Dollars" trilogy, one is dressed as Lee Van Cleef's characters in those and other westerns, and one as Franco Nero's character Django. |
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Carry On Behind |
Professors Vrooshka and Crump decide to visit an archaeological site to study the artifacts there. Lo and behold, it's right next to a caravan site where all manner of people are staying. With a randy Major owning the site, a snobbish mother, and the two professors' constant innuendos, the film ends with a sinking caravan site and a striptease performance as a replacement for the cabaret night. |
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The Lesson |
An honest, hard-working schoolteacher in a small Bulgarian town is driven to desperate measures to avoid financial ruin. |
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Woman of Antwerp |
Dedee is a prostitute, working in Monsieur Rene's night club on Antwerp's harbour. The porter is Marco, her pimp. Dedee is not happy, until she meets Francesco, an italian sailorman. They fall in love and Dedee begins to dream about an escape of her daily dullness. |
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Gosford Park |
Multiple storylined drama set in 1932, showing the lives of upstairs guest and downstairs servants at a party in a country house in England. |
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The Old Man |
This is a survival story - a Hemingway's 'Old Man and the Sea' as if written for our days. |
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The Legend of Suram Fortress |
A film version of a well-known Georgian folk-tale. A young boy has to be immured into the walls of a fortress in order to stop it from crumbling to pieces. |
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Memories of Underdevelopment |
In the aftermath of the Bay of Pigs incident, Sergio chooses to stay behind in Cuba while his wife and family escape to neighboring Miami. Alone in a brave new world, Sergio observes the constant threat of foreign invasion while chasing young women all over Havana. He finally meets Elena, a young virgin girl he seeks to mould into the image of his ex-wife, but at what cost to himself? |
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Six Swedish Girls at a Pump |
A gas station becomes the center of social life in the village after six Swedish girls start working there. |
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Unity |
Despite the advent of science, literature, technology, philosophy, religion, and so on -- none of these has assuaged humankind from killing one another, the animals, and nature. UNITY is a film about why we can't seem to get along, even after thousands and thousands of years. |
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The Legend of Rita |
Rita Vogt is a radical West German terrorist who abandons the revolution and settles in East Germany with a new identity provided by the East German secret service. She lives in constant fear of having her cover blown, which unavoidably happens after the German re-unification. |
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Boris Godunov |
Praised for its fine photography and production design if not its narrative, Sergei Bondarchuk directed this adaptation of the tale by Alexander Pushkin. Boris Godunov came to the Czarist throne at the end of the 16th century, after the original heir to Ivan the Terrible had died. At first, things went well for Godunov (played by Bondarchuk), but when the Russian people began to believe he had killed Ivan the Terrible's son in order to gain the throne, an alliance sprang up against the new Czar. Events continued to spin out of control as a young monk was presented as the son Godunov had supposedly killed. Now he was openly accused of failing an assassination attempt, which seems to be even worse than succeeding. In addition to these woes, Boris Godunov began to suffer serious health problems. So much for the joys of kingship. |
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