Film Reviews

Two deranged friends bring along another guy to go on a random murder rampage. They kidnapped lesbian lovers, couples and they torture them in any way that the viewer can imagine. Your worst fears will come true in this shocking account of a killing spree.

An Englishman (Richard Arlen) fights in the Sudan after receiving white feathers of cowardice from his fiancee (Fay Wray) and friends.

For Hussein, a pizza delivery driver, the imbalance of the social system is thrown in his face wherever he turns. One day when his friend, Ali, shows him the contents of a lost purse, Hussein discovers a receipt of payment and cannot believe the large sum of money someone spent to purchase an expensive necklace. He knows that his pitiful salary will never be enough to afford such luxury. Hussein receives yet another blow when he and Ali are denied entry to an uptown jewelry store because of their appearance. His job allows him a full view of the contrast between rich and poor. He motorbikes every evening to neighborhoods he will never live in, for a closer look at what goes on behind closed doors. But one night, Hussein tastes the luxurious life, before his deep feelings of humiliation push him over the edge.

Construction workers in World War II in the Pacific are needed to build military sites, but the work is dangerous and they doubt the ability of the Navy to protect them. After a series of attacks by the Japanese, something new is tried, Construction Battalions (CBs=Seabees). The new CBs have to both build and be ready to fight.

An earthquake reaching a 10.5 magnitude on the Richter scale, strikes the west coast of the U.S. and Canada. A large portion of land falls into the ocean, and the situation is worsened by aftershocks and tsunami.

Composed of three separate stories, the film vividly portrays Taiwan during the cold war period when the country developed its economy with help from the United States. It is regarded as a hallmark of Taiwanese New Cinema.

Page Eight is lovingly turned, with elegant writing, a flawless cast and a heartfelt message from writer/director David Hare about the danger zone where spies and politicians meet. The tension builds gently as we follow the fortunes of Johnny Worricker, a jazz-loving charmer who works high up at MI5 as an intelligence analyst. It’s a part made for Bill Nighy and he purrs out bon mots with a weary panache that women 20 years younger find irresistible. One such is his neighbour, Nancy Pierpan (Rachel Weisz), in a Battersea mansion block. The question for Johnny is whether her interest in him is genuine or hides something darker. As his boss (Michael Gambon) puts it: “Distrust is a terrible habit.” Questions of trust, honour and friendship rumble through the play. The characters exchange oblique repartee as a plot about a damning dossier unwinds. It’s not to be missed.

A new bride gets caught between her decadent husband and his black half-brother.

Can two clueless Georgia homegirls with big hearts -- and even bigger hair -- find happiness, fame and thrills in the swank hills of Beverly? Anything is possible when you are B.A.P.'s. They revive Blakemore's interest for life, and he teaches them to be "Black American Princesses" in return.

When novelist Paula Martin retreats to the seclusion of her family home Crows Hall she hopes to clear her mind and focus on her new book. The arrival of an assistant, Linda, should take the pressure off... but as the bodies pile up, Paula finds herself trapped in a terrifying nightmare of murder and madness.

In an underground city in a dystopian future, the protagonist, whose name is "THX 1138 4EB", is shown running through passageways and enclosed spaces. It is soon discovered that THX is escaping his community. The government uses computers and cameras to track down THX and attempt to stop him; however, they fail. He escapes by breaking through a door and runs off into the sunset. The government sends their condolences to YYO 7117, THX's mate, claiming that THX has destroyed himself. Electronic Labyrinth: THX-1138 4EB is a 1967 science fiction short film written and directed by George Lucas[1] while he attended the University of Southern California's film school.

This is a hand-painted film which has been photographically step-printed to achieve various effects of brief fades and fluidity-of-motion, and makes partial use of painted frames in repetition (for "close-up" of textures). The tone of the film is primarily dark blue, and the paint is composed (and rephotographed microscopically) to suggest galactic forms in a space of stars.

An unsuspecting university professor is an unwitting accomplice in a foiled Chinese cocaine deal. Wrongly imprisoned, he escapes to take his revenge and prove his innocence.

When a brutal carjacking yields a videocamera, a teenage boy decides to document his life and the lives of his fellow gangbangers.

Abigail Kirk was an ordinary enough sixteen year old growing up in todays Sydney. An intriguing chain of events finds Abigail, through some eerie time shift, transported back one hundred years after watching some children playing a scary game called Beatie Bow.