Film Reviews

Six high school seniors celebrating with day's excursion find themselves on rowboat attacked by man-eating fish and must decide who must be sacrificed as they fight their way back to shore.

For astrological reasons, a father leaves his son Rudran (Arya) in Kasi. Nevertheless he brings him back to Tamil Nadu. The story takes a turn here and introduces us to the world of physically and mentally challenged beggars. A world controlled by the cruel Thandavan (Rajendran). Meanwhile, Rudran leaves his house to find his place on a small cave, and soon meets Hamsavalli, who tries her best to convince him to return home, but fails. Thandavan then takes a deal with a Malayali man of the same profession and decides to force Hamsavalli to marry an ugly, deformed man for 10-lakhs worth of money. On one incident, Hamsavalli angers the deformative, who runs away without marrying her. This angers Thandavan, who deeply wounds her. She later goes crying to Rudran to somehow free from this curse. The aghori then kills her and grants her moksha.

Two brothers live in the economically-depressed Rust Belt, when a cruel twist of fate lands one in prison. His brother is then lured into one of the most violent crime rings in the Northeast.

Our RoboCop Remake is a crowd-sourced film project based on the 1987 Paul Verhoeven classic. Organized through Channel 101 and a bunch of other places, we're 50 filmmakers (amateur and professional) from Los Angeles and New York who have split the original RoboCop up into individual pieces and have remade the movie ourselves. Not necessarily a shot-for-shot remake, but a scene-for-scene retelling. As big fans of the original RoboCop, and as filmmakers and film fans admittedly rolling our eyes at the Hollywood remake machine, we've elected to do this remake thing our own way.

William K.L. Dickson brings his hat from his one hand to the other and moves his head slightly, as a small nod toward the audience. This was the first film produced by the Edison Manufacturing Company to be shown to public audiences and the press.

Philosopher Slavoj Žižek and filmmaker Sophie Fiennes reunites for this follow-up to their hit The Pervert's Guide to Cinema, using their interpretation of moving pictures to present a compelling cinematic journey into the heart of ideology – the dreams that shape our collective beliefs and practices.

A team of environmentalists, including a reporter, her camera man, and an environmentalist's famous girlfriend charter a boat and with the captain, sail to a military island. They suspect the island is hosting to illegal activities. Upon arrival, however, they find no one. They finally reach a deserted house, where they find Dr. Susan Richardson, who tells them that everyone on the island is dead, including her father. Richardson's team were working on a compound that could make edible plants grow to super size, however the military intervened with plans of their own. They wanted to test the compound's effects on animals, and proceeded to feed it to several komodo dragons and cobras.

The true story of The Temptations, the Soul vocal group of the 1960s, as seen from the viewpoint of the last surviving member, Otis Williams. Beginning from their humble origins in the late 50s and continuing through the 90s and the deaths of the other 4 members.

Our three hapless heroes - Igor, Artyom, and Sauna - return for another lesson from St. Valentine. This time they must learn the true value of fatherhood.

In Italy, the gambler and professor of poetry Daniele Dominici arrives in the seaside town of Rimini and is hired to teach for four months in the local high school replacing another teacher. His relationship with his partner Monica is in crisis and he spends most of the time with his new acquaintances and gamblers Giorgio, Marcello and Gerardo. In classroom, he meets the gorgeous nineteen years old student Vanina Abati, who is Gerardo's girlfriend.

Highly symbolic and allegorical, this drama takes the search of a son for his father in the chaotic times of the Mexican Revolution and the early 1900s as its basis. Stereotypical (or archetypal) figures from early Mexican cinema appear from time to time, and the violence of the revolutionary period is not glossed over. As the son searches for the father, scenes of the father and his earthy way of living are screened. Given that it relies so heavily on knowledge of Mexican history and Mexican cinema in addition to being something of an art-film, non-Mexican viewers will need to be both erudite and patient.

A guerilla leader falls in love with a mysterious woman in World War II Lisbon.

A film version of the famous Bizet opera, where a soldier (Don Jose) falls in love with a beautiful factory worker (Carmen), but she does not reciprocate his feelings.

Old bachelor Benjamin (Lopez Rojas) still lives with his sister Micaela (Doria) in the boredom of a small town. His only entertainment is getting together with a bunch of old men and spare time playing like children. Benjamin falls inlove with beautiful and young Natividad (Ramirez). First, he writes love letters for her. Then, when this strategy fails, Benjamin and the old men plan to abduct her and wait for her falling inlove. Written by Maximiliano Maza

A projectionist bored with his everyday life begins fantasizing about his being one of the superheroes he sees in the movies he shows.