Film Reviews

What kind of scenes in a horror film scares you the most? When a ghost appears totally unexpectedly? When the main character does not see the ghost sneaking up behind him? When at the very end you find out that the main character was actually a ghost all along? But none of this compares to the feeling of arriving home alone and suddenly being stuck by a feeling of deja-vu.

Jahwad is thirty years old and going nowhere fast. He flunked out of school, and slipped into petty crime. Now, he has the police on his tail. So Jahwad is no longer going nowhere, he is getting out of town as fast as he can. He hitches a ride with a schoolteacher, who is desperate at being posted to one of the toughest high schools in the Paris suburbs. The man is so frantic, he rams his car into a tree. For Jahwad, the opportunity is too good to miss, but the high school dropout hardly looks the part.

A barrister (Robertson Hare) attempts to discourage his daughter's infatuation for a philanderer by revealing his past. The plan backfires when the daughter's would-be father-in-law (Stanley Holloway) threatens to reveal the barrister's shady background.

A small-town doctor helps a deaf-mute farm girl learn to communicate.

TJ is a mad bastard, and his estranged 13‐year‐old son Bullet is on the fast track to becoming one, too. After being turned away from his mother’s house, TJ sets off across the country to the Kimberly region of northwestern Australia to make things right with his son.
 Grandpa Tex has lived a tough life, and now, as a local cop in the outback town of Five Rivers, he wants to change things for the men in his community. Cutting between three generations, Mad Bastards is a raw look at the journey to becoming a man and the personal transformation one must make.
 Developed with local Aboriginal communities and fueled by a local cast, Mad Bastards draws from the rich tradition of storytelling inherent in Indigenous life. Using music from legendary Broome musicians the Pigram Brothers, writer/director Brendan Fletcher poetically fuses the harsh realities of violence, healing, and family.

Russian political elite hires American consultants to help with President Yeltsin's re-election campaign when his approval rating is down to single digits.

Seeking shelter from a pounding rainstorm in a remote region of Wales, several travellers are admitted to a gloomy, foreboding mansion belonging to the extremely strange Femm family. Trying to make the best of it, the guests must deal with their sepulchral host, Horace Femm and his obsessive, malevolent sister Rebecca. Things get worse as the brutish manservant Morgan gets drunk and runs amok.

Thomas Crimmins is a new warder, or guard, in an Irish prison. He is young, naive, and idealistic, determined to serve his country by his part in meting out justice to criminals. His superior, Regan, however, realizes that even prisoners are human beings, and Regan is sick of the eye-for-an-eye attitude that leads the state to execute condemned men, or "quare fellows." Crimmins begins to see that not all is black and white in his new world, and when he becomes involved with Kathleen, the wife of one of the condemned men, his attitude begins to change. When new evidence arises to suggest that Kathleen's husband may not deserve his fate, Crimmins is torn between his duty and his humanity.

Rebels seize control of the hotel where a Marine sniper and his wife are staying. Can he save the day?

During college military training exercises, the bond between two friends and athletic rivals is tested when one of them becomes involved with a woman who may be a prostitute.

18-year-old Hannah Yoder is ready to become an Amish adult - which means baptism into the Church and marriage to her boyfriend, Samuel. However, her friends convince her to visit Hollywood for Rumspringa where she meets Josh and the two hit it off instantly. When she returns to Amish country, Hannah must make the painful choice of staying with Samuel or return to Josh and risk being shunned forever.

Brian Hooks plays a character who is just released from jail. And the state adopts a "3 strikes" rule for felons that involves serious penalties. Hooks has 2 strikes, and wants to change his life for the better. When a friend picks him up, they are pulled over, and his friend shoots at police officers, and Hooks escapes. Now Hooks, a wanted man, must clear his name of having nothing to do with the shooting.

Legendary all-stars of cinema bring to life the evolution of science-fiction and special effects films from the wild and funny days of B-movies to blockbusters that have captured the world's imagination. This is the story of the Sci-Fi Boys, who started out as kids making amateur movies inspired by Forrest J Ackerman's FAMOUS MONSTERS magazine and grew up to take Hollywood by storm, inventing the art and technology for filming anything the mind can dream.

This documentary takes an intimate look at the time Lennon, Yoko Ono and their son, Sean, spent living in New York City during the 1970s. It features never-before heard studio recordings from the Double Fantasy sessions and never-before-seen outtakes from Lennon in concert and home movies that have only recently been transferred to video. It also features exclusive interviews with Ms. Ono, who cooperated extensively with the production and offers an unprecedented level of access, as well as with artists who worked closely with Lennon during this period, including Elton John and photographer Bob Gruen (who took the iconic photograph of Lennon in front of the skyline wearing a “New York City” T-shirt).

This Lost World is a splendid BBC TV dramatisation of Sir Arthur Conan Doyle's famous adventure story. Bob Hoskins makes an unusually genial Professor Challenger, far less of a bully than Doyle's character, but his slightly stereotyped companions are nicely filled out by a solid cast. James Fox is Challenger's more timid but still covertly adventurous rival, Tom Ward is the moustachioed big game hunter who faces an Allosaurus with an elephant gun, and Matthew Rhys plays the tagalong reporter hoping to impress his faithless fiancée.