Film Reviews
Perfect Proposal |
While running a travel agency in Macau, Ji-yeon is ripped off by her business partner. One day, the attractive and benevolent Sung-yeol gives her an irresistible offer: $5,000 monthly salary to live on a luxurious yacht and be the personal care aide of the owner of Cenado, a prominent shipping and casino operator company. Without another option to fall back on, she complies and nurses the ailing man, who is impossible to deal with. Ji-yeon slowly gains the attention of both Sung-yeol and the magnate, and wavers between an opportunity that will secure her future and love. As tension rises among these figures on the yacht, no one can predict its outcome. |
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Too Late |
Explores the tangled relationship between a troubled private investigator and the missing woman he's hired to help find. |
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Ghost from the Machine |
Wildly grief-stricken over the accidental death of his parents, young techno-geek Cody (Sasha Andreev) cobbles together an electrical device that he hopes will bring the spirits of mom and dad back from beyond the grave. But the machine's power and Cody's deepening obsession threaten the safety of his only remaining family: his younger brother, James (Max Hauser). Matt Osterman directs this ghostly sci-fi thriller that also stars Matthew Feeney. |
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Styx |
Nelson puts his criminal ways behind him, having spent years as a first-rate safecracker. This resolution lasts until his brother finds himself owing money to organised crime and Nelson needs to do one last big job, with a few other professionals. |
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Night Catches Us |
After growing up during the tumultuous 1960s, ex-Black Panther Marcus returns to his home in Philadelphia in 1976 and reconnects with Pat, the widow of a Panther leader. Marcus befriends Pat's young daughter and attempts to conquer his demons. Interfering with Marcus's good intentions are the neighborhood's continuing racial and social conflicts, as well as old enemies and friends -- both with scores to settle. |
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Rustlers' Rhapsody |
While the audience watches a black and white horse opera, a narrator's voice wonders what such a movie would be like today. Rex O'Herlehan, The Singing Cowboy, finds himself in color and enters a cliche ridden town, in which the evil cattle baron (Andy Griffith) and the new Italian cowboys (who always wear raincoats no matter how hot it gets) join forces to get him and the sheep ranchers to leave. |
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The Boys Are Back |
When the wife of sports-writer Joe Warr dies of cancer, he takes on the responsibility of raising their 6-year-old son, and his teenage son from a previous marriage. As Joe rejects the counsel of his mother-in-law and other parents, he develops his own philosophies on parenting. |
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Act of God |
When a heart surgeon chooses to save one female patient's life over another, her boyfriend looks for revenge. |
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The Surrogate |
A married couple, struggling to have a child, hires a young woman to be their surrogate, but soon discovers she has a bizarre and deadly agenda. |
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Underwater Dreams |
Underwater Dreams, narrated by Michael Peña, is an epic story of how the sons of undocumented Mexican immigrants learned how to build underwater robots. And go up against MIT in the process. |
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Always Leave Them Laughing |
Director Roy Del Ruth's 1949 film, about a self-absorbed comedian who steps all over his friends and colleagues in order to achieve success, stars Milton Berle, Virginia Mayo, Ruth Roman, Bert Lahr and Alan Hale. |
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Jerry Maguire |
Jerry Maguire used to be a typical sports agent: willing to do just about anything he could to get the biggest possible contracts for his clients, plus a nice commission for himself. Then, one day, he suddenly has second thoughts about what he's really doing. When he voices these doubts, he ends up losing his job and all of his clients, save Rod Tidwell, an egomaniacal football player. |
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Masques |
In this deadly game of cat and mouse, Roland Wolf is writing a book on the life of game show host Christian Legagneur--or is he? |
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The Landlord |
At the age of twenty-nine, Elgar Enders "runs away" from home. This running away consists of buying a building in a black ghetto in the Park Slope section of Brooklyn. Initially his intention is to evict the black tenants and convert it into a posh flat. But Elgar is not one to be bound by yesterday's urges, and soon he has other thoughts on his mind. |
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Go West |
Embezzler, shill, all around confidence man S. Quentin Quale is heading west to find his fortune; he meets the crafty but simple brothers Joseph and Rusty Panello in a train station, where they steal all his money. They're heading west, too, because they've heard you can just pick the gold off the ground. Once there, they befriend an old miner named Dan Wilson whose property, Dead Man's Gulch, has no gold. They loan him their last ten dollars so he can go start life anew, and for collateral, he gives them the deed to the Gulch. Unbeknownst to Wilson, the son of his longtime rival, Terry Turner (who's also in love with his daughter, Eva), has contacted the railroad to arrange for them to build through the land, making the old man rich and hopefully resolving the feud. But the evil Red Baxter, owner of a saloon, tricks the boys out of the deed, and it's up to them - as well as Quale, who naturally finds his way out west anyway - to save the day. |
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