Film Reviews

The first story focused on Tai and Kari Kamiya four years before their adventure in the Digital World. It shows their first encounter with Digimon and what happened to them (as well as the other children). Tai and Kari wake one morning to find a Digi-Egg that came out of their computer the night before and the egg soon hatches, revealing a Botamon. The Digimon then evolves into Koromon and then Agumon (not the same one that became friends with Tai in the series, and yet, somehow, both Koromon and Kari remember each other), who then goes out and unintentionally destroys a good part of the neighborhood with Kari riding on his back. A second Digi-Egg appears in the sky to reveal an evil digimon, Parrotmon. Agumon then Digivolves to Greymon but isn't strong enough to beat Parrotmon and is knocked out. Tai grabs Kari's whistle and wakes up Greymon, who defeats Parrotmon and disappears with him.

Beginner DJ Shreds and world-renowned cellist Vladimir Chizhov meet on a noisy street in Moscow barefoot man. Clicking on the strange machine, the characters are moved to the desert planet Plyuk. A remake of the beloved animated film "Kin-dza-dza!" No less fascinating and funny than the original, the adventures of the Shred and Uncle Vova. In this world of sand inhabitants are divided into two categories - patsaks and chatlan, a simple match has incredible value, and the people are met and escorted by the color of his pants.

Larry, a 16-year-old Tlicho Indian, lives in the small northern town of Fort Simmer. He loves heavy metal music and has a crush on his classmate, the high school's hottie, Juliet Hope. Larry's past holds a variety of terrors—his father is abusive and he once had an accident that nearly killed him. When Johnny Beck , a young Métis from Hay River, moves to town, things heat up.

Brothers Yaki and Shaul live with their parents in Petah Tikva, a satellite town of Tel Aviv. Yaki is doing military service. As for all other 18-year-old Israelis, this means he is allowed to carry a gun. This weapon gives the brothers the power to change their lives and that of their family – or so they believe.

On marrying the boss's daughter, Richard takes his father-in-law's advice to hire a live-in domestic. He soon finds good help is hard to come by. Run-ins follow with dipsomaniacs, bank robbers, a Welsh lass who takes one look at London and runs, and an Italian charmer who turns the place into a bawdy house. Then when Ingrid arrives from Sweden things actually start to get complicated.

In the Headquarters of the T.I.A. (Terminal Intelligence Agency), someone has stolen Professor Bacterio's most dangerous invention, the D.O.T. (Demoralizer of Troops), an artifact that ends up in the hands of a very short, wacky dictator who is ready to use it for criminal purposes. The T.I.A Chief, though, is firm in his resolve: if he wants to get the D.O.T. back, he must NOT count on his agents Mortadelo & Filemon. But when the crime fighting duo discover that the T.I.A. has engaged a cocky and slimy detective from outside the agency, they decide to act at their own risk, even if that risk involves all of Humanity.

Over a quarter of a century since it began and a decade after it folded, this is the definitive film about Creation Records, one of the world's most successful and colorful independent labels. This is the story of the rock n roll dream and its accompanying nightmares. Millions of sales on both sides of the Atlantic, near bankruptcy, pills, thrills, spats, prats, success, excess, pick me ups, breakdowns and of course some of THE defining music of the late 20th Century. This is the definitive and fully authorised story of the UK's most inspired and dissolute label, from the Jesus & Mary Chain at the Living Room to Oasis at Knebworth.

Ethan Green (Daniel Letterle) has no problem finding guys who want to sleep with him or even date him, but finding someone to settle down with is a different story. Given three choices -- a sexy teenager, a hunky jock, or his ex-boyfriend who is about to get married -- will he find a Mr. Right, or is he destined to an unfabulous existence. Based on a popular gay-themed comic strip.

A look at thrillers from all sides, including different types of thrillers and the stylistic tools filmmakers use to give their audiences a shot of adrenaline.

Ryu is a solitary girl whose fragile appearance is in stark contrast with the double life she leads, working nights at a Tokyo fishmarket and sporadically taking on jobs as a hit-woman.Mr Nagara is a powerful impresario mourning the loss of his daughter Midori, who has committed suicide. He blames David, a Spaniard who runs a wine business in Tokyo.Mr Nagara's employee, Ishida, was silently in love with Midori and hires Ryu to murder David.A sound engineer, obsessed with the sounds of the Japanese city and fascinated with Ryu, witnesses this love story which searches the shadows of the human soul, reaching deep into places where only silence has the power of eloquence.

Every child comes into the world full of promise, and none more so than Chappie: he is gifted, special, a prodigy. Like any child, Chappie will come under the influence of his surroundings—some good, some bad—and he will rely on his heart and soul to find his way in the world and become his own man. But there's one thing that makes Chappie different from any one else: he is a robot.

Dolphin experts confront the US Navy when its sonar program is suspected of causing the animals' deaths.

A horror comedy centered on a guy who learns that his unusual stomach problems are being caused by a demon living in his intestines.

In a futuristic world where the polar ice caps have melted and made Earth a liquid planet, a beautiful barmaid rescues a mutant seafarer from a floating island prison. They escape, along with her young charge, Enola, and sail off aboard his ship. But the trio soon becomes the target of a menacing pirate who covets the map to 'Dryland' – which is tattooed on Enola's back.

Driven by his struggle against the illness that would ultimately prove fatal, Monteiro fervently devoted himself to his deeply personal last work, a musically structured meditation on spirituality and desire in which he heroically cast himself in the lead role as an eccentric libertine drifting wide-eyed through a sun-drenched Lisbon. A consciously terminal film, Come and Go offers a poetic summation of Monteiro’s fascination with the body as the most irreverent and mysterious of temples, staging a series of playfully austere encounters between the visibly infirm and prematurely aged director and the women with whom he engages in erotic, linguistic and theological debates.