Film Reviews
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Signer's Suitcase |
SIGNERS KOFFER is a kind of road movie across Europa. From the Swiss Alps to eastern Poland, from Stromboli to Iceland. Always following the scenery's magically charged contours. Immersing yourself, letting yourself be infected, then travelling on. Roman Signer determines the route that we are moving on and the film improvises along the way. Being on the road also means tracking down the right places. Signer brings them alive using his own personel instruments, brilliantly simple operations full of subtle humour. «Simple» poems being transmitted into space with INSTRUMENTS as gunpowder, fuse, rubber boots, balloons, stool, small table ... and a three wheelded Plaggio. SIGNERS KOFFER is also a journey through the state of mind. A tightrope walk between fun and melancholy. Danger also mental mental danger becomes the stimulus of the senses. Sudden crashes, abrupt chagnes of mood determine the rythm and atmosphere of this cinematic journey. |
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Asignatura pendiente |
Joseph and Helen, who had been boyfriends, there meeting some years later and fall madly in love again, but now the two are married. His hard and clandestine love story addition is determined by the circumstances of the times in which they have lived: the last years of the Franco regime and the beginning of the transition. |
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Escape by Night |
Runyonesque crooks on the lam hide out on blind man's pastoral farm and decide to go straight. |
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Suspect |
A government team researching cures for plague find their results put on the Official Secrets list. One of their number is so incensed by this that he lets the maimed and jealous companion of a female colleague draw him into what, technically, could be a treasonable act. |
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Manhunt |
Its the summer of 1974. Four friends have planned a recreational weekend hiking and camping in the forest. At a remote truck stop they pick up an anxious hitchhiker who only after a short ride demands they stop the vehicle. She is clearly frightened of somethingbut what she cant begin to describe in her carsick terror. Suddenly the group are ambushed and left unconscious. |
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The House on Pine Street |
A psychological horror about a young woman coping with an unwanted pregnancy after moving into a seemingly haunted house. |
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100 Days with Mr. Arrogant |
After being dumped by her boyfriend just before their 100 day anniversary, Ha-Young, meets a college guy named Hyung-Joon when she accidentally kicks a can that hits him in the face and causes him to scratch his Lexus. He demands she pay him $3000 on the spot. She escapes from him, leaving her wallet behind.Hyung-Joon stalks her, demanding money to pay for his car. Since she is a poor high school student Hyung-Joon writes up a "Enslavement Agreement" for Ha-Young in order to pay for the damage to his car. Ha-Young is thrown into a nightmarish slave life for 100 days, cleaning his house, running his errands, doing his homework and cleaning his car.By accident she finds out that the damage to Hyung-Joon's car only costs $10! She then takes her revenge. However, before she knows it Hyung-Joon shows up at her house as her new tutor! He once again takes advantage of her, but soon Ha-Young finds herself falling head over heels for Hyung-Joon. |
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Cold Prey |
Jannicke, Morten Tobias, Eirik, Mikael and Ingunn are on a snowboarding vacation in Jotunheimen. They are forced to take shelter in an abandoned hotel when Morten Tobias breaks his leg and their car is too far away for them to reach within nightfall. They quickly discover that the hotel was closed in the seventies due to the disappearance of the managers’ son. |
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Very Important Person |
Comedy set in World War Two, starring James Robertson-Justice and Leslie Phillips. Sir Ernest Pease (Robertson-Justice) is a self-important scientist who is sent undercover on a bombing mission to monitor the effectiveness of his latest invention, a new-fangled radar. When the plane is attacked, he parachutes to safety - only to be sent to a POW camp, where he takes on the alias of Lieutenant Farrow. There, the somewhat happy-go-lucky bunch of Brits suspect their acerbic new fellow prisoner of being a spy, and all sorts of culture clashes and misunderstandings ensue. |
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The Girl in the Park |
A mother, enduringly traumatized by the disappearance of her three-year old daughter 15 years ago, has cut herself off from her ex-husband and son. However, when a troubled young woman with a checkered past enters her life, old psychic wounds painfully resurface, as does the illogical and increasingly irrational hope that the young woman may be the daughter she lost so long ago. |
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Alligator Eyes |
Three young New York men decide to travel South for a few days away from the Big Apple. They pick up a beautiful, mysterious young sight less woman with a strange and unsettling past. All three are captivated and fascinated by her, but can she be trusted? |
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New Waterford Girl |
A gifted teenager, dreaming of life beyond her small town, becomes inspired when a 15-year-old girl from New York moves in next door. |
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The Sinking of the Laconia |
Two-part drama based on the true story of the Allied ship Laconia, sunk in WWII by a German U-Boat, which then surfaced against orders to rescue the civilian crew |
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The Devil, Probably |
In order to be technically free of the mortal sin of suicide, a young man who has given up on the world pays a drug-addict to shoot him. Charles (Antoine Monnier), who is a student, has tried political action and investigated the claims of religion but ultimately finds nothing which will change the overwhelming bleakness he feels surrounded by. In this austere movie by director Robert Bresson, the power of the storytelling comes from the lucidity of the imagery captured on film, rather than in the acting. |
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Harry Potter and the Deathly Hallows: Part 1 |
Harry, Ron and Hermione walk away from their last year at Hogwarts to find and destroy the remaining Horcruxes, putting an end to Voldemort's bid for immortality. But with Harry's beloved Dumbledore dead and Voldemort's unscrupulous Death Eaters on the loose, the world is more dangerous than ever. |