Film Reviews
Stop Making Sense |
David Byrne walks onto the stage and does a solo "Psycho Killer". Jerry Harrison, Tina Weymouth and Chris Frantz join him for two more songs. The crew is busy, still setting up. Then, three more musicians and two back-up singers join the band. Everybody sings, plays, harmonizes, dances, and runs. In this concert film, the Talking Heads hardly talk, don't stop, and always make sense. |
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Disco Pigs |
Pig and Runt born on the same day, in the same hospital, moments apart. Twins, all but by bloodline. Inseparable from birth, they are almost telepathic. They are one, needing no one else, inhabiting a delicate, insular and dangerous world where they make their own rules and have their own language. But days before their 17th birthday the balance of their world begins to shift. Pig's sexual awakening and jealousy begins to threaten their private universe. |
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Operation: Daybreak |
Czechoslovakia, 1942. Three brave Czech patriots risk everything to rid their country of its brutal Nazi leader, SS-General Reinhard Heydrich. |
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Misery |
Novelist Paul Sheldon crashes his car on a snowy Colorado road. He is found by Annie Wilkes, the "number one fan" of Paul's heroine Misery Chastaine. Annie is also somewhat unstable, and Paul finds himself crippled, drugged and at her mercy. |
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Dumbbells |
Dumbbells is a light-hearted buddy comedy set amongst a group of misfit employees that work in a struggling fitness center in Los Angeles. |
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Silent Youth |
Silent Youth is a film for misfits, dreamers and lovers. It's the classic story of a coming out, but it focuses on the moments one tends to quickly forget: the first approach, the creaking of the chair while sitting across from each other, not knowing what to say. And it's about the silence. |
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The Ninth Gate |
An all-expenses-paid international search for a rare copy of the book, 'The Nine Gates of the Shadow Kingdom' brings an unscrupulous book dealer deep into a world of murder, double-dealing and satanic worship. |
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Children of Hiroshima |
Shows the devastation caused by the Atomic bomb, and by use of a fictional storyline, portrays the struggle of the ordinary Japanese people in dealing with the aftermath. |
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Hollywood Party |
Jimmy Durante is jungle star Schnarzan the Conqueror, but the public is tiring of his fake lions. So when Baron Munchausen comes to town with real man-eating lions, Durante throws a big party with so that he might use the lions in his next movie. His film rival sneaks into the party to buy the lions before Durante. |
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Devasuram |
Neelakantan, heir to his father's fortunes, is an apparent menace to society. He once belittles a dancer but later they fall in love. Shekharan, an arch enemy, kidnaps his lover due to an old enmity. |
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Eat Sleep Die |
A young Eastern European immigrant working in Sweden is faced with a painful choice when she's laid off from her factory in the name of "efficiencies." |
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Joey Coco Diaz: Sociably UnAcceptable |
Take a wild comedy ride through Uncle Joey's eyes as he shares his hilarious outlook on life. There's no topic he's afraid to tackle as he takes you through his crazy world discussing everything from drugs to raising his daughter. |
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Honeymoon |
A wedding is supposed to be a joyous occasion, but things can go awry. When an uninvited guest turns up at the church and later at the reception as well, the newly-weds’ day turns sour. Shadows of the past can blight the most sumptuous of banquets and rend the most affectionate of embraces. |
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The Incredible Burt Wonderstone |
After breaking up with his longtime stage partner, a famous but jaded Vegas magician fights for relevance when a new, "hip" street magician appears on the scene. |
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3 Zimmer/Küche/Bad |
Eleven moving dates, eight friends: Philipp, Wiebke, Jessica, Maria, Swantje, Michael, Thomas, Dina – all in their twenties and mutually lonesome. And always searching: For a new city, a new job, an own apartment, a new, or even an old love. The search is never-ending, and so they repeatedly find themselves at a ritual gathering: someone moving. Boxes are shifted from one side of Berlin to the other, or the length and breadth of Germany, from one abode to the next as one life is exchanged for another. In 3 ZIMMER/KÜCHE/BAD, director Dietrich Brüggemann portrays existences in which relationships, social networks and backdrops are in a constant state of flux; where best friends are the only, and therefore the most valuable constant. Humorous sketches of the self-conception of a generation for whom moving has become the symbol of a life on the go. |
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