Film Reviews
In Praise of Love |
Someone we hear talking - but whom we do not see - speaks of a project which describes the four key moments of love: meeting, physical passion, arguments/separation and making up. This project is to be told through three couples: young, adult and old. We do not know if the project is for a play, a film, a novel or an opera. The author of the project is always accompanied by a kind of servant. Meanwhile, two years earlier, an American civil servant meets with an elderly French couple who had fought in the Resistance during World War II, brokering a deal with a Hollywood director to buy the rights to tell their story. The members of the old couple's family discuss heatedly questions of nation, memory and history. |
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Lumière and Company |
40 international directors were asked to make a short film using the original Cinematographe invented by the Lumière Brothers, working under conditions similar to those of 1895. There were three rules: (1) The film could be no longer than 52 seconds, (2) no synchronized sound was permitted, and (3) no more than three takes. The results run the gamut from Zhang Yimou's convention-thwarting joke to David Lynch's bizarre miniature epic. |
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Bill Burr: Why Do I Do This? |
One of America's fastest-rising comedians, Bill Burr wields his razor-sharp wit with rare skill. In this brand-new stand-up performance, Bill takes aim at the stuff that drives us crazy, political correctness gone haywire, and girlfriends, or as he calls them: relentless psycho robots. A keenly observant social commentator, Bill Burr is also one of the funniest voices in comedy today. |
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The Breakfast Club |
Five high school students, all different stereotypes, meet in detention, where they pour their hearts out to each other, and discover how they have a lot more in common than they thought. |
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Ride in the Whirlwind |
Three cowhands, between jobs, have the bad dumb luck to pitch night camp in the same valley as a cabin full of guys who just robbed a stagecoach and killed the guard. Come morning, a posse arrives, forms up along the ridge, and takes for granted that everyone down below is guilty--fit for either shooting to bits or hanging from a tree, whichever comes first. Precisely half of Ride in the Whirlwind's 82 minutes is devoted to tapping the matter-of-fact, absurdist horror of that situation. In the remaining half, the two surviving cowpokes (Jack Nicholson and Cameron Mitchell) seek shelter at a farmhouse where they reluctantly threaten the farmer, accept breakfast from his wife, flirt with his daughter (Millie Perkins), play some checkers, and hope to remain undetected till nightfall. |
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Jacob the Liar |
A Jewish ghetto in the east of Europe, 1944. By coincidence, Jakob Heym eavesdrops on a German radio broadcast announcing the Soviet Army is making slow by steady progress towards central Europe. In order to keep his companion in misfortune, Mischa, from risking his life for a few potatoes, he tells him what he heard and announces that he is in possession of a radio - in the ghetto a crime punishable by death. It doesn't take long for word of Jakob's secret to spread - suddenly, there is new hope and something to live for - and so Jakob finds himself in the uncomforting position of having to come up with more and more stories. |
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Burn Up! |
A group of young police officers infiltrate a sleazy night club in an attempt to apprehend a man named McCoy, who is involved in kidnapping and white slavery. The plot twists when one of the officers is kidnapped! |
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The Human Comedy |
Homer Macauley remains in a small town looking after his widowed mother and younger brother. Homer's older brother is fighting the war in Europe. |
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Massacre Mafia Style |
Terror reigns when Mimi, the son of a deported Don, along with his associate Jolly Rizzo wage a bloody war for control of the West Coast underworld, battling hordes of hard-boiled mobsters and deadly black pimps on their rise to the top! |
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The Big Hit |
Affable hit man Melvin Smiley is constantly being scammed by his cutthroat colleagues in the life-ending business. So, when he and his fellow assassins kidnap the daughter of an electronics mogul, it's naturally Melvin who takes the fall when their prime score turns sour. That's because the girl is the goddaughter of the gang's ruthless crime boss. But, even while dodging bullets, Melvin has to keep his real job secret from his unsuspecting fiancée, Pam. |
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