Film Reviews

National Lampoon's Men in White is a straight-to-television satirical parody of contemporary science fiction movies, mainly spoofing Men in Black and Independence Day. It debuted in 1998 on the Fox Family Channel.

Seven of the funniest Christian Comedians on earth, and hosted by two-time Emmy Award winner, Patricia Heaton.

When her husband dies en route to America, Martha Price and her daughter Hilary are left to carry out his dream: the introduction of Hereford cattle into the American West. They enlist Sam "Bulldog" Burnett in their efforts to transport their lone bull, a Hereford named Vindicator, to a breeder in Texas, but the trail is fraught with danger and even Burnett doubts the survival potential of this "rare breed" of cattle.

A man with plans to propose to his girlfriend hides an engagement ring in the ancient underwater ruins off Japan's Yonaguni Island. When he goes missing she must investigate and remember what happened.

Seth is a youth with artistic leanings, a fascination with Black pop culture, and a dead-end life in an Adirondack village. He's alternatively sensitive and brutal with Kristen, who wants a sexual relationship that he explosively rejects. Late one night, as he's closing the cafe where he works, a young Black man attempts to rob him at gun point but faints from illness. Seth takes the man, Knowledge, an escapee from a nearby prison, to a family cabin where he nurses him and they begin a tentative friendship. When the sheriff learns of Seth's harboring a fugitive, a confrontation looms. Relationships between fathers and their children dominate the subplots.

Based on the story about Guy Gabaldon, a Los Angeles Hispanic boy raised in the 1930s by a Japanese-American foster family. After Pearl Harbor, his foster family is interned at the Manzanar camp for Japanese Americans, while he enlists in the Marines, where his ability to speak Japanese becomes a vital asset. During the Battle of Saipan, he convinces 800 Japanese to surrender after their general commits suicide.

This is a feature-length documentary of David Cross's entire North American comedy tour.

1000 years into the future, after the Great Neutron Wars, the world is divided into desert wastelands and isolated city-states. Notorious "Desert Ranger" Kaz is forced to fight in the DeathSport, dueling on futuristic motorcycle "Death Machines". With the help of renegade vixen Deneer, Kaz must face his past and fight to save himself and his people.

Elmo McElroy is a streetwise American master chemist who heads to England to sell his special new formula - a powerful, blue concoction guaranteed to take you to 'the 51st state.' McElroy's new product delivers a feeling 51 times more powerful than any thrill, any pleasure, any high in history. But his plans for a quick, profitable score go comically awry when he gets stuck in Liverpool with an unlikely escort and his ex-girlfriend and becomes entangled in a bizarre web of double-dealing and double-crosses.

In 1876 Wyoming, the gun is the only law. And for Duncan and Suzanna McKaskel (Tom Conti and Kate Capshaw), newly arrived settlers beset by outlaws, rugged frontiersman Con Vallian (Sam Elliot) is the only hope.From the book by famed Western author Louis L'Amor, the Quick and the Dead is a rousing adventure recalling all-time greats like Shane and Pale Rider. It shares tried-and-true ingredients of those sagebrush sagas: a tale of peacable folk driven to action under the guidance of a mysterious stranger, rich outdorr cinematography and a stellar cast led by the peerless Elliot.

Thirty-something Elizabeth must decide whether to salvage her disappointing relationship with Drew. Meanwhile, Bea, a worrisome teenager, reconnects with her introverted childhood friend, Andy, at their high school prom. Past and present collide as two couples explore love over the course of one night at a hotel.

An tale of revenge, honor and disgrace, centering on a poverty-stricken samurai who discovers the fate of his ronin son-in-law, setting in motion a tense showdown of vengeance against the house of a feudal lord.

The movie has a fixed point of view showing a bed with two characters on it, Sedgwick and Piserchio. Chuck Wein is heard speaking but is just out of view. Sedgwick is wearing a lace bra and panties, and Piserchio, wearing only jockey shorts, engage in flirting and light kissing. Wein asks Sedgwick questions seemingly designed to harass and annoy her. Piserchio is more or less a bystander not interacting with Wein. The dialogue seems created adlib and no conclusions are reached in the film. The only conceivable climax is when Sedgwick finally becomes so mad, she throws a glass ashtray at Wein, breaking it.

Paid 50 dollars for their time, 101 male prostitutes -- spanning all ages, ethnicities, and personal backgrounds -- are questioned by the filmmakers about their lives.

A man and woman are drawn together, entangled in the lifecycle of an ageless organism. Identity becomes an illusion as they struggle to assemble the loose fragments of wrecked lives.