Film Reviews

When Katherine (Alexandra Paul) finds out her father's company is about to close the paper mill they own in her hometown in rural Pennsylvania, she comes up with a plan to save it. Needing the approval of the city council, she goes back and runs into someone from her past: Jane (Cynthia Preston). Years ago, in high school, Katherine dated Jane's twin brother Sean, who subsequently committed suicid

A newly graduated doctor finds trauma too heavy in everyday work of the hospital. He is constantly facing new demands which ultimately threatens to overpower him. He is about to give up his career.idoren

Set during the Rodney King riots, a robbery homicide investigation triggers a series of events that will cause a corrupt LAPD officer to question his tactics.

Desire for a subject that functions like a brief fling with no future as such, yet embellished by that very fact. Because something fleeting and futureless is not necessarrily pathetic or trivial. A brief crossing, perhaps an initiatory trip. Filming a guy's "first time", filming him like a girl. Gut level skin deep... Nostalgia for vast ocean liners, for places "beyond the law" where you can venture outside of life, safe within an interlude. Describing a passion while respecting classical tragedy's unity of time and place, setting the stage for the eternal play of Masculine/Feminine. A hot-blooded Latin temperatment versus an apparently cool English one. A ship - one night - Sudden intimacy between an Englishwoman whose complexion is frosted by bitterness and a teenager whose gaze glows like ardent coals.

Follow the winding career and personal life of professional poker phenom Daniel Negreanu, who rose from humble roots to become the game's top ace.

Awaking from a coma to discover his wife has been killed in a car accident, Ben's world may as well have come to an end. A few weeks later, Ben's out of hospital and, attempting to start a new life, he moves home and is befriended by a beautiful young neighbour Charlotte. His life may be turning around but all is not what it seems and, haunted by visions of his dead wife, Ben starts to lose his grip on reality.

Stiff Upper Lips is a broad parody of British period films, especially the lavish Merchant-Ivory productions of the 'eighties and early 'nineties. Although it specifically targets A Room with a View, Chariots of Fire, Maurice, A Passage to India, and many other films, in a more general way Stiff Upper Lips satirises popular perceptions of certain Edwardian traits: propriety, sexual repression, xenophobia, and class snobbery.

Kathleen Turner stars as suburban mother and devout Catholic Eileen Cleary, who has always kept up appearances. When she runs for the Catholic Woman of the Year title at her local parish, her final test is introducing her family to the board for the seal of approval. Now she must finally face the nonconformist family she has been glossing over for years...

Despite a traumatic event, a group of friends decide to go ahead with their annual beach vacation. Their relationships, convictions, sense of guilt and friendship are sorely tested. They are finally forced to own up to the little white lies they've been telling each other.

French essay film focusing on global political turmoil in the 1960s and '70s, particularly the rise of the New Left in France and the development of socialist movements in Latin America.

Sandra's twin sister was brutally murdered by a serial killer when they were children. Fifteen years later Sandra is now a professional journalist whose career is on the fritz. Sandra is given one last shot - an assignment which will prove the toughest of her life. She is sent back to the location of her sister's murder to shoot a behind-the-scenes expose for a hardcore porn flick. There she will be forced to confront the ghosts of her past as a new copycat killer has his sights set on Sandra.

A rookie policeman from provincial Le Havre volunteers for the high pressure Parisian homicide bureau and is assigned to a middle-aged woman detective.

Mangin, a police inspector in Paris, leans hard on informants to get evidence on three Tunisian brothers who traffic in drugs. He arrests one, Simon, and his girl-friend Noria. Simon's brothers go to their lawyer. He springs Noria, who promptly steals 2 million francs that belong to the Tunisians. They suspect her of the theft; her life as well as the lawyer's is in danger. Meanwhile, Noria is playing with both the lawyer and Mangin's affections. Mangin is mercurial anyway: intimidating and bloodying suspects, falling for a police commission trainee before flipping for Noria, wearing his emotions on his sleeve. Can he save the lawyer and Noria, and can he convince her to love?

When five childhood friends reunite for a weekend in the country, old jealousies resurface, sexual debauchery ensues, and it quickly becomes clear that time may not heal all wounds...

The End of St. Petersburg (Russian: Конец Санкт-Петербурга, translit. Konets Sankt-Peterburga) is a 1927 silent film directed by Vsevolod Pudovkin and produced by Mezhrabpom. Commissioned to commemorate the tenth anniversary of the October Revolution, The End of St Petersburg was to be Pudovkin's most famous film and secured his place as one of the foremost Soviet montage film directors. The film forms part of Pudovkin's 'revolutionary trilogy', alongside Mother (1926) and Storm Over Asia (1928).