Film Reviews

Jenny, a young doctor who feels guilty after a young woman she refused to see winds up dead a few days later, decides to find out who the girl was, after the police can't identify the young woman.

Sharpe is teamed with a Colonel he helped promote and they are tasked to destroy a powder magazine, but an alliance with the French may threaten their success. Meanwhile, Jane is wearying of the army life and Harper and Ramona are at odds.

The film follows a boy and the relationship between his birth mother and step mother. Based on the novels by Aapeli.

GOD GREW TIRED OF US explores the indomitable spirit of three “Lost Boys” from the Sudan who leave their homeland, triumph over seemingly insurmountable adversities and move to America, where they build active and fulfilling new lives but remain deeply committed to helping the friends and family they have left behind.

In the pastoral expanse of rural Bengal, in Purulia district, single railroad workers and best friends Balaram (Shankar Chakraborty) and Nemai (Tapas Pal) spend their days wrestling on a hill with little work to speak of because the fact that their flag station has only a couple of trains to be flagged off or signalled to. Wrestling, however, despite its aggression and physical combat, turns into an expression of close bonding for Nimai and Balaram, a bond already established through their complementary work at the flag station. Wrestling, for them, is a way of releasing physical energy and a form of dynamic entertainment.

In the late twentieth century, the Secret Security Force was formed to stop the actions of the communist terrorist group known as the Red May. Angel, a beautiful, yet cold woman, has recently joined the small anti-terrorist group. But her first mission will be a true test of skill, for members of the Red May are being found dead, murdered by gruesome methods. Who is causing these murders? And why? Written by Chuck "Dark-Side" Williamson

Val Xavier, a drifter of obscure origins, arrives at a small town and gets a job in a store run by Lady Torrence. Her husband, Jabe M. Torrance, is dying of cancer. Val is pursued by Carol Cutere, the enigmatic local tramp-of-good-family.

A posse pursues Pardon Chato (Charles Bronson) a mestizo indian after he killed a US marshal in self-defense. As they get deeper into Indian territory, just who is hunting who.

Friends on a weekend excursion take a path into a forest that leads to death and destruction.

A bride-to-be is forced to reevaluate her life when she reunites with her family in Jordan and finds herself confronted with the aftermath of her parents’ divorce.

HECKLER is a comedic feature documentary exploring the increasingly critical world we live in. After starring in a film that was critically bashed, Jamie Kennedy takes on hecklers and critics and ask some interesting questions of people such as George Lucas, Bill Maher, Mike Ditka, Rob Zombie, Howie Mandel and many more. This fast moving, hilarious documentary pulls no punches as you see an uncensored look at just how nasty and mean the fight is between those in the spotlight and those in the dark.

A wannabe serial killer wins the lottery and pursues his lifelong crush.

The wife of the officer running a prisoner camp falls in love with a prisoner there.

Considered one of the finest late Naruses and a model of film biography, A Wanderer’s Notebook features remarkable performances by Hideko Takamine – Phillip Lopate calls it “probably her greatest performance” – and Kinuyo Tanaka as mother and daughter living from hand to mouth in Twenties Tokyo. Based on the life and career of Fumiko Hayashi, the novelist whose work Naruse adapted to the screen several times, A Wanderer’s Notebook traces her bitter struggle for literary recognition in the first half of the twentieth century – her affairs with feckless men, the jobs she took to survive (peddler, waitress, bar maid), and her arduous, often humiliating attempts to get published in a male-dominated culture.

From Edison films catalog: One of the most peculiar customs of the Sioux Tribe is here shown, the dancers being genuine Sioux Indians, in full war paint and war costumes. 40 feet. 7.50. According to Edison film historian C. Musser, this film and others shot on the same day (see also Buffalo dance) featured Native American Indian dancers from Buffalo Bill's Wild West show, and represent the American Indian's first appearance before a motion picture camera.