Film Reviews

Western based on the novel by Marilyn Durham. A defiant wife who leaves her husband to take up riding with outlaws.

Hushpuppy, an intrepid six-year-old girl, lives with her father, Wink in 'the Bathtub', a southern Delta community at the edge of the world. Wink’s tough love prepares her for the unraveling of the universe – for a time when he’s no longer there to protect her. When Wink contracts a mysterious illness, nature flies out of whack – temperatures rise, and the ice caps melt, unleashing an army of prehistoric creatures called aurochs. With the waters rising, the aurochs coming, and Wink’s health fading, Hushpuppy goes in search of her lost mother.

Robert Oppel's documentary about the life and murder of his uncle and namesake, Robert Opel, the man who streaked the Academy Awards in 1974.

Lagaan tells the tale of the Indian village Champaner, beset by drought and British colonialism in the year 1893. Without a drop of rain in months, the worried villagers of Champaner decide to ask the local authorities for a temporary repeal of their taxes -- the hated lagaan. Led by the heroic Bhuvan (Indian superstar Aamir Khan) they bring their plight to the military governor, Captain Russell (Paul Blackthorne). But the sadistic Russell threatens to raise the lagaan threefold, unless the villagers can beat his men at a game of cricket, in which case he'll lift taxes on the entire province for a period of three years. Bhuvan accepts the challenge, but there's a problem -- no one in Champaner knows how to play cricket. A band of misfits come to the rescue, coached by Russell's soft-hearted sister Elizabeth (Rachel Shelley), and the race is on to be ready in three months' time. An epic reworking of Victory with eye-popping song-and-dance routines.

A Paris police detective (Richard Berry) plays rough with a prostitute (Nathalie Baye) and her pimp/lover (Philippe Léotard), whom he wants as an informant.

Acting on impulse, Claire Dennison (Willa Ford), enjoys a brief fling with a sexy stranger (a dead ringer for her husband), only to realize that the object of her desire is a crazed, manipulative, and tenacious psychopath.

"Barbie" stars as Clara in this animated retelling of the classic Christmas ballet, complete with Tchaikovsky soundtrack and ballet choreography.

Joyce Chandler (Trish Goff), a young divorced woman and recovering alcoholic, moves into a Manhattan apartment that seems a bit too secluded to be true. It is: Upstairs lives Charlotte Bancroft (Ally Sheedy), a woman with a wall of obliviousness who can turn even an 'apology' into a guilt trip, Charlotte persists in making Joyce's nighttime hours a living hell. As the torture continues, Joyce starts to lose her grip on her job, her health and her sanity. It's a heck of a price to pay for having your own place.

A substantial part of life is claimed by boredom. Beauty, love, work.. sometimes it just isn't worth getting out of bed. A girl in a strawberry pie factory, a stressed desert nomad, a Wall street stockbroker, the last living WW2 female spy, a painter who paints Time for 42 years, the first school shooter in history who wounded eleven children and killed two adults because: 'I don't like Mondays', are the characters in this film. John Malkovich gives voice to the inner bored human being. He crawls under your skin prompting questions: Howmany people in the world are like me?

Rocker Pete Jones is in trouble. He’s solo in his personal and professional life and he can’t seem to finish his long-awaited album. Threatened with bankruptcy and a lawsuit from his label, Pete turns to his lost love and former producer-turned-radio-reporter Laura Klein for help. Together, they form an eclectic group of musicians who have never met to create a band, for one day and one day only.

In this witty romp, Jean Harlow plays an upper-crust socialite who bullies her reporter husband (Robert Williams) into conforming to her highfalutin ways. The husband chafes at the confinement of high society, though, and yearns for a creative outlet. He decides to write a play and collaborates with a fellow reporter (Loretta Young); the results are unexpectedly hilarious, especially when Young shows up at the mansion with a gaggle of boozehound reporters in tow. With snappy, ribald dialogue (allowable in those pre-Hays Code days), Capra keeps the gags flying fast and furious, taking special delight in having Williams's journalist pals rib him endlessly over his kept-man status. Platinum Blonde was a great success at the time of its release during the class-conscious Depression; for better or worse, its star Harlow was identified with the tag "platinum blonde" until her untimely death. --Jerry Renshaw

When Khosrow Vaziri became the World Wrestling Federations Iron Sheik and camel-clutched his way to fame in the 1980s, he achieved the American Dream by personifying a foreign villain. Losing his world championship belt to Hulk Hogan became a defining moment in professional wrestling. These days, the Sheiks smackdowns are on Twitter, where hes gained a new following. Once an Olympic hopeful, bodyguard to Irans Shah and pop culture icon, we witness Vaziri struggling with addiction and despair as a family man. But with the help of Torontos Magen brothers, the Sheik begins a road to redemption and renewed status as a public figure. Showcasing his powerful past and at times painful present, this is an insightful look at one of wrestlings biggest stars, but also a powerful story of personal sacrifice that, in the Sheiks own words, will make you humble.

Jenny is sent to a women's reform school. It is run by evil warden Sutter and her henchwoman Edna. Jenny will stop at nothing to escape but she also has to deal with Charlie the bully.

Documentary on motorcycle racing featuring stars of the sport, including film star Steve McQueen, a racer in his own right.

Longtime Companion follows the lives of a small circle of friends from the first mention of the disease in the New York Times in 1981. First referred to as "Gay-Related-Immune-Disorder," we watch the effect of the disease as it devastates the lives of our protagonists. Jumping between Manhattan and Fire Island, vignettes carry us from the it-couldn't-happen-to-me mentality of the early days of the disease to the invasive effect it has had on all of our lives, today. The title of the film comes from the New York Times' refusal to acknowledge homosexual relationships in their obituary section during this period. Instead, survivors were referred to as "Longtime Companions" of the deceased