Film Reviews

Head of company security, Harry Webb, fears that a diamond theft is about to take place at their major mining complex deep in the desert. He quickly manages to become very unpopular, particularly with Claire Chambers, a celebrated cover girl, daughter of the mine administrator. She is visiting the man she loves, Mike Bradley, who is responsible for security at the mine. Nelson, the mine administrator, gives Bradley a curious mission - to steal a diamond. He wants to implicate Bradley in order to bring him into contact with a certain Lewis who is preparing to rob the mine with the aid of a group of mercanaries and a local accessory known as Father Christmas. Webb, not being informed of the deceit, relentlessly pursues Bradley, who is contacted by Lewis. With the mercanaries in the process of penetrating the mine. Bradley reveals himself to be Father Christmas, the organiser of the entire operation...

As a Sikh man with a full beard and turban, AMRIT SINGH is often the target of racial profiling. But when he sees his dreams of becoming Chief of Surgery at a state-of-the-art transplant center dwindle because of his appearance, Amrit goes against a tradition he's maintained his whole life and cuts his hair. Hiding this decision from his girlfriend and family in Toronto is only the start of a series of compromises Amrit finds himself making as he deals with hospital politics and health care injustices. When his compromises result in the death of a patient, Amrit begins to reexamine the value of the religious traditions he'd turned his back on.

W. Somerset Maugham introduces three more of his stories about human foibles.

With plans to leave their small town, teenage loves Annie and Ben elope. Their big city plans are halted, though, when Annie's parents have the marriage annulled. Ben moves to New York, while Annie stays in Iowa to help her family. Fifteen years later, both engaged to their respective fiancés, the two discover that their annulment was never finalized. They reunite to make their divorce legal, but begin to reminisce about what could have been. When romantic feelings resurface, Annie and Ben must decide if their past love could be the love of their future.

Start of nterstellar expedition equipped by "pioneers"(soviet scouts).

Just before stubborn millionaire Edwina Cutwater dies, she asks her uptight lawyer, Roger Cobb to amend her will so that her soul will pass to the young, vibrant Terry Hoskins – but the spiritual transference goes awry. Edwina enters Roger's body instead, forcing him to battle Edwina for control of his own being.

Frank Sinatra, at the zenith of his cocky, world-on-a-string popularity, glides through the film with breezy nonchalance, romancing showgirl Kim Novak (Columbia Pictures' new sex symbol) and wealthy widow Rita Hayworth (Columbia Pictures' former sex symbol). The film also benefits from location shooting in San Francisco, caught in the moonlight-and-supper-club glow of the late '50s. Sinatra does beautifully with the Rodgers and Hart classics "I Didn't Know What Time It Was" and "I Could Write a Book," and his performance of "The Lady Is a Tramp" (evocatively shot by director George Sidney) is flat-out genius. Sinatra's ease with hep-cat lingo nearly outdoes Bing Crosby at his best, and included in the DVD is a trailer in which Sinatra instructs the audience in "Joey's Jargon," a collection of hip slang words such as "gasser" and "mouse." If not one of Sinatra's very best movies, Pal Joey is nevertheless a classy vehicle that fits like a glove

Nick Broomfield and a documentary crew visit Pandora's Box, an up-scale house of bondage on Manhattan's Fifth Avenue, where clients pay $175 an hour to be subservient to mistresses. Mistresses talk about their craft; a few clients, usually masked, are interviewed as well. Then, the camera watches sessions organized around fetishes: rubber, wrestling, corporal punishment, masochism, and infantilism. Mistress Raven, the owner of Pandora's Box, explains that pain need not be part of the subservient experience: it is, at its root, a transfer of power. After their session has ended, clients talk about how drained, relaxed, relieved, and at peace they are.

Fresh out of prison, all Ray wants is to get back with Lacy, but she's in a stable relationship now with Elliott, a pacifist, and wants nothing to do with him. When she's kidnapped by Ray's former associates, he and Elliott must team up to save the woman they love.

The story of the NHL's early years, focusing on the battle between the players, led by Hall of Famer Ted Lindsay, and the owners, over issues of benefits, pensions and the like.

1931: in Ireland, a film maker hears of an aged ship's carpenter who knows the fate of the Hollandia, a Norse ship that set sail in 1905 and vanished. The old salt has canisters of film to prove his tale. We see the footage as he narrates. They sail south in June, 1905, with scores of Siberian huskies aboard, meeting no living soul, the crew ignorant of the trip's purpose, until they reach Antarctica. A mysterious Italian paces the deck; a polar bear appears, and the Italian, possessed, hunts it down. That night, the boatswain explains to the crew how an Arctic bear could be at the South Pole and why the Hollandia has come. Visitors arrive, and the Gothic tale plays out.

Bandits lead by Matt the Mute enter a bar and kill multiple people. Randy Bowers comes to town and is framed by Matt the Mute, who is working with the sheriff (who doesn't know Matt is really a criminal). Randy escapes with the help of the niece of the dead owner of the bar. Bowers ends up running from the sheriff, and ends up in the cave in which the bandits have their hide-out…

Like a young bird yet to find the courage to lift its wings, Fúsi (43) lives alone with his mother, where they've always lived.

A cattleman fights to establish a ranch in the middle of gold country.

Pretty Tokyo teen Hiromi Yoshii (Asumi Miwa) and her girlfriends struggle with rivalries, clothes and boyfriends, just like any other high school clique. But out for kicks and blind to the consequences, the girls of Love & Pop hide a dirty little secret. From phone booths and street corners, in department stores and restaurants, the girls practice enjo-kosai or "compensated dating" -- arranging liaisons with older men drawn to their evident nubile charms and schoolgirl uniform innocence.