Film Reviews

On the island, the hosts of a traditional Swedish crayfish party are awaiting their guests. The crayfish are freshly boiled, red and delicious. The guests are in their boat, sailing towards the island. They are bringing along the drinks for the evening's party. Everyone is prepared to enjoy the evening. But first they've got to dock the boat... Docking the boat (Att angöra en brygga) is the second film by the legendary Swedish comedy film makers Hans Alfredson and Tage Danielsson. It has become one of the greatest classics in Swedish film history.

The tango king Harry Koivikko was found dead six years ago in a sleazebag motel, with a knife is his back. The biggest manhunt in the county faded away without results. Jussi Vares gets a phone call from a down-and-out journalist; the informant tells Vares he knows the murderer. Then the journalist disappears without a trace and Vares has to face the biggest challenge of his career. To add insult to the injury, an old acquaintance Veikko Hopea gets his first prison furlough…

Set in 1965, four Los Angeles school friends -- Woody, Dave, Spider and Wendell -- go on a series of misadventures when they head to Tijuana, Mexico, for a night of cruisin', causing trouble, and to lose their virginity.

Lugubrious Finns Valto and Reino take to the road in search of coffee and vodka, without which their lives are not worth living. But their reveries are interrupted by the arrival of garrulous Russian Klaudia and Estonian Tatiana - who are clearly interested in the two men, despite the language barrier. But what are the chances of getting a response from men who prefer staring at vodka bottles to talking?

Aka: 252: Signal of Life At some point in the distant future, a massive, catastrophic earthquake strikes Tokyo, causing the temperature of the Pacific Ocean to rise meteorically and the largest typhoon in recorded Japanese history to sweep toward the city and inundate it with water. The Tokyo Fire Department and its team of crack rescuers swing into action, and shortly after they do, a distress call arises from an underground subway station - with repeated indications of the rescue code, 252 252, and the exclamation "We Have Survivors." It soon becomes apparent that the local rescue squad must attempt to save the survivors, doing so at the expense of their own lives and safety. Written by Nathan Southern

Bob Fosse's semi-autobiographical film celebrates show business stripped of glitz or giddy illusions. Joe Gideon (Roy Scheider) is at the top of the heap, one of the most successful directors and choreographers in musical theatre. But he can feel his world slowly collapsing around him--his obsession with work has almost destroyed his personal life, and only his bottles of pills keep him going.

George and Gracie enter an elegant drawing room, looking everywhere for something. Turns out, they're looking for the audience, and when George spots the camera, they start in on their patter. Gracie wants to convince George that she's smart, not dizzy - it's an uphill struggle of which she's blissfully unaware. Midway through, they break into song: "Do You Believe Me?" It includes a little bit of hoofing as the chatting continues. They end on a story Gracie whispers into George's ear.

Joe Pesci stars as Louie Kritski, a heartless landlord who has been so negligent in keeping up his ghetto apartment that he is threatened with jail time. The judge gives him another option, which he accepts -- he must live in his rat-infested hell hole until he brings it up to liveable standards. The judge gives him 120 days, during which time Louie meets many of his tenants, including drug dealer Marlon (Ruben Blades). Over time, Louie grows more sympathetic with their problems and sees the results of his own greediness. Unfortunately, Louie's father, Big Lou Kritski (Vincent Gardenia), is the real owner of the property, and he resists his son's entreaties to spend money to clean up the place.

Two feuding rock stars get handcuffed together for 24 hours at a music festival where they are both due to perform.

A documentary on comic strips, with never-seen-before interviews from Bill Watterson (Calvin & Hobbes), Jim Davis (Garfield), Jeff Keane (Family Circus), Cathy Guisewite (Cathy) and dozens more. The film asks a central question: Where do comic strips go when newspapers die? Everybody loves comics, but will they survive in a digital world?

A talking Terrier with impressive computer skills teams up with two youngsters to stop a million dollars from falling into the wrong hands.

Je to film sestávající ze šesti povídek, které většinou černě humornou, ironickou, mnohdy i trpce hořkou formou vyprávějí o jednom dávném prokletí, lidské nevěře, podivných úchylkách, nečekaném zázraku i pokryteckém odpuštění. Mají svou vlastní vypointovanou stavbu, specifickou atmosféru i způsob zpracování, a přesto jedna druhé předává motivy vzájemně spolu komunikující a pozorující tytéž věci z různých úhlů. (oficiální text distributora)

Bumbling Navy lieutenant Tom Dodge has been given one last chance to clean up his record. But Admiral Graham, his nemesis, assigns Dodge to the Stingray, a submarine that can barely keep afloat. To add insult to injury, the Stingray is to be the enemy flagship in the upcoming war games … and to make matters even worse, Dodge's crew is a band of idiots even more incompetent that he is!

As her fifth wedding anniversary approaches, a woman realizes that she is fed up with always coming in second to her husband's advertising business. Just at the moment when she is trying to decide what to do, she meets a handsome attorney, and their innocent flirtation begins to turn into something a bit more serious.

It is just another evening commute until the rain starts to fall, and the city comes alive to the sound of dripping rain pipes, whistling awnings and gurgling gutters.