Film Reviews

Bob Fosse's semi-autobiographical film celebrates show business stripped of glitz or giddy illusions. Joe Gideon (Roy Scheider) is at the top of the heap, one of the most successful directors and choreographers in musical theatre. But he can feel his world slowly collapsing around him--his obsession with work has almost destroyed his personal life, and only his bottles of pills keep him going.

George and Gracie enter an elegant drawing room, looking everywhere for something. Turns out, they're looking for the audience, and when George spots the camera, they start in on their patter. Gracie wants to convince George that she's smart, not dizzy - it's an uphill struggle of which she's blissfully unaware. Midway through, they break into song: "Do You Believe Me?" It includes a little bit of hoofing as the chatting continues. They end on a story Gracie whispers into George's ear.

Joe Pesci stars as Louie Kritski, a heartless landlord who has been so negligent in keeping up his ghetto apartment that he is threatened with jail time. The judge gives him another option, which he accepts -- he must live in his rat-infested hell hole until he brings it up to liveable standards. The judge gives him 120 days, during which time Louie meets many of his tenants, including drug dealer Marlon (Ruben Blades). Over time, Louie grows more sympathetic with their problems and sees the results of his own greediness. Unfortunately, Louie's father, Big Lou Kritski (Vincent Gardenia), is the real owner of the property, and he resists his son's entreaties to spend money to clean up the place.

Two feuding rock stars get handcuffed together for 24 hours at a music festival where they are both due to perform.

A documentary on comic strips, with never-seen-before interviews from Bill Watterson (Calvin & Hobbes), Jim Davis (Garfield), Jeff Keane (Family Circus), Cathy Guisewite (Cathy) and dozens more. The film asks a central question: Where do comic strips go when newspapers die? Everybody loves comics, but will they survive in a digital world?

A talking Terrier with impressive computer skills teams up with two youngsters to stop a million dollars from falling into the wrong hands.

Je to film sestávající ze šesti povídek, které většinou černě humornou, ironickou, mnohdy i trpce hořkou formou vyprávějí o jednom dávném prokletí, lidské nevěře, podivných úchylkách, nečekaném zázraku i pokryteckém odpuštění. Mají svou vlastní vypointovanou stavbu, specifickou atmosféru i způsob zpracování, a přesto jedna druhé předává motivy vzájemně spolu komunikující a pozorující tytéž věci z různých úhlů. (oficiální text distributora)

Bumbling Navy lieutenant Tom Dodge has been given one last chance to clean up his record. But Admiral Graham, his nemesis, assigns Dodge to the Stingray, a submarine that can barely keep afloat. To add insult to injury, the Stingray is to be the enemy flagship in the upcoming war games … and to make matters even worse, Dodge's crew is a band of idiots even more incompetent that he is!

As her fifth wedding anniversary approaches, a woman realizes that she is fed up with always coming in second to her husband's advertising business. Just at the moment when she is trying to decide what to do, she meets a handsome attorney, and their innocent flirtation begins to turn into something a bit more serious.

It is just another evening commute until the rain starts to fall, and the city comes alive to the sound of dripping rain pipes, whistling awnings and gurgling gutters.

A documentary film based on the life of scientist Steven Hawking. The film explores the intimate life of Steven Hawking through him, his friends and his family, as he goes through school, is diagnosed with a degenerative disease, and discovers revolutionary theories about time, black holes, and the origin of the universe. A visually interesting and at times funny film about a extraordinary life.

Orania is a remote village in the barren centre of South Africa, an "intentional community" where only white Afrikaans people live - a culturally homogeneous place in a multicultural country. What lies beneath this peculiar societal experiment? A feature-length documentary about cultural identity and the thin line between self-determination and discrimination.

A lesbian vampire couple haunt an abandoned castle and the English country side around it. They prey on passing motorists, whom they seduce, and murder.

Carmen is a good student with a bad attitude who lives for dancing in the underground clubs of Chicago. She yearns to be 'somebody' but is afraid to believe in herself. Her immigrant Mexican, working-class parents want her to stay in school and get an education, so she attends junior college while working at a grocery store. Carmen's professor catches her performing one day in the neighborhood and challenges her to audition to a formal dance school in California. She gets into a fight with her chaotic family and runs away to her best friend Gina's place only to find out Gina's been getting beat up by her boyfriend. Meanwhile, Carmen's boyfriend, Jared wants her to commit and move in with him. Pulled apart in every direction, her dream of dancing fades. Can Carmen overcome her fears and take the biggest chance of her life, or will she succumb to her self-doubt?

Filmed in 1971 under the title The Widower, Love and Pain and the Whole Damn Thing finally reached the screen in 1973. Set in Spain, the film stars Timothy Bottoms as the aimless son of doctor Charles Baxter. While bicycling through the Spanish countryside, Charles makes the acquaintance of much-older Lila (Maggie Smith.) He falls in love with her, but she is resistant. Eventually touched by Charles' clumsy sincerity, Lila invites him to bed. The film then wanders into Love Story territory when Lila is afflicted by a terminal illness. Director Alan J. Pakula completed Love and Pain and the Whole Damn Thing during the "cooling off" period between his more famous Klute (1971) and The Parallax View (1974).