Film Reviews
Jack |
NDP Leader Jack Layton was fluently bilingual, glib, sometimes flashy, full of energy and always media-friendly. He loved to entertain and uplift his co-workers with a strum on his guitar and spirit in his voice (which wasn't particularly good but he sang with gusto). Growing up in a political family, Layton was a left-wing Toronto city councillor for 17 years and spent a year as head of the Federation of Canadian Municipalities. He became leader of the federal New Democratic Party in 2003... The NDP became the Official Opposition for the first time in history. Going into the 2011 federal election... Written by (STAFF) |
|
The Green Hornet |
After the superstardom and early death of Bruce Lee, 20th Century Fox decided to cobble together a couple of theatrical feature films from this property, of which this 1974 effort is the first. The bulk of the film consists of four episodes crudely spliced together. Scattered throughout are bizarrely irrelevant fight scenes from other episodes, which make the already disjointed plotting quite surreal. The television image was cropped to make a widescreen film, which means the tops of heads and hats are lopped off the frame with alarming regularity. |
|
Avalon |
Avalon is the third in Levinson's semi-autobiographical series of four "Baltimore Films": Diner (1982), Tin Men (1987), Avalon (1990), and Liberty Heights (1999). The film is set in Baltimore in the early 1950s and explores the themes of Jewish assimilation into American life. |
|
Beerfest |
During a trip to Germany to scatter their grandfather's ashes, German-American brothers Todd and Jan discover Beerfest, the secret Olympics of downing stout, and want to enter the contest to defend their family's beer-guzzling honor. Their Old Country cousins sneer at the Yanks' chances, prompting the siblings to return to America to prepare for a showdown the following year. |
|
Fantomas |
Fantômas is a man of many disguises. He uses maquillage as a weapon. He can impersonate anyone using an array of masks and can create endless confusion by constantly changing his appearance. |
|
The Egg and I |
It tells the story of young married couple who become chicken farmers. Betty has been raised to follow her husband's dreams with him, and Bob's dream is to be a successful chicken farmer. The problem is their home is old and needs to be repaired and the baby chicks need constant care. When a rich single woman with a new house and new farm equipment flirts with Bob, Betty questions their decision to move to the farm in the first place. |
|
Le peuple invisible |
No overview found. |
|
The Jackpot |
Jimmy Stewart's Bill Lawrence wins a bevy or prizes from a radio program, but ends up having to sell them all in order to pay the taxes he's incurred. |
|
Independence Day |
On July 2, a giant alien mothership enters orbit around Earth and deploys several dozen saucer-shaped 'destroyer' spacecraft that quickly lay waste to major cities around the planet. On July 3, the United States conducts a coordinated counterattack that fails. On July 4, a plan is devised to gain access to the interior of the alien mothership in space, in order to plant a nuclear missile. |
|
War of the Planets |
A strange signal arrives on the Earth disturbing all communications, while an UFO appears above the Antarctic sea. Captain Alex Hamilton is sent with his spaceship and crew to the space outside the Solar System to find the origin of that signal. They reach an unknown planet where a giant robot enslaved a whole population of humanoids by taking their psychic energies. |
|
Gundress |
In 2100, the newly built Bayside City serves as Japan's premier international port. The Angel Arms Company is established by a former policewoman named Takako, to help wage war on terrorism with armed security suits. When the mayor is assassinated, the women of Angel Arms end up protecting the evil crime-lord Hassan, in hopes that his information will help bring down a global terror ring. Takako's back is to the wall as a band of criminals plot to kill Hassan, and the organization's leader is revealed to be the former lover of Angel Arms' own Alisa. |
|
Dottie Gets Spanked |
Paying homage to his childhood fascination with "I Love Lucy", Haynes' film tells the story of a highly feminine six-year old boy in pre-hippie 1960s America who endures ridicule from his schoolmates and worry from his parent over his fixation with a TV star named Dottie. |
|
Everybody Street |
Celebrated filmmaker and photographer Cheryl Dunn turns her lens on the pioneers and masters of New York street photography. Dunn profiles artists spanning six decades, including Bruce Davidson, Mary Ellen Mark, Jill Freedman, Jeff Mermelstein and Martha Cooper, revealing that these shooters are as colourful and unique as the subjects they’ve relentlessly documented. Everybody Street explores the passion that compelled Freedman to spend years riding in squad cars during the most violent years in the city; Bruce Gilden’s drive to thrust his camera in people’s faces to capture a moment; and Martha Cooper’s dedication to chasing graffiti on passing subway cars in the Bronx. The film is a definitive look at the iconic visionaries of this often imitated art form. |
|
Only the Dead See The End of War |
A searing account of war correspondent Michael Ware's seven years reporting in Iraq--an extraordinary journey that takes him into the darkest recesses of the Iraq War and the human soul. |
|
The Pet |
A young woman in dire financial straights accepts an offer to be a wealthy aristocrat's human "pet" for six months. Then ruthless modern "pet-nappers" kidnap the woman to sell her on the GSM (Global Slave Market). |
|